RESUMEN
When playing a self-sustained reed instrument (such as the clarinet), initial acoustical transients (at the beginning of a note) are known to be of crucial importance. Nevertheless, they have been mostly overlooked in the literature on musical instruments. We investigate here the dynamic behavior of a simple model of reed instrument with a time-varying blowing pressure accounting for attack transients performed by the musician. In practice, this means studying a one-dimensional non-autonomous dynamical system obtained by slowly varying in time the bifurcation parameter (the blowing pressure) of the corresponding autonomous systems, i.e., whose bifurcation parameter is constant. In this context, the study focuses on the case for which the time-varying blowing pressure crosses the bistability domain (with the coexistence of a periodic solution and an equilibrium) of the corresponding autonomous model. Considering the time-varying blowing pressure as a new (slow) state variable, the considered non-autonomous one-dimensional system becomes an autonomous two-dimensional fast-slow system. In the bistability domain, the latter has attracting manifolds associated with two stable branches of the bifurcation diagram of the system with constant parameter. In the framework of the geometric singular perturbation theory, we show that a single solution of the two-dimensional fast-slow system can be used to describe the global system behavior. Indeed, this allows us to determine, depending on the initial conditions and rate of change of the blowing pressure, which manifold is approached when the bistability domain is crossed and to predict whether a sound is produced during transient as a function of the musician's control.
RESUMEN
The objective of this work is to estimate by inverse problem lip parameters values of trumpet model so that the oscillation thresholds for successive playing registers occur for the same blowing pressure as the one measured on several trumpet players. The lips vibration is modeled through an oscillator including unknown parameters such as resonance frequency, quality factor, surface mass, stiffness, and opening at rest of the lips. The oscillation threshold is calculated through linear stability analysis of the outward-striking model including the nonlinear coupling with the bore of the trumpet. It appears that many combinations of parameter values are suitable to obtain the same blowing pressure at threshold as in the experiments. According to the analysis of the possible parameter values, some hypotheses are formulated about the playing strategies used by the trumpeter to select the different registers of the instrument. In addition to the resonance frequency of the lips, controlling the lips opening at rest appears to be a viable strategy to match experimental oscillation thresholds in terms of blowing pressure. Numerical values for the lips parameters are given and through sound synthesis, allow the successive registers of the trumpet to be played.
RESUMEN
Woodwind tonehole's linear behavior is characterized by two complex quantities: the series and shunt acoustic impedances. A method to determine experimentally these two quantities is presented for the case of open toneholes. It is based on two input impedance measurements. The method can be applied to clarinet-like instruments, and can be used for undercut toneholes as well as toneholes with pads above their output, under the condition that a symmetry axis exists. The robustness of the method proposed is explored numerically through the simulation of the experiment when considering geometrical and measurement uncertainties. Experimental results confirm the relevance of the method proposed to estimate the shunt impedance. Even the effect of small changes in the hole's geometry, such as those induced by undercutting, are characterized experimentally. The main effect of undercutting is shown to be a decrease in the tonehole's acoustic mass, in agreement with theoretical considerations based on the shape of the tonehole. Investigation on the effects of pads will be studied in a further work. Experimental results also reveal that losses in toneholes are significantly higher than those predicted by the theory. Therefore, the method is suitable for the experimental determination of the shunt impedance, but it is not convenient for the characterization of the series impedance.
RESUMEN
Sound production on a "coaxial saxophone" is investigated experimentally. The coaxial saxophone is a variant of the cylindrical saxophone made up of two tubes mounted in parallel, which can be seen as a low-frequency analogy of a truncated conical resonator with a mouthpiece. Initially developed for the purposes of theoretical analysis, an experimental verification of the analogy between conical and cylindrical saxophones has never been reported. The present paper explains why the volume of the cylindrical saxophone mouthpiece limits the achievement of a good playability. To limit the mouthpiece volume, a coaxial alignment of pipes is proposed and a prototype of coaxial saxophone is built. An impedance model of coaxial resonator is proposed and validated by comparison with experimental data. Sound production is also studied through experiments with a blowing machine. The playability of the prototype is then assessed and proven for several values of the blowing pressure, of the embouchure parameter, and of the instrument's geometrical parameters.