Differentiation of isomeric allylic alkenyl methyl ethers by Raman spectroscopy.

The Raman spectra of several pairs of alkenyl methyl ethers of general structure R(1)R(2)C=CR(5)C(R(3)R(4))OCH3 and R(1)R(2)C(OCH3)C(R(5))=CR(3)R(4) (R(1), R(2), R(3), R(4), R(5) = H or C(n)H(2n+1), n = 1-3) are reported and discussed, with a view to establishing whether Raman spectroscopy offers a viable means of distinguishing between these isomeric unsaturated species. Key bands associated with the nu(sp2C-H) and nu(C=C) stretching modes are found to be particularly useful in this connection: R(1)R(2)C=CHCH2OCH3 and R(1)R(2)C(OCH3)CH=CH2 ethers (R(1), R(2) = CH3, C2H5) are easily distinguished on this basis. Differentiation of their lower homologues, R(1)CH=CHCH2OCH3 and R(1)CH(OCH3)CH=CH2 (R(1) = CH3, C2H5, C3H7), by similar means is also quite straightforward, even in cases where cis and trans isomers are possible. Pairs of isomeric ethers, such as CH3CH=C(CH3)CH2OCH3 and CH3CH(OCH3)C(CH3)=CH2, in which the structural differences are more subtle, may also be distinguished with care. Deductions based on bands ascribed to the stretching vibrations are usually confirmed by consideration of the signals associated with the corresponding delta(sp2C-H) deformation vibrations. Even C2H5CH=CHCH(C3H7)OCH3 and C3H7CH=CHCH(C2H5)OCH3 are found to have distinctive Raman spectra, but differentiation of these closely related isomers requires additional consideration of the low wavenumber region.

Raman microspectroscopic studies of amber resins with insect inclusions.

Raman microscope spectra of specimens of Baltic and Mexican amber resins containing insect inclusions have been analysed using near-infrared excitation to assess the potential for discrimination between the keratotic remains of the insects and the terpenoid matrix. For the Mexican amber specimen the insect spectra exhibit evidence of significant protein degradation compared with the insect remains in the Baltic amber specimen. In both cases the Raman spectra of the insect remains are still distinguishable from the amber resins. Despite its better preservation, however, no spectra could be obtained from the inside of the larger insect preserved in the Baltic amber in agreement with the observation that most insect inclusions in amber are hollow. It is noted that the Mexican amber insect is located adjacent to a large gas bubble in the amber matrix, to which the observed degradation of the insect and its poor state of preservation are attributed. It is concluded that Raman spectra of insect inclusions can provide useful information about the chemical composition of the remains and that confocal microscopy is particularly advantageous in this respect.

Raman spectroscopic study of a post-medieval wall painting in need of conservation.

Raman spectroscopic studies of four specimens from an important angel wall painting in need of conservation work in a medieval church have provided some information about the pigments and pigment compositions which will influence possible future preservation and restoration strategies. Excitation of the Raman spectra at 1,064 nm in macroscopic mode and at 785 nm in microscopic mode revealed that the white pigment on the angel's wings was a mixture of barytes with calcite and lead white in minor composition. Although the specimens provided were not directly associated with coloured regions of the painting, yellow and blue microcrystals were found and they were identified as chrome yellow and lazurite, respectively. Red and brown particles were identified as cinnabar/vermilion and haematite. Several green particles were also found but could not be identified. The green and blue crystals could be related to neighbouring coloured regions of the artwork and the yellow colour could be identified as a background to the angel figure. Particles of carbon were found to be dispersed throughout the specimens and can be ascribed to soot from candles, heating stoves or oil lamps providing lighting in the church. No evidence for biological deterioration was found from the spectra. The unusual pigment palette is strongly suggestive of a later date of painting than was originally believed but there is a possibility that an earlier rendition exists underneath. Following a review of the spectroscopic data, a more extensive sampling protocol is recommended, from which some stratigraphic evidence could identify the underlying plaster and possible artwork.