Exposición permanente de la historia de la enfermería gaditana. 120 aniversario de la institución colegial / Permanent exhibition of the history of nursing in Cádiz. 120th anniversary of the collegial institution / Exposição permanente da história da enfermagem em Cádiz. 120º aniversário da instituição colegial

La constitución y puesta en marcha del Grupo de Investigación desde el Colegio de Enfermería de Cádiz, ha supuesto un impulso significativo para el estudio de la historia de la institución colegial. Partimos de un importante fondo documental (actas, expedientes y otros documentos) del archivo colegial, al que se añaden fuentes archivísticas de orígenes diferentes. El método heurístico del grupo ha permitido la construcción histórica de gran parte de la evolución de la institución colegial gaditano, desde que se constituyera por primera vez como Colegio Provincial de Practicantes, el día 8 de diciembre de 1899. Esta fecha ha supuesto un reto, ya que los trabajos previos a nuestra investigación presentaban fechas inexactas, lo que supone una de las primeras evidencias de los resultados obtenidos. Tras un proceso extenso de investigaciones y resultados, llegamos al último trabajo, materializado en una exposición permanente de la historia de la Enfermería Gaditana, ubicada en la sede del Colegio de Enfermería de Cádiz, y que es inaugurada con motivo de la celebración del 120 aniversario de la fundación del Colegio de Practicantes de Cádiz, como precursor de la actual organización colegial de Enfermería

The constitution and start-up of the Research Group from the Nursing College of Cádiz, has meant a significant boost for the study of the history of the college. We start from an important documentary archive (minutes, files and other documents) of the collegiate archive, to which archival sources of different origins are added. The group's heuristic method has allowed the historical construction of a large part of the evolution of the Cadiz collegiate institution, since it was first constituted as the Provincial College of Practitioners, on December 8, 1899. This date has been a challenge, since the works prior to our investigation presented inaccurate dates, which is one of the first evidences of the results obtained. After an extensive process of research and results, we come to the last work, materialized in a permanent exhibition on the history of Nursing in Gaditana, located at the headquarters of the College of Nursing in Cádiz, and which is inaugurated on the occasion of the 120th anniversary celebration. of the foundation of the College of Practitioners of Cádiz, as a precursor of the current college organization of Nursing

A constituição e o início do Grupo de Pesquisa da Escola de Enfermagem de Cádiz significou um impulso significativo para o estudo da história da faculdade. Começamos com um importante arquivo documental (atas, arquivos e outros documentos) do arquivo colegiado, ao qual são adicionadas fontes de arquivo de diferentes origens. O método heurístico do grupo permitiu a construção histórica de grande parte da evolução da instituição colegiada de Cádiz, desde que foi constituída pela primeira vez como Colégio Provincial de Praticantes, em 8 de dezembro de 1899. Esta data foi um desafio, já que os trabalhos anteriores à nossa investigação apresentaram datas imprecisas, o que é uma das primeiras evidências dos resultados obtidos. Após um extenso processo de pesquisa e resultados, chegamos ao último trabalho, materializado em uma exposição permanente sobre a história da Enfermagem em Gaditana, localizada na sede da Faculdade de Enfermagem de Cádiz, e inaugurada por ocasião da comemoração do 120º aniversário. da fundação do Colégio de Profissionais de Cádiz, como precursor da atual organização universitária de Enfermagem

Colecciones anatómicas y regímenes de exhibición. Una introducción / Anatomical collections and exhibition regimes. An introduction

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Modelando ciencia. La ceroplástica de Ignacio Lacaba en el Colegio de Cirugía de San Carlos de Madrid / Modelling science. The ceroplastics of Ignacio Lacaba in the Colegio de Cirugía de San Carlos, Madrid

El uso de la ceroplástica como medio de divulgación científica tuvo en la didáctica anatómica del siglo XVIII una enorme difusión. Llegó a trascender las fronteras de una ciencia que impregnaba de conocimiento científico la expresión artística de la belleza a través de la que se manifestaba. Bajo estas premisas se creó en el Real Colegio de Cirugía de San Carlos de Madrid la colección de modelos anatómicos, de la que es custodio el actual Museo de Anatomía Javier Puerta de la Facultad de Medicina de la Universidad Complutense de Madrid. La colección se inició en 1786 con Ignacio Lacaba, primer disector del colegio de cirugía madrileño, cuya sensibilidad artística y profundo conocimiento de la anatomía contribuyó y facilitó la armonización entre la labor de los ceroescultores y el lenguaje y expresión anatómica (AU)

Models made of wax had enormous diffusion in the anatomical teaching of the 18th century. It transcended the borders of a science that impregnated with scientific knowledge the artistic expression of beauty. Based on this premise, the San Carlos Royal College of Surgery created in Madrid a large collection of anatomical models, which is currently maintained by the Javier Puerta Anatomy Museum in the School of Medicine at Madrid Complutense University. The collection began in 1786 with Ignacio Lacaba, the first dissector of the Surgery College of Madrid, whose artistic sensibility and deep knowledge of anatomy contributed and facilitated harmonization between the work of the wax sculptors and language and anatomical expression (AU)

The spatial rhetoric of Gustav Zeiller’s popular anatomical museum

This article focuses on the public experience of science by studying the exhibition practice of a small popular anatomy museum. The owner, Gustav Zeiller, a little-known German model maker and entrepreneur, opened his private collection in Dresden in 1888 with the aim of providing experts and laymen alike with a scientific education on bodily matters and health care. The spatial configuration of his museum environment turned the wax models into didactic instruments. Relying on the possible connexion between material culture studies and the history of the emotions, this article highlights how Zeiller choreographed the encounter between the museum objects and its visitors. I argue that the spatial set up of his museum objects entailed rhetorical choices that did not simply address the social utility of his museum. Moreover, it fulfilled the aim of modifying the emotional disposition of his intended spectatorship. I hope to show that studying the emotional responses toward artefacts can offer a fruitful approach to examine the public experience of medicine (AU)

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Divinos cadáveres: género, discurso médico y colecciones anatómicas en la leyenda de Pedro González de Velasco / Divine cadavers: gender, medical discourse, and anatomical collections in the legend of Pedro González de Velasco

Este artículo examina la imbricación entre el personaje público del anatomista Pedro González de Velasco (1815-1882), célebre por su extensa colección anatómica y por fundar el Museo de Antropología de Madrid en 1875, y la leyenda popular que relata la muerte, embalsamado y posterior exhumación de su hija Concepción. La imagen del médico entregado a la patria se imbrica con otra como la del científico loco, y la biografía entra en el ámbito de la leyenda urbana. Más allá de la mera anécdota, este trabajo mostrará cómo las metáforas estéticas asociadas al cadáver femenino y la feminidad artificial penetran en el imaginario cultural, mostrando la cercanía entre el discurso médico y la esfera de la representación literaria y artística (AU)

This paper examines the relationship between the public image of Pedro González de Velasco (1815-1882), famous for his anatomical collections and his Anthropological Museum, founded in 1875 in Madrid, and the popular legend related to the death, embalming and exhumation of his daughter Concepción. The doctor who is committed to the nation becomes a mad scientist, and his official biography is transformed into an urban legend. Beyond the merely anecdotal, I show how the aesthetics associated with female corpses and artificial women organize cultural imaginaries, bringing together medical discourses and literary and artistic representations (AU)

Pathological anatomy and self-portraiture

Why should an artist look to anatomical or pathological specimens as a reservoir of images with which to facilitate an articulation of his or her own artistic or personal identity? This is the starting point of a reflection on the disappearance of the artist and his/her transformation into a passive object. As a result, it is also a reflection on the blurring lines between subject and object. Based on the work of the artist Lisa Temple-Cox and the critical view and comments of the observer Harcourt, this paper is a first-hand attempt to understand the configuration of the self and the influence of artistic intervention in the generation and representation of anatomical knowledge, resulting in an exploration into the intertwined processes that create both historical subjects and historical objects (AU)

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