Parietin, the Vibrant Natural Dye in Xanthoria parietina.

The use of natural dyes in several areas is regulated by current European and non-European legislation, due to various problems with synthetic dyes. The analysis revealed that the lichen studied: Xanthoria parietina has potential natural dye sources and provides bright colors for extraction solvents. Furthermore, dyed wool and toile fabric have good fastness properties in ammonia fermentation and boiling water, both with and without mordants. The sample dyes with Xanthoria parietina were characterized by several analytical techniques: high-performance liquid chromatography with diode array detection (HPLC-DAD) and electrospray ionization with tandem mass spectrometry (HPLC-ESI-Q-ToF). As compounds from Xanthoria parietina form a complex with mordants and tissues, it is impossible to identify the molecules responsible for coloring using chromatographic techniques. However, we have evaluated the dyeing power of their major molecule, parietin. To further confirm the coloring power of the isolated parietin molecule, we performed a dye test with pure parietin. Thus, CIALAB analyses have shown parietin is the molecule responsible for the coloring obtained by Xanthoria parietina. The utilization of parietin derived from lichens facilitates the development of sustainable dyes for textile coloring, presenting an environmentally friendly alternative to synthetic dyes while simultaneously enriching lichen biodiversity.

A Model Iron Gall Ink: An In-Depth Study of Ageing Processes Involving Gallic Acid.

Iron gall inks have been among the most used writing materials after carbon black, thus representing an important element of the historical and artistic heritage of our society. Crucially, the preservation of manuscripts and drawings is influenced by the presence of these inks, leading to conservation issues related to paper degradation and text fading. Besides all the advances obtained in paper conservation, the study of iron gall ink's behaviour and ageing is still an important topic, which requires investigation through an accurate molecular characterisation to produce reliable models. In the present work a micro-destructive method based on liquid chromatography techniques (HPLC-DAD and HPLC-ESI-Q-ToF) has been optimised starting from a model gallic acid-based ink. An in-depth study of the behaviour of the ink in time was performed by natural and artificial ageing tests, monitored by colorimetry, showing the autoxidation of gallic acid to ellagic acid in the prepared mock-ups. The effect of relative humidity on ageing processes was also evaluated, allowing us to determine different intermediates depending on the environmental conditions. Finally, the analytical method developed was then successfully applied for investigating 19th-20th century historical ink samples, where one of the identified ageing markers was detected, besides the expected gallic and ellagic acids.

Investigating the fragmentation pathways of ß-naphthol pigments using liquid chromatography/electrospray ionization quadrupole time-of-flight mass spectrometry.

RATIONALE: Today, ß-naphthol pigments are among the largest and most widely used classes of synthetic organic pigments. Their application fields range from textiles, food and beverages, printing inks, plastics to paint formulations. Most of the research dealing with their study using mass spectrometry focuses on developing sensitive methods for their quantification or their removal from industrial wastewater. Their qualitative recognition in formulations, whose composition is undisclosed by manufacturers, has not been tackled yet. METHODS: The collision-induced dissociation fragmentation pathways of 10 red and orange widely used pigments of the late 19th to the early 20th centuries, belonging to the ß-naphthol and Naphthol AS classes, were characterized using liquid chromatography/electrospray ionization quadrupole time-of-flight mass spectrometry in negative-ion mode. RESULTS: The fragmentation pathways of these pigments were determined, and the pigments are discussed in relation to their chemical structures. The results were used to determine the composition in terms of the secondary components of one of our reference commercial formulations, characterized by a complex mixture of synthesis by-products. CONCLUSIONS: By coupling the high sensitivity of high-resolution mass spectrometry with an efficient chromatographic separation optimized for the analysis of ß-naphthol dyes and pigments, we provided a method for the qualitative recognition of this class of molecules in unknown formulations possibly used in different kinds of industrial and synthetic products.

A Mass Spectrometric Study on Tannin Degradation within Dyed Woolen Yarns.

Natural tannins from various plants have been used throughout human history in textile dyeing, often as mordant dyes. The ageing behavior of these dyes is a challenge in conservation science, requiring a thorough knowledge of the textile-mordant-dye system. In this work, we analyzed reference wool yarns dyed with natural tannins from oak gallnuts, walnut (Juglans regia), and catechu (Acacia catechu), after artificial ageing. To gain insights on the composition of the dyestuffs and on how they aged, an analytical procedure based on extraction with Na2EDTA/DMF (ethylenediaminetetraacetic acid/dimethylformamide) and high-performance liquid chromatography (HPLC) analysis using high-resolution mass spectrometry detection was used. Since conventional reversed-phase (RP) columns usually show poor retention efficiency of highly polar compounds such as tannins, an RP-amide embedded polar group stationary phase was used to achieve optimal retention of the most polar compounds. Tannins from oak gallnuts showed little degradation after ageing, while a significant increase in the content of hydroxybenzoic acids was observed for tannins from walnut and catechu. Finally, the analytical procedure was applied to characterize the tannin dyes in historical tapestries from the 15th to 16th century, and the results were discussed in comparison with the reference yarns.

A Thermal Analytical Study of LEGO® Bricks for Investigating Light-Stability of ABS.

Acrylonitrile butadiene styrene (ABS) is a thermoplastic polymer widely used in several everyday life applications; moreover, it is also one of the most employed plastics in contemporary artworks and design objects. In this study, the chemical and thermal properties of an ABS-based polymer and its photo-degradation process were investigated through a multi-analytical approach based on thermal, mass spectrometric and spectroscopic techniques. LEGO® building blocks were selected for studying the ABS properties. First, the composition of unaged LEGO® bricks was determined in terms of polymer composition and thermal stability; then, the bricks were subjected to UV-Vis photo-oxidative-accelerated ageing for evaluation of possible degradation processes. The modifications of the chemical and thermal properties were monitored in time by a multi-technique approach aimed at improving the current knowledge of ABS photodegradation, employing pyrolysis online with gas chromatography and evolved gas analysis, coupled with mass spectrometric detection (Py-GC-MS and EGA-MS), differential scanning calorimetry (DSC), thermogravimetric analysis (TGA), and corroborated by external reflection FT-IR spectroscopy. The multimodal approach provided new evidence on the two-step degradation pathway proposed for ABS, defining molecular markers for polybutadiene oxidation and styrene-acrylonitrile depolymerization. Moreover, the results highlighted the feasibility of correlating accurate compositional and thermal data acquired by bulk techniques with external reflection FT-IR spectroscopy as a non-invasive portable tool to monitor the state of conservation of plastic museum objects in-situ.

An integrated analytical study of crayons from the original art materials collection of the MUNCH museum in Oslo.

Among the artists' materials of the nineteenth century, pastel crayons merit scientific interest since their early commercial formulations are mostly unknown and, until now, have been considerably less studied with respect to other contemporary painting materials. In this framework, research herein reports the results of a comprehensive multi-analytical study of 44 pastel crayons of two recognized brands (LeFranc and Dr. F. Schoenfeld) from the Munch museum collection of original materials belonging to Edvard Munch. The integrated use of complementary spectroscopic and hyphenated mass-spectrometry techniques allowed the compositional profiles of the crayons to be traced providing the identification of the inorganic and organic pigments, the fillers/extenders and the binders. All crayons resulted to be oil- based and the binder was identified to be a mixture of a drying oil (safflower or linseed oil), palm oil or Japan wax and beeswax. Among others, pigments such as ultramarine, chrome yellows, Prussian blue, manganese violet, viridian and madder lake have been identified. A significant alignment in formulations of the brands was observed with the only exception of the greens which showed distinctive pigment and filler compositions. The analytical information provided for these commercial artists' materials will be of great interest for academia, museum and other institutions hosting art collections dating from the same period and it will be used by the Munch museum to draw proper conservation strategies of its own artwork collections.

A Matrix-Assisted Laser Desorption/Ionization Time-of-Flight Mass Spectrometry Method for the Identification of Anthraquinones: the Case of Historical Lakes.

This study deals with the identification of anthraquinoid molecular markers in standard dyes, reference lakes, and paint model systems using a micro-invasive and nondestructive technique such as matrix-assisted laser desorption/ionization time-of-flight-mass spectrometry (MALDI-ToF-MS). Red anthraquinoid lakes, such as madder lake, carmine lake, and Indian lac, have been the most widely used for painting purposes since ancient times. From an analytical point of view, identifying lakes in paint samples is challenging and developing methods that maximize the information achievable minimizing the amount of sample needed is of paramount importance. The employed method was tested on less than 0.5 mg of reference samples and required a minimal sample preparation, entailing a hydrofluoric acid extraction. The method is fast and versatile because of the possibility to re-analyze the same sample (once it has been spotted on the steel plate), testing both positive and negative modes in a few minutes. The MALDI mass spectra collected in the two analysis modes were studied and compared with LDI and simulated mass spectra in order to highlight the peculiar behavior of the anthraquinones in the MALDI process. Both ionization modes were assessed for each species. The effect of the different paint binders on dye identification was also evaluated through the analyses of paint model systems. In the end, the method was successful in detecting madder lake in archeological samples from Greek wall paintings and on an Italian funerary clay vessel, demonstrating its capabilities to identify dyes in small amount of highly degraded samples. Graphical Abstract ᅟ.