RESUMEN
Lithuanian traditional polyphonic songs, known as sutartines, are characterized by a distinctive musical language and have almost no analogues in world music. The aim of this article is to explore the peculiarities of their musical language and the socio-cultural context of their performance tradition in order to reveal their archaic origins. The archaic nature of sutartines songs is shown not by individual features of their musical language, but by the totality of these features, the peculiarities of their poetics, and performance traditions. An examination of the musical elements and poetry of these songs, and their juxtaposition against examples of archaic vocal polyphony from other cultures, leads to the convergence of arguments in favour of the very ancient origins of these songs, possibly dating back to Old Europe (c. 3 millennium BC). A deeper insight into sutartines songs significantly enriches our understanding of the origin and development of traditional vocal polyphony.
RESUMEN
In an effort to enhance public awareness, we develop Dikir Farmasi as an innovative approach to deliver health information. Dikir Farmasi combines the elements of dikir barat (a type of traditional folk song rhythm) and traditional sketches which are popular in the state of Kelantan, Malaysia. These sketches and dikir barat rhythmic songs, with lyrics touch on issues such as drug abuse and regulation are presented in an entertaining and humorous way. Health promotion messages are disseminated using Dikir Farmasi in the form of compact disks, video compact disks, stage performance, exhibition, social media, printed media (signboard, brochure and flyer).
