On Sublimation.

Although it encapsulates the Freudian theory of art, the theory of sublimation has become outmoded. What is more, since its inception there has always been something ill-defined about it. Does it use sexualized or de-sexualized drive energy? Is it a defence or an alternative to defence? Does it serve Eros or Thanatos? Is it useful in clinical work or is it unusable? The only, albeit uncertain, aid to a definition relies on the extrinsic criterion of concrete artistic realization. My aim here to revisit and possibly 'reinvent' sublimation in the light of certain principles of the pre-Romantic aesthetics of the sublime. Both are theories of spiritual elevation, in other words, elevation that moves towards abstract thinking, and of man's 'moral' achievement; and both attempt to explain the mystery of aesthetic experience. On the one hand, the aesthetics of the sublime offers a modern myth that helps us articulate a series of factors occasionally referred to by various authors as constitutive of sublimation but which have not been incorporated into a single organic framework: loss and early mourning work; the earlier existence of a catastrophic factor - to be regarded, depending on the situation, as either traumatic or simply 'negative'; the correspondence with a process of somatopsychic categorization which coincides with subjectivity. On the other hand, it also helps us grasp the experience of negative pleasure empathically, living it 'from the inside'.

Defense styles in Intermittent Explosive Disorder.

The overreliance on immature and/or neurotic defense mechanisms, as opposed to more mature defensive functioning has been linked to several psychiatric disorders. However, to date, the role of defense styles among individuals with Intermittent Explosive Disorder (IED) has not been examined. Given that individuals with IED display difficulties controlling their anger and aggression, one might expect these individuals to exhibit more immature and less mature defense styles. The current study compared participants with IED to a personality disorder (PD) comparison group, as well as to healthy volunteers (HV) on the Defense Style Questionnaire, a self-report measure that assesses the extent to which individuals endorse using mature, immature, and neurotic defense styles. Subjects with IED had significantly higher scores than both comparison groups on immature defense styles and exhibited lower scores on mature defense mechanisms. Hierarchical regression of significant defense style subscales showed that higher levels of acting out and lower levels of sublimation uniquely discriminated participants with IED from the PD and HV comparison groups.

Unconscious Desire: The Affective and Motivational Aspects of Subliminal Sexual Priming.

Sexual arousal is thought to be the result of the processing of sexual cues at two levels: conscious and unconscious. Whereas numerous studies have examined the affective and motivational responses to supraliminal (consciously processed) sexual cues, much less is known regarding the responses to subliminal (processed outside of one's awareness) sexual cues. Five studies examined responses to subliminal sexual cues. Studies 1­3 demonstrated increases in adults' positive affect following exposure to subliminal sexual cues compared to control cues. Study 4 demonstrated that the positive affect resulting from exposure to subliminal sexual cues increased motivation to further engage in a neutral task. Study 5 provided evidence suggesting that the affect and motivation found in Studies 1­4 were associated with motivation to engage in sex specifically, rather than a general approach motivation. The implications of these findings for the processing of subliminal sexual cues and for human sexuality are discussed.

Some reflections on Ian McEwan's atonement: enactment, guilt, and reparation.

Recognizing that enactments have been discussed in psychoanalysis primarily as occurrences in the treatment setting, the author proposes a new application of the term enactments: that it may pertain to the actions of some individuals in their efforts to cope with bad things that they have done to others. That is, enactment can be a substitute-for-atonement mechanism. The author illustrates this view of enactment through a discussion of Ian McEwan's novel Atonement (2001), and in particular by examining the behavior and motivations of one of its central characters, Briony Tallis. Included are explorations of the relationships between enactment and guilt and between enactment and reparation.

Sublimation, culture, and creativity.

Combining insights from Freud and Weber, this article explores whether Protestants (vs. Catholics and Jews) are more likely to sublimate their taboo feelings and desires toward productive ends. In the Terman sample (Study 1), Protestant men and women who had sexual problems related to anxieties about taboos and depravity had greater creative accomplishments, as compared to those with sexual problems unrelated to such concerns and to those reporting no sexual problems. Two laboratory experiments (Studies 2 and 3) found that Protestants produced more creative artwork (sculptures, poems, collages, cartoon captions) when they were (a) primed with damnation-related words, (b) induced to feel unacceptable sexual desires, or (c) forced to suppress their anger. Activating anger or sexual attraction was not enough; it was the forbidden or suppressed nature of the emotion that gave the emotion its creative power. The studies provide possibly the first experimental evidence for sublimation and suggest a cultural psychological approach to defense mechanisms.

The effect of subliminal evaluative conditioning of cognitive self-schema and illness schema on pain tolerance.

BACKGROUND: Cognitive models explaining medically unexplained complaints propose that activating illness-related memory causes increased complaints such as pain. However, our previous studies showed conflicting support for this theory. PURPOSE: Illness-related memory is more likely to influence reporting of complaints when its activation is enmeshed with that of self-related memory. We, therefore, investigated whether inducing this association would cause a stronger decrease in pain tolerance. In addition, we examined whether SFA acted as a moderator of this effect. METHODS: We used subliminal evaluative conditioning (SEC) to induce an association between activated self-related and illness-related memory. Seventy-six participants were randomly assigned to four combinations of two priming factors: (1) the self-referent word "I" versus the nonself-referent "X" to manipulate activated self-related memory and (2) health complaint (HC) words versus neutral words to manipulate activated illness-related memory. Pain tolerance was assessed using a cold pressor task (CPT). RESULTS: Participants primed with the self-referent "I" and HC words did not demonstrate the expected lower pain tolerance. However, SFA acted as a moderator of the main effect of the self-prime: priming with "I" resulted in increased pain tolerance in participants with low SFA. CONCLUSIONS: The current study did not support the hypothesis that associations between activated self-related memory and illness-related memory cause increased reporting of complaints. Instead, activating self-related memory increased pain tolerance in participants with low SFA. This seems to indicate that the self-prime might cause an increase in SFA and suggests possible new ways to promote adaptive coping with pain.

'Little Hans': from his phobic episode to becoming an opera director.

'Little Hans' is one of the most highly commented cases in the psychoanalytic literature. His work as an opera director from 1925 in Europe and then in the United States of America is much less well known. This may seem especially surprising given that Freud very soon detects Hans's emerging interest in this subject. Yet Freud does not mention it either in 1909 when he reports the case, or when Hans visits him in 1922, even though Hans had already decided to become an opera director at this point. The author of this article endeavours to show how this artistic choice could be understood as a way of accommodating, in a double transference relationship with Freud and with his father, the unanalysed residue of the 'Krawall' (a term invented by Hans) and 'the black thing', both of which appeared during the phobic period.

Psychotherapy. Sublimation and the psychodynamics of birding.

An adventure in extreme birding prompted the psychoanalyst author to reflect on "why do people do this?" Like myriad human interests, vocations, and avocations, the activity of bird watching is a socially acceptable activity that is the final pathway for multiple motivations that are likely to have a long history in the individual's development. It may have origins in basic survival skills. Various psychological defense mechanisms may be involved, the most mature and successful one being sublimation. Success of a defense-like sublimation may be viewed in terms of freedom from anxiety or from obsessive extremes that interfere with the individual's wellbeing, important relationships, or physical or financial health. The author considers whether the characters in the film The Big Year exemplify such success or the lack of it.

Some observations on value and greatness in drama.

This paper argues that value in drama partly results from the nature of the resistance in a scene, resistance used in its common, everyday meaning. A playwright's ability to imagine and present such resistance rests on several factors, including his sublimation of the fantasies that underpin his work. Such sublimation is evident in Chekhov's continuing reworking in his plays of a fantasy that found its initial embodiment for him in one of the central scenes in Hamlet. The increasingly higher value of the scenes Chekhov wrote as he repeatedly reworked Shakespeare's scene resulted from his increasing sublimation of the initial fantasy and is reflected in the ever more complex nature of the resistance found in Chekhov's scenes, resistance that, in turn, created an ever more life-like, three-dimensional central character in the scenes.

Anabolic steroids have long-lasting effects on male social behaviors.

Anabolic androgenic steroids (AAS) use by adolescents is steadily increasing. Adolescence involves remodeling of steroid-sensitive neural circuits that mediate social behaviors, and previous studies using animal models document effects of AAS on male social behaviors. The present experiments tested whether AAS have persistent and more pronounced behavioral consequences when drug exposure occurs during adolescence as compared to exposure in adulthood. Male Syrian hamsters were injected daily for 14 days with either vehicle or an AAS cocktail containing testosterone cypionate (2 mg/kg), nandrolone decanoate (2 mg/kg), and boldenone undecylenate (1 mg/kg), either during adolescence (27-41 days of age) or adulthood (63-77 days of age). As adults, subjects were tested two or four weeks after the last injection for either sexual behavior with a receptive female or male-male agonistic behavior in a resident-intruder test. Compared with vehicle-treated males, AAS-treated males, regardless of age of treatment, displayed fewer long intromissions and a significant increase in latency to the first long intromission, indicative of reduced potential to reach sexual satiety. Increased aggression was observed in males exposed to AAS compared with males treated with vehicle, independently of age of AAS treatment. However, unlike hamsters exposed to AAS in adulthood, hamsters exposed to AAS during adolescence did not display any submissive or risk-assessment behaviors up to 4 weeks after discontinuation of AAS treatment. Thus, AAS have long-lasting effects on male sexual and agonistic behaviors, with AAS exposure during adolescence resulting in a more pronounced reduction in submissive behavior compared to AAS exposure in adulthood.

The death of Hamnet: an essay on grief and creativity.

The author argues that Shakespeare's Hamlet (1600) was influenced by the death in 1596 of the playwright's 11-year-old twin son, Hamnet. Beyond the similarity between the dead child's name and the play's title, the language of the play, a supreme act of sublimation, does at times seem preoccupied with a kind of linguistic twinning. The play's variations on the theme of doubling-pairs of characters, for example, and the many instances of hendiadys, a figure of speech using two substantives to denote a single complex meaning, as well as Hamlet's play within a play-are indirect references to the dead twin, the author contends.

Multimedia psychodynamic psychotherapy: a preliminary report.

Mourning the death of a beloved person is one of life's most stressful events. This psychotherapy case study describes a form of psychodynamic psychotherapy that the author developed in working with a patient who suffered from complicated grief after the death of her father from lung cancer. During sessions, the therapist worked with the patient to collect pictures and organize a "strip of life" of her father's most meaningful moments. The patient then wrote a short text associated with each picture. Finally, she chose music to be added to this "slide show" or "psychodynamic montage" as its soundtrack. The resulting multimedia presentation was finally posted on the Internet on a website to which only the patient and her relatives and friends had access via a password. This therapeutic strategy was effective in helping this patient resolve her symptoms of complicated grief. The author suggests that this new approach to psychodynamic psychotherapy may be a cost-effective and well-received tool for use in institutions such as hospices and general hospitals.

Sublimation and das Ding in Mahler's Symphony no. 8.

This paper addresses sublimation in Gustav Mahler's Symphony no. 8 through Lacan's (1986, 1992) notion of das Ding, the Thing. The author reads Lacan as using das Ding, a term taken from Freud, as shorthand for archaic experience. Lacan provides a reference point when he states that "the Kleinian doctrine places the mother's body there" (1992, p. 117). Das Ding refers to unmediated contact with the Other, usually mother, in which traces of a primitive gratification mark the loss of immediacy, point to a lost object, and establish the trajectory of desire. Sublimation is an attempt to bring us into contact with das Ding.

When sex primes love: subliminal sexual priming motivates relationship goal pursuit.

The studies reported here provide, for the first time, experimental evidence to support the claim that sexual interest and arousal are associated with motives to form and maintain a close relationship. In five studies, sex-related representations were cognitively primed, either subliminally or supraliminally, by exposing participants to erotic words or pictures as compared with neutral words or pictures. The effects of "sexual priming" on the tendencies to initiate and maintain a close relationship were assessed using various cognitive-behavioral and self-report measures. Supporting the hypotheses, subliminal but not supraliminal exposure to sexual primes increased (a) willingness to self-disclose, (b) accessibility of intimacy-related thoughts, (c) willingness to sacrifice for one's partner, and (d) preference for using positive conflict-resolution strategies. The article discusses implications of these findings for the role of sex in close relationships and offers a conceptualization of possible relational motives of the sexual behavioral system.