Exploring the role of working memory gate opening process in creativity: An ERP study using the reference-back paradigm.

We investigated the relationship between the gate opening process of working memory and an individual's proficiency in divergent (DT) and convergent thinking (CT) using the reference-back paradigm. Event-related potentials and reaction times were measured across groups with varying DT (N = 40, 27.35 ± 5.05 years) and CT levels (N = 40, 27.88 ± 4.95 years). Based on the role of striatal dopamine in supporting cognitive flexibility, which facilitates DT, and considering the significance of phasic dopamine activity as the gate opening signal originating from the basal ganglia, we assumed that the gate opening process may contribute differently to DT and CT. Despite the absence of behavioural differences in gate opening costs, distinct neural patterns emerged. In the early time windows (P1, N1), gate opening effects were detected in both DT and CT groups, with a notable interaction influenced by the level of DT, resulting in significant effects within the lower DT group. The P2 component showed a gate opening effect only in the higher DT group. In the P3 time window, the process unfolded comparably in all groups. Our results suggest that groups with different levels of convergent thinking (based on Matrix reasoning) and those with lower DT (based on Creativity Index) tend to select and activate the prefrontal cortex representation containing the required task information at an earlier stage, compared to those with better DT. This could be beneficial especially in the early phase of idea generation, as more elements become available to create associations and original ideas.

Investigating the involvement of cognitive control processes in innovative and adaptive creativity and their age-related changes.

Introduction: Based on the two-factor model of creativity, two distinct types of creative problem solving can be differentiated: innovative ("do things differently") and adaptive ("do things better"). Flexible cognitive control is a crucial concept in connection with both general and specific styles of creativity: innovative problem-solving benefits from broader attention and flexible mental set shifting; while adaptive creativity relies on focused attention and persistent goal-oriented processes. We applied an informatively cued task-switching paradigm which is suitable for measuring different cognitive control processes and mechanisms like proactive and reactive control. We hypothesized that adaptive creativity is connected to effective proactive control processes, while innovative creativity is based on reactive task-execution. As we have found no previous evidence how age-related changes in cognitive control affects creative cognition; we also examined the effect of healthy aging on different problem-solving styles in an explorative way. Methods: Our participants, 37 younger (18-30 years) and 37 older (60-75 years) adults, were divided into innovative and adaptive creative groups according to the Torrance Test of Creative Thinking's Figural Subtest (Hungarian version). Results: Our results showed that among younger adults the adaptively creative group had larger cue-locked CNV component (effective preparatory activity connected to proactive control), while the innovatively creative group had a larger target-locked P3b component (effective target evaluation and categorization in line with reactive control) which supports a functional difference in the two creative styles. By contrast, in older adults innovative problem-solving showed larger mixing costs (less effective maintenance and selection of task sets), and the lack of trial type effect on target-locked N2b (target-induced goal reactivation and less effective conflict resolution); while adaptive problem-solving caused them to make fewer errors (accuracy-oriented behavior). Discussion: All in all, innovative and adaptive creativity is based on distinct cognitive control mechanisms in both age-groups, but their processing level is affected by age-related changes.

The effect of ambiguous and unambiguous stimuli on target processing in less creative and more creative groups.

In the present study our aim was to examine how the processing of task-irrelevant stimuli changes with creativity and aging, and how this processing influences task-relevant responding. We hypothesized that the degree in which irrelevant stimuli attract attention and occupy cognitive capacity, thereby interfering with the motor task, depends not only on the stimuli's saliency, but also on the participants' creativity and age. We investigated event-related potentials (ERP) and behavioural data in four groups - more creative and less creative younger (18-30 years) and older (60-75 years) adults - by presenting unambiguous and ambiguous portrait paintings and photos of faces in equal proportions before and after the target stimuli. Our results showed that aging affected behavioural and ERP responses, but there were no interactions between age groups, creativity and the three types of stimuli. Older adults were not more exposed to the interference caused by distractor stimuli as they compensated with bilateral activity to reach a similar performance to the younger group. The reaction time was faster for targets when they followed the faces rather than the portrait paintings, so, faces may have been less salient to the participants than paintings. The three types of stimuli were differentiated in all the processing stages. Creativity had a measured effect in the earliest (P1) stage with more creative groups being able to distinguish between unambiguous and ambiguous stimuli; and also, in the last processing stage (CNV), in which task-irrelevant stimuli, particularly photos of faces, were less distracting for more creative participants in task preparation. The results show that creativity in general has an influence even at the earliest stage of visual perception.

Does Creativity Influence Visual Perception? - An Event-Related Potential Study With Younger and Older Adults.

We do not know enough about the cognitive background of creativity despite its significance. Using an active oddball paradigm with unambiguous and ambiguous portrait paintings as the standard stimuli, our aim was to examine whether: creativity in the figural domain influences the perception of visual stimuli; any stages of visual processing; or if healthy aging has an effect on these processes. We investigated event related potentials (ERPs) and applied ERP decoding analyses in four groups: younger less creative; younger creative; older less creative; and older creative adults. The early visual processing did not differ between creativity groups. In the later ERP stages the amplitude for the creative compared with the less creative groups was larger between 300 and 500 ms. The stimuli types were clearly distinguishable: within the 300-500 ms range the amplitude was larger for ambiguous rather than unambiguous paintings, but this difference in the traditional ERP analysis was only observable in the younger, not elderly groups, who also had this difference when using decoding analysis. Our results could not prove that visual creativity influences the early stage of perception, but showed creativity had an effect on stimulus processing in the 300-500 ms range, in indexing differences in top-down control, and having more flexible cognitive control in the younger creative group.

Older Adults Automatically Detect Age of Older Adults' Photographs: A Visual Mismatch Negativity Study.

The human face is one of the most frequently used stimuli in vMMN (visual mismatch negativity) research. Previous studies showed that vMMN is sensitive to facial emotions and gender, but investigations of age-related vMMN differences are relatively rare. The aim of this study was to investigate whether the models' age in photographs were automatically detected, even if the photographs were not parts of the ongoing task. Furthermore, we investigated age-related differences, and the possibility of different sensitivity to photographs of participants' own versus different ages. We recorded event-related potentials (ERPs) to faces of young and old models in younger (N = 20; 18-30 years) and older groups (N = 20; 60-75 years). The faces appeared around the location of the field of a tracking task. In sequences the young or the old faces were either frequent (standards) or infrequent (deviants). According to the results, a regular sequence of models' age is automatically registered, and faces violating the models' age elicited the vMMN component. However, in this study vMMN emerged only in the older group to same-age deviants. This finding is explained by the less effective inhibition of irrelevant stimuli in the elderly, and corresponds to own-age bias effect of recognition studies.

The effect of hand motion and object orientation on the automatic detection of orientation: A visual mismatch negativity study.

We investigated the effects of voluntary hand movements and continuously present objects on the automatic detection of deviant stimuli in a passive oddball paradigm. The visual mismatch negativity (vMMN) component of event-related potentials (ERPs) was measured as the index of automatic deviant detection. The stimuli were textures consisting of parallel, oblique bars with frequent (standard) and infrequent (deviant) orientation. Traditional vMMN was measured by the difference between ERPs to frequent (standard) and infrequent (deviant) textures. Additionally, we measured 'genuine' vMMN by comparing the ERPs to deviant and control textures in the equal probability procedure. Compatible and incompatible hand movement directions to the standard texture had no influence on 'traditional' vMMN and elicited no 'genuine' vMMN. However, the deviant texture elicited 'genuine' vMMN if the orientation of a continuously present rectangle was different from the standard (and identical to the deviant) texture orientation. Our results suggest that the direction of voluntary hand movement and the orientation of task-irrelevant visual patterns do not acquire common memory representation, but a continuously present object contributes to the detection of sequential regularity violation.