Confronting the Complexities of "Co-Production" in Participatory Health Research: A Critical, Reflexive Approach to Power Dynamics in a Collaborative Project on Parkinson's Dance.

The literature on participatory health research describes various ways of overcoming obstacles to the co-production of knowledge by redressing power imbalances. In this article, we propose an approach to understanding and analyzing co-production which conceptualizes power, not as an obstacle but as an intrinsic, productive force in bringing "co-production" into being. In the approach, "co-production" is understood and analyzed as a tensional, complex, unstable entity that emerges in power-imbued negotiations of meanings throughout the research process. Focusing on a participatory project on Parkinson's dance, our purpose is to illustrate how the approach can generate knowledge about the complexities of "co-production." We also demonstrate how the approach can provide a foundation for a relational ethics that confronts the complexities head-on. In conclusion, we discuss the insights gained into the possibilities and challenges of co-production and the value of the approach as a foundation for relational ethics.

Revitalising sensualities of ageing with Parkinson's through dance.

Dance for Parkinson's can be characterised as a growing social movement which has become a worldwide phenomenon that gives rise to new questions about the meaning and importance of dance in relation to intersecting and overlapping identity categories of ageing and chronic conditions. In this article, we probe into the potentially constructive interplay between the lived experiences of Parkinson's dance as a space of revitalised sensuality and the cultural imaginations and values connected to the nexus between ageing and chronic conditions. Through a dialogic interpretive framework that recognises and ascribes value to the embodied experiences of Parkinson's dancers, we analyse how the experiences of living with Parkinson's as a chronic condition in the context of ageing are in interplay with the experiences of dancing as an embodied sensual activity. Consequently, we propose that, by emphasising the critical value of stories told by Parkinson's dancers, we are able to gain a more nuanced understanding of how Parkinson's dance affects the nexus between ageing and chronic conditions in revitalising and sensual ways.