Effects of high-color-discrimination capability spectra on color-deficient vision.

Light sources with three spectral bands in specific spectral positions are known to have high-color-discrimination capability. W. A. Thornton hypothesized that they may also enhance color discrimination for color-deficient observers. This hypothesis was tested here by comparing the Rösch-MacAdam color volume for color-deficient observers rendered by three of these singular spectra, two reported previously and one derived in this paper by maximization of the Rösch-MacAdam color solid. It was found that all illuminants tested enhance discriminability for deuteranomalous observers, but their impact on other congenital deficiencies was variable. The best illuminant was the one derived here, as it was clearly advantageous for the two red-green anomalies and for tritanopes and almost neutral for red-green dichromats. We conclude that three-band spectra with high-color-discrimination capability for normal observers do not necessarily produce comparable enhancements for color-deficient observers, but suitable spectral optimization clearly enhances the vision of the color deficient.

A chromatic diversity index based on complex scenes.

We propose a chromatic diversity index based on the Munsell set capable of predicting illuminant induced changes in chromatic diversity of complex scenes. The color differences between complex scenes derived from hyperspectral data under a test and under a reference CIE D65 illuminant were computed and compared with the corresponding differences for the Munsell set. It was found that the average color difference between the complex scenes correlates well with the color differences of the Munsell samples with an average correlation of about 0.94, a result indicating that the Munsell set can be used to predict chromatic changes in complex scenes.

Number of discernible colors for color-deficient observers estimated from the MacAdam limits.

We estimated the number of colors perceived by color normal and color-deficient observers when looking at the theoretic limits of object-color stimuli. These limits, the optimal color stimuli, were computed for a color normal observer and CIE standard illuminant D65, and the resultant colors were expressed in the CIELAB and DIN99d color spaces. The corresponding color volumes for abnormal color vision were computed using models simulating for normal trichromatic observers the appearance for dichromats and anomalous trichomats. The number of colors perceived in each case was then computed from the color volumes enclosed by the optimal colors also known as MacAdam limits. It was estimated that dichromats perceive less than 1% of the colors perceived by normal trichromats and that anomalous trichromats perceive 50%-60% for anomalies in the medium-wavelength-sensitive and 60%-70% for anomalies in the long-wavelength-sensitive cones. Complementary estimates obtained similarly for the spectral locus of monochromatic stimuli suggest less impairment for color-deficient observers, a fact that is explained by the two-dimensional nature of the locus.

The number of discernible colors in natural scenes.

The number of colors discernible by normal trichromats has been estimated for the idealized object-color solid. How well these estimates apply to natural scenes is an open question, as it is unknown how much their colors approach the theoretical limits. The aim of this work was to estimate the number of discernible colors based on a database of hyperspectral images of 50 natural scenes. The color volume of each scene was computed in the CIELAB color space and was analyzed using the CIEDE2000 color-difference formula. It was found that the color volume of the set of natural scenes was about 30% of the theoretical maximum for the full object-color solid, and it corresponded to a number of about 2.3 million discernible colors. Moreover, when the lightness dimension was ignored, only about 26,000 (1%) could be perceived as different colors. These results suggest that natural stimuli may be more constrained than expected from the analysis of the theoretical limits.

Correlated color temperature preferred by observers for illumination of artistic paintings.

The visual effects of lighting on art paintings is an important aspect that should be considered by museum curators. The aim of this work was to determine the correlated color temperature (CCT) of daylight illumination preferred by observers when appreciating art paintings. Hyperspectral images of 11 oil paintings were collected at the museum, and the appearance of the paintings under daylight illuminants with CCT from 25,000 K to 3600 K was computed. In a psychophysical experiment using precise CRT reproductions of the paintings, observers had to adjust the CCT of the illuminant such that it produced the best visual impression. It was found that the distribution of observers' preferences had a maximum at a CCT of about 5100 K and that this value did not depend on whether the observers were undergraduate students or museum visitors or on the degree of adaptation to the color of the illumination. These results suggest that observers prefer a more bluish-white light than that normally used in museums.