RESUMO
Most individuals, regardless of formal musical training, have long-term absolute pitch memory (APM) for familiar musical recordings, though with varying levels of accuracy. The present study followed up on recent evidence suggesting an association between singing accuracy and APM (Halpern & Pfordresher, 2022, Attention, Perception, & Psychophysics, 84(1), 260-269), as well as tonal short-term memory (STM) and APM (Van Hedger et al., 2018, Quarterly Journal of Experimental Psychology, 71(4), 879-891). Participants from three research sites (n = 108) completed a battery of tasks including APM, tonal STM, singing accuracy, and self-reported auditory imagery. Both tonal STM and singing accuracy predicted APM, replicating prior results. Tonal STM also predicted singing accuracy, music training, and auditory imagery. Further tests suggested that the association between APM and singing accuracy was fully mediated by tonal STM. This pattern comports well with models of vocal pitch matching that include STM for pitch as a mechanism for sensorimotor translation.
Assuntos
Memória de Curto Prazo , Música , Percepção da Altura Sonora , Humanos , Percepção da Altura Sonora/fisiologia , Adulto , Adulto Jovem , Masculino , Feminino , Memória de Curto Prazo/fisiologia , Canto/fisiologia , Memória de Longo Prazo/fisiologia , Imaginação/fisiologia , AdolescenteRESUMO
Statistical learning is an ability that allows individuals to effortlessly extract patterns from the environment, such as sound patterns in speech. Some prior evidence suggests that statistical learning operates more robustly for speech compared to non-speech stimuli, supporting the idea that humans are predisposed to learn language. However, any apparent statistical learning advantage for speech could be driven by signal acoustics, rather than the subjective perception per se of sounds as speech. To resolve this issue, the current study assessed whether there is a statistical learning advantage for ambiguous sounds that are subjectively perceived as speech-like compared to the same sounds perceived as non-speech, thereby controlling for acoustic features. We first induced participants to perceive sine-wave speech (SWS)-a degraded form of speech not immediately perceptible as speech-as either speech or non-speech. After this induction phase, participants were exposed to a continuous stream of repeating trisyllabic nonsense words, composed of SWS syllables, and then completed an explicit familiarity rating task and an implicit target detection task to assess learning. Critically, participants showed robust and equivalent performance on both measures, regardless of their subjective speech perception. In contrast, participants who perceived the SWS syllables as more speech-like showed better detection of individual syllables embedded in speech streams. These results suggest that speech perception facilitates processing of individual sounds, but not the ability to extract patterns across sounds. Our findings suggest that statistical learning is not influenced by the perceived linguistic relevance of sounds, and that it may be conceptualized largely as an automatic, stimulus-driven mechanism.
Assuntos
Percepção da Fala , Fala , Humanos , Aprendizagem , Desenvolvimento da Linguagem , Idioma , Estimulação AcústicaRESUMO
Most listeners can determine when a familiar recording of music has been shifted in musical key by as little as one semitone (e.g., from B to C major). These findings appear to suggest that absolute pitch memory is widespread in the general population. However, the use of familiar recordings makes it unclear whether these findings genuinely reflect absolute melody-key associations for at least two reasons. First, listeners may be able to use spectral cues from the familiar instrumentation of the recordings to determine when a familiar recording has been shifted in pitch. Second, listeners may be able to rely solely on pitch height cues (e.g., relying on a feeling that an incorrect recording sounds "too high" or "too low"). Neither of these strategies would require an understanding of pitch chroma or musical key. The present experiments thus assessed whether listeners could make accurate absolute melody-key judgments when listening to novel versions of these melodies, differing from the iconic recording in timbre (Experiment 1) or timbre and octave (Experiment 2). Listeners in both experiments were able to select the correct-key version of the familiar melody at rates that were well above chance. These results fit within a growing body of research supporting the idea that most listeners, regardless of formal musical training, have robust representations of absolute pitch - based on pitch chroma - that generalize to novel listening situations. Implications for theories of auditory pitch memory are discussed.
Assuntos
Percepção Auditiva , Música , Humanos , Julgamento , Sinais (Psicologia) , Emoções , Percepção da Altura SonoraRESUMO
Absolute pitch (AP) is the rare ability to name any musical note without the use of a reference note. Given that genuine AP representations are based on the identification of isolated notes by their tone chroma, they are considered to be invariant to (1) surrounding tonal context, (2) changes in instrumental timbre, and (3) changes in octave register. However, there is considerable variability in the literature in terms of how AP is trained and tested along these dimensions, making recent claims about AP learning difficult to assess. Here, we examined the effect of tonal context on participant success with a single-note identification training paradigm, including how learning generalized to an untested instrument and octave. We found that participants were able to rapidly learn to distinguish C from other notes, with and without feedback and regardless of the tonal context in which C was presented. Participants were also able to partly generalize this skill to an untrained instrument. However, participants displayed the weakest generalization in recognizing C in a higher octave. The results indicate that participants were likely attending to pitch height in addition to pitch chroma - a conjecture that was supported by analyzing the pattern of response errors. These findings highlight the complex nature of note representation in AP, which requires note identification across contexts, going beyond the simple storage of a note fundamental. The importance of standardizing testing that spans both timbre and octave in assessing AP and further implications on past literature and future work are discussed.
Assuntos
Música , Humanos , Estimulação Acústica/métodos , Aprendizagem/fisiologia , Generalização Psicológica , Percepção da Altura Sonora/fisiologia , Discriminação da Altura Tonal/fisiologiaRESUMO
Spoken language contains overlapping patterns across different levels, from syllables to words to phrases. The discovery of these structures may be partially supported by statistical learning (SL), the unguided, automatic extraction of regularities from the environment through passive exposure. SL supports word learning in artificial language experiments, but few studies have examined whether it scales up to support natural language learning in adult second language learners. Here, adult English speakers (n = 70) listened to daily podcasts in either Italian or English for 2 weeks while going about their normal routines. To measure word knowledge, participants provided familiarity ratings of Italian words and nonwords both before and after the listening period. Critically, compared with English controls, Italian listeners significantly improved in their ability to discriminate Italian words and nonwords. These results suggest that unguided exposure to natural, foreign language speech supports the extraction of relevant word features and the development of nascent word forms. At a theoretical level, these findings indicate that SL may effectively scale up to support real-world language acquisition. These results also have important practical implications, suggesting that adult learners may be able to acquire relevant speech patterns and initial word forms simply by listening to the language. This form of learning can occur without explicit effort, formal instruction or focused study.
Assuntos
Fonética , Percepção da Fala , Humanos , Adulto , Aprendizagem , Idioma , Aprendizagem Verbal , Desenvolvimento da LinguagemRESUMO
The ability to generalize across specific experiences is vital for the recognition of new patterns, especially in speech perception considering acoustic-phonetic pattern variability. Indeed, behavioral research has demonstrated that listeners are able via a process of generalized learning to leverage their experiences of past words said by difficult-to-understand talker to improve their understanding for new words said by that talker. Here, we examine differences in neural responses to generalized versus rote learning in auditory cortical processing by training listeners to understand a novel synthetic talker. Using a pretest-posttest design with EEG, participants were trained using either (1) a large inventory of words where no words were repeated across the experiment (generalized learning) or (2) a small inventory of words where words were repeated (rote learning). Analysis of long-latency auditory evoked potentials at pretest and posttest revealed that rote and generalized learning both produced rapid changes in auditory processing, yet the nature of these changes differed. Generalized learning was marked by an amplitude reduction in the N1-P2 complex and by the presence of a late negativity wave in the auditory evoked potential following training; rote learning was marked only by temporally later scalp topography differences. The early N1-P2 change, found only for generalized learning, is consistent with an active processing account of speech perception, which proposes that the ability to rapidly adjust to the specific vocal characteristics of a new talker (for which rote learning is rare) relies on attentional mechanisms to selectively modify early auditory processing sensitivity.
Assuntos
Percepção da Fala , Estimulação Acústica , Percepção Auditiva , Potenciais Evocados Auditivos/fisiologia , Humanos , Aprendizagem , Fonética , Percepção da Fala/fisiologiaRESUMO
Most listeners have an implicit understanding of the rules that govern how music unfolds over time. This knowledge is acquired in part through statistical learning, a robust learning mechanism that allows individuals to extract regularities from the environment. However, it is presently unclear how this prior musical knowledge might facilitate or interfere with the learning of novel tone sequences that do not conform to familiar musical rules. In the present experiment, participants listened to novel, statistically structured tone sequences composed of pitch intervals not typically found in Western music. Between participants, the tone sequences either had the timbre of artificial, computerized instruments or familiar instruments (piano or violin). Knowledge of the statistical regularities was measured as by a two-alternative forced choice recognition task, requiring discrimination between novel sequences that followed versus violated the statistical structure, assessed at three time points (immediately post-training, as well as one day and one week post-training). Compared to artificial instruments, training on familiar instruments resulted in reduced accuracy. Moreover, sequences from familiar instruments - but not artificial instruments - were more likely to be judged as grammatical when they contained intervals that approximated those commonly used in Western music, even though this cue was non-informative. Overall, these results demonstrate that instrument familiarity can interfere with the learning of novel statistical regularities, presumably through biasing memory representations to be aligned with Western musical structures. These results demonstrate that real-world experience influences statistical learning in a non-linguistic domain, supporting the view that statistical learning involves the continuous updating of existing representations, rather than the establishment of entirely novel ones.
Assuntos
Música , Estimulação Acústica , Percepção Auditiva , Humanos , Conhecimento , Aprendizagem , Percepção da Altura Sonora , Reconhecimento PsicológicoRESUMO
The frequency-following response (FFR) provides a measure of phase-locked auditory encoding in humans and has been used to study subcortical processing in the auditory system. While effects of experience on the FFR have been reported, few studies have examined whether individual differences in early sensory encoding have measurable effects on human performance. Absolute pitch (AP), the rare ability to label musical notes without reference notes, provides an excellent model system for testing how early neural encoding supports specialized auditory skills. Results show that the FFR predicts pitch labelling performance better than traditional measures related to AP (age of music onset, tonal language experience, pitch adjustment and just-noticeable-difference scores). Moreover, the stimulus type used to elicit the FFR (tones or speech) impacts predictive performance in a manner that is consistent with prior research. Additionally, the FFR predicts labelling performance for piano tones better than unfamiliar sine tones. Taken together, the FFR reliably distinguishes individuals based on their explicit pitch labeling abilities, which highlights the complex dynamics between sensory processing and cognition.
Assuntos
Percepção Auditiva/fisiologia , Comportamento , Audição/fisiologia , Percepção da Altura Sonora/fisiologia , Estimulação Acústica/métodos , Adulto , Eletrofisiologia , Feminino , Humanos , Individualidade , Idioma , Masculino , Modelos Estatísticos , Música , Análise de Regressão , Reprodutibilidade dos Testes , Adulto JovemRESUMO
Many human behaviors are discussed in terms of discrete categories. Quantizing behavior in this fashion may provide important traction for understanding the complexities of human experience, but it also may bias understanding of phenomena and associated mechanisms. One example of this is absolute pitch (AP), which is often treated as a discrete trait that is either present or absent (i.e., with easily identifiable near-perfect "genuine" AP possessors and at-chance non-AP possessors) despite emerging evidence that pitch-labeling ability is not all-or-nothing. We used a large-scale online assessment to test the discrete model of AP, specifically by measuring how intermediate performers related to the typically defined "non-AP" and "genuine AP" populations. Consistent with prior research, individuals who performed at-chance (non-AP) reported beginning musical instruction much later than the near-perfect AP participants, and the highest performers were more likely to speak a tonal language than were the lowest performers (though this effect was not as statistically robust as one would expect from prior research). Critically, however, these developmental factors did not differentiate the near-perfect AP performers from the intermediate AP performers. Gaussian mixture modeling supported the existence of two performance distributions-the first distribution encompassed both the intermediate and near-perfect AP possessors, whereas the second distribution encompassed only the at-chance participants. Overall, these results provide support for conceptualizing intermediate levels of pitch-labeling ability along the same continuum as genuine AP-level pitch labeling ability-in other words, a continuous distribution of AP skill among all above-chance performers rather than discrete categories of ability. Expanding the inclusion criteria for AP makes it possible to test hypotheses about the mechanisms that underlie this ability and relate this ability to more general cognitive mechanisms involved in other abilities.
Assuntos
Biometria/métodos , Discriminação da Altura Tonal/fisiologia , Estimulação Acústica/métodos , Adulto , Percepção Auditiva/fisiologia , Feminino , Humanos , Idioma , Masculino , Música/psicologia , Percepção da Altura Sonora/fisiologiaRESUMO
Adjusting to the vocal characteristics of a new talker is important for speech recognition. Previous research has indicated that adjusting to talker differences is an active cognitive process that depends on attention and working memory (WM). These studies have not examined how talker variability affects perception and neural responses in fluent speech. Here we use source analysis from high-density EEG to show that perceiving fluent speech in which the talker changes recruits early involvement of parietal and temporal cortical areas, suggesting functional involvement of WM and attention in talker normalization. We extend these findings to acoustic source change in general by examining understanding environmental sounds in spoken sentence context. Though there may be differences in cortical recruitment to processing demands for non-speech sounds versus a changing talker, the underlying mechanisms are similar, supporting the view that shared cognitive-general mechanisms assist both talker normalization and speech-to-nonspeech transitions.
Assuntos
Córtex Cerebral/fisiologia , Percepção da Fala , Adulto , Atenção , Compreensão , Feminino , Humanos , Masculino , Memória de Curto Prazo , Acústica da Fala , VozRESUMO
[This corrects the article DOI: 10.3389/fpsyg.2019.01413.].
RESUMO
Absolute pitch (AP), the rare ability to name any musical note without the aid of a reference note, is thought to depend on an early critical period of development. Although recent research has shown that adults can improve AP performance in a single training session, the best learners still did not achieve note classification levels comparable to performance of a typical, "genuine" AP possessor. Here, we demonstrate that these "genuine" levels of AP performance can be achieved within eight weeks of training for at least some adults, with the best learner passing all measures of AP ability after training and retaining this knowledge for at least four months after training. Alternative explanations of these positive results, such as improving accuracy through adopting a slower, relative pitch strategy, are not supported based on joint analyses of response time and accuracy. The results also did not appear to be driven by extreme familiarity with a single instrument or octave range, as the post-training AP assessments used eight different timbres and spanned over seven octaves. Yet, it is also important to note that a majority of the participants only exhibited modest improvements in performance, suggesting that adult AP learning is difficult and that near-perfect levels of AP may only be achievable by subset of adults. Overall, these results demonstrate that explicit perceptual training in some adults can lead to AP performance that is behaviorally indistinguishable from AP that manifests within a critical period of development. Implications for theories of AP acquisition are discussed.
Assuntos
Aprendizagem/fisiologia , Música , Discriminação da Altura Tonal/fisiologia , Estimulação Acústica , Adolescente , Adulto , Feminino , Humanos , Masculino , Tempo de Reação , Adulto JovemRESUMO
Interactions with natural environments and nature-related stimuli have been found to be beneficial to cognitive performance, in particular on executive cognitive tasks with high demands on directed attention processes. However, results vary across different studies. The aim of the present paper was to evaluate the effects of nature vs. urban environments on cognitive performance across all of our published and new/unpublished studies testing the effects of different interactions with nature vs. urban/built control environments, on an executive-functioning test with high demands on directed attention-the backwards digit span (BDS) task. Specific aims in this study were to: (1) evaluate the effect of nature vs. urban environment interactions on BDS across different exposure types (e.g., real-world vs. artificial environments/stimuli); (2) disentangle the effects of testing order (i.e., effects caused by the order in which experimental conditions are administered) from the effects of the environment interactions, and (3) test the (mediating) role of affective changes on BDS performance. To this end, data from 13 experiments are presented, and pooled data-analyses are performed. Results from the pooled data-analyses (N = 528 participants) showed significant time-by-environment interactions with beneficial effects of nature compared to urban environments on BDS performance. There were also clear interactions with the order in which environment conditions were tested. Specifically, there were practice effects across environment conditions in first sessions. Importantly, after parceling out initial practice effects, the positive effects of nature compared to urban interactions on BDS performance were magnified. Changes in positive or negative affect did not mediate the beneficial effects of nature on BDS performance. These results are discussed in relation to the findings of other studies identified in the literature. Uncontrolled and confounding order effects (i.e., effects due to the order of experimental conditions, rather than the treatment conditions) may explain some of the inconsistent findings across studies in the literature on nature effects on cognitive performance. In all, these results highlight the robustness of the effects of natural environments on cognition, particularly when confounding order effects have been considered, and provide a more nuanced account of when a nature intervention will be most effective.
RESUMO
People across the world seek out beautiful sounds in nature, such as a babbling brook or a nightingale song, for positive human experiences. However, it is unclear whether this positive aesthetic response is driven by a preference for the perceptual features typical of nature sounds versus a higher-order association of nature with beauty. To test these hypotheses, participants provided aesthetic judgments for nature and urban soundscapes that varied on ease of recognition. Results demonstrated that the aesthetic preference for nature soundscapes was eliminated for the sounds hardest to recognize, and moreover the relationship between aesthetic ratings and several measured acoustic features significantly changed as a function of recognition. In a follow-up experiment, requiring participants to classify these difficult-to-identify sounds into nature or urban categories resulted in a robust preference for nature sounds and a relationship between aesthetic ratings and our measured acoustic features that was more typical of easy-to-identify sounds. This pattern of results was replicated with computer-generated artificial noises, which acoustically shared properties with the nature and urban soundscapes but by definition did not come from these environments. Taken together, these results support the conclusion that the recognition of a sound as either natural or urban dynamically organizes the relationship between aesthetic preference and perceptual features and that these preferences are not inherent to the acoustic features. Implications for nature's role in cognitive and affective restoration are discussed.
Assuntos
Atenção/fisiologia , Percepção Auditiva/fisiologia , Estética , Estimulação Acústica , Feminino , Humanos , MasculinoRESUMO
Attention restoration theory (ART) posits that stimuli found in nature may restore directed attention functioning by reducing demands on the endogenous attention system. In the present experiment, we assessed whether nature-related cognitive benefits extended to auditory presentations of nature, a topic that has been understudied. To assess directed attention, we created a composite measure consisting of a backward digit span task and a dual n-back task. Participants completed these cognitive measures and an affective questionnaire before and after listening to and aesthetically judging either natural or urban soundscapes (between-participants). Relative to participants who were exposed to urban soundscapes, we observed significant improvements in cognitive performance for individuals exposed to nature. Urban soundscapes did not systematically affect performance either adversely or beneficially. Natural sounds did not differentially change positive or negative affect, despite these sounds being aesthetically preferred to urban sounds. These results provide initial evidence that brief experiences with natural sounds can improve directed attention functioning in a single experimental session.
Assuntos
Atenção , Percepção Auditiva , Cognição , Natureza , Reconhecimento Visual de Modelos , Som , Urbanização , Estimulação Acústica , Adolescente , Adulto , Animais , Feminino , Gryllidae , Humanos , Masculino , Memória de Curto Prazo , Adulto JovemRESUMO
By definition, individuals with absolute pitch (AP) can categorize with near perfect accuracy without a reference pitch. This definition implies a uniformity of performance across people; however, in reality AP is a complex, multidimensional ability, shaped by both early and recent auditory experiences. In the present study we assess whether AP possessors' accuracy for identifying isolated notes is more distributed when judging more challenging instrumental timbres and octaves, as well as whether variability in note categorization could be explained through individual differences in musical expertise, language background, or working memory. In a standard test of AP, all participants performed virtually perfectly. When tested on the challenging notes, performance was more normally distributed. In exploratory analyses, we found (1) lower accuracy among participants who speak a tonal language, (2) less musical expertise among tonal language participants, and (3) a positive relationship between working memory and note performance among tonal language participants that was not present for non-tonal language participants. Taken together, these results highlight the complexity of AP categorization when considered as an auditory skill rather than a native talent. The observation that working memory may be an important in AP categorization under some challenging circumstances is consistent with recent theoretical accounts of how working memory and expertise relate to auditory recognition more broadly.
Assuntos
Aptidão/fisiologia , Individualidade , Idioma , Memória de Curto Prazo/fisiologia , Música/psicologia , Percepção da Altura Sonora/fisiologia , Estimulação Acústica/métodos , Estimulação Acústica/psicologia , Adolescente , Adulto , Feminino , Humanos , Masculino , Pessoa de Meia-Idade , Adulto JovemRESUMO
Absolute pitch (AP) judgments, by definition, do not require a reference note, and thus might be viewed as context independent. Here, we specifically test whether short-term exposure to particular intonation contexts influences AP categorization on a rapid time scale and whether such context effects can change from moment to moment. In Experiment 1, participants heard duets in which a "lead" instrument always began before a "secondary" instrument. Both instruments independently varied on intonation (flat, in-tune, or sharp). Despite participants being instructed to judge only the intonation of the secondary instrument, we found that participants treated the lead instrument's intonation as "in-tune" and intonation judgments of the secondary instrument were relativized against this standard. In Experiment 2, participants heard a short antecedent context melody (flat, in-tune, or sharp) followed by an isolated target note (flat, in-tune, or sharp). Target note intonation judgments were once again relativized against the context melody's intonation, though only for notes that were experienced in the context or implied by the context key signature. Moreover, maximally contrastive intonation combinations of context and target engendered systematic note misclassifications. For example, a flat melody resulted in a greater likelihood of misclassifying a "sharp F-sharp" as a "G." These results highlight that both intonation and note category judgments among AP possessors are rapidly modified by the listening environment on the order of seconds, arguing against an invariant mental representation of the absolute pitches of notes. Implications for general auditory theories of perception are discussed. (PsycINFO Database Record
Assuntos
Música , Percepção da Altura Sonora/fisiologia , Adulto , Feminino , Humanos , Masculino , Adulto JovemRESUMO
Environmental sounds (ES) can be understood easily when substituted for words in sentences, suggesting that linguistic context benefits may be mediated by processes more general than some language-specific theories assert. However, the underlying neural processing is not understood. EEG was recorded for spoken sentences ending in either a spoken word or a corresponding ES. Endings were either congruent or incongruent with the sentence frame, and thus were expected to produce N400 activity. However, if ES and word meanings are combined with language context by different mechanisms, different N400 responses would be expected. Incongruent endings (both words and ES) elicited frontocentral negativities corresponding to the N400 typically observed to incongruent spoken words. Moreover, sentential constraint had similar effects on N400 topographies to ES and words. Comparison of speech and ES responses suggests that understanding meaning in speech context may be mediated by similar neural mechanisms for these two types of stimuli.
Assuntos
Potenciais Evocados Auditivos/fisiologia , Som , Percepção da Fala/fisiologia , Fala/fisiologia , Adolescente , Adulto , Eletroencefalografia , Feminino , Humanos , Masculino , Adulto JovemRESUMO
Most individuals have reliable long-term memories for the pitch of familiar music recordings. This pitch memory (1) appears to be normally distributed in the population, (2) does not depend on explicit musical training and (3) only seems to be weakly related to differences in listening frequency estimates. The present experiment was designed to assess whether individual differences in auditory working memory could explain variance in long-term pitch memory for music recordings. In Experiment 1, participants first completed a musical note adjustment task that has been previously used to assess working memory of musical pitch. Afterward, participants were asked to judge the pitch of well-known music recordings, which either had or had not been shifted in pitch. We found that performance on the pitch working memory task was significantly related to performance in the pitch memory task using well-known recordings, even when controlling for overall musical experience and familiarity with each recording. In Experiment 2, we replicated these findings in a separate group of participants while additionally controlling for fluid intelligence and non-pitch-based components of auditory working memory. In Experiment 3, we demonstrated that participants could not accurately judge the pitch of unfamiliar recordings, suggesting that our method of pitch shifting did not result in unwanted acoustic cues that could have aided participants in Experiments 1 and 2. These results, taken together, suggest that the ability to maintain pitch information in working memory might lead to more accurate long-term pitch memory.
Assuntos
Memória de Longo Prazo/fisiologia , Memória de Curto Prazo/fisiologia , Música , Percepção da Altura Sonora/fisiologia , Estimulação Acústica , Adolescente , Adulto , Feminino , Humanos , Individualidade , Masculino , Adulto JovemRESUMO
There is debate about how individuals use context to successfully predict and recognize words. One view argues that context supports neural predictions that make use of the speech motor system, whereas other views argue for a sensory or conceptual level of prediction. While environmental sounds can convey clear referential meaning, they are not linguistic signals, and are thus neither produced with the vocal tract nor typically encountered in sentence context. We compared the effect of spoken sentence context on recognition and comprehension of spoken words versus nonspeech, environmental sounds. In Experiment 1, sentence context decreased the amount of signal needed for recognition of spoken words and environmental sounds in similar fashion. In Experiment 2, listeners judged sentence meaning in both high and low contextually constraining sentence frames, when the final word was present or replaced with a matching environmental sound. Results showed that sentence constraint affected decision time similarly for speech and nonspeech, such that high constraint sentences (i.e., frame plus completion) were processed faster than low constraint sentences for speech and nonspeech. Linguistic context facilitates the recognition and understanding of nonspeech sounds in much the same way as for spoken words. This argues against a simple form of a speech-motor explanation of predictive coding in spoken language understanding, and suggests support for conceptual-level predictions.