Striking differences in the loud calls of howler monkey sister species (Alouatta pigra and A. palliata).

Comparing vocalizations across species is useful for understanding acoustic variation at mechanistic and evolutionary levels. Here, we take advantage of the divergent vocalizations of two closely related howler monkey species (Alouatta pigra and A. palliata) to better understand vocal evolution. In addition to comparing multiple acoustic and temporal features of roars and the calling bouts in which they are produced, we tested several predictions. First, A. pigra should have roars with lower fundamental frequency and lower formant dispersion because they are larger than A. palliata and have a larger hyoid apparatus. Second, A. pigra should have faster calling rates, longer roars, longer bouts, and exaggerated call features linked to vocal effort (e.g., nonlinear phenomena and emphasized frequencies) because they are the more aggressive species during intergroup encounters. We found significant interspecific differences supporting our predictions in every tested parameter of roars and bouts, except for roar duration and barking rate. Stepwise discriminant function analyses identified the best features for differentiating roars (acoustic features: formant dispersion followed by highest frequency; temporal features: longest syllable duration followed by number of syllables). Although resembling each other more than they resemble South American howler monkeys, our comparison revealed striking differences in the vocalizations of the two Mesoamerican species. While we cannot completely rule out the influence of body size or the environmental conditions in which the two species evolved, vocal differences were likely influenced by sexual selection. The exaggerated roars and intense calling patterns in A. pigra seem more suitable for intergroup competition, whereas A. palliata calls may be better suited for mate attraction and competition within groups. With interspecific acoustic differences quantified, we will now be able to examine how vocalizations contribute to the evolutionary dynamics of the A. palliata × A. pigra hybrid zone in southern Mexico. Am. J. Primatol. 78:755-766, 2016. © 2016 Wiley Periodicals, Inc.

Vocal Indicators of Size, Shape and Body Composition in Polish Men.

OBJECTIVES: From a human evolution perspective, identifying a link between physique and vocal quality could demonstrate dual signaling in terms of the health and biological condition of an individual. In this regard, this study investigates the relationship between men's body size, shape, and composition, and their vocal characteristics. MATERIALS AND METHODS: Eleven anthropometric measurements, using seven indices, were carried out with 80 adult Polish male participants, while the speech analysis adopted a voice recording procedure that involved phonetically recording vowels /ɑː/, /ɛː/, /iː/, /ɔː/, /uː/ to define the voice acoustic components used in Praat software. RESULTS: The relationship between voice parameters and body size/shape/composition was found. The analysis indicated that the formants and their derivatives were useful parameters for prediction of height, weight, neck, shoulder, waist, and hip circumferences. Fundamental frequency (F0) was negatively correlated with neck circumference at Adam's apple level and body height. Moreover neck circumference and F0 association was observed for the first time in this paper. The association between waist circumference and formant component showed a net effect. In addition, the formant parameters showed significant correlations with body shape, indicating a lower vocal timbre in men with a larger relative waist circumference. DISCUSSION: Men with lower vocal pitch had wider necks, probably a result of larynx size. Furthermore, a greater waist circumference, presumably resulting from abdominal fat distribution in men, correlated with a lower vocal timbre. While these results are inconclusive, they highlight new directions for further research.

Sound Predicts Meaning: Cross-Modal Associations Between Formant Frequency and Emotional Tone in Stanzas.

Research on the relation between sound and meaning in language has reported substantial evidence for implicit associations between articulatory-acoustic characteristics of phonemes and emotions. In the present study, we specifically tested the relation between the acoustic properties of a text and its emotional tone as perceived by readers. To this end, we asked participants to assess the emotional tone of single stanzas extracted from a large variety of poems. The selected stanzas had either an extremely high, a neutral, or an extremely low average formant dispersion. To assess the average formant dispersion per stanza, all words were phonetically transcribed and the distance between the first and second formant per vowel was calculated. Building on a long tradition of research on associations between sound frequency on the one hand and non-acoustic concepts such as size, strength, or happiness on the other hand, we hypothesized that stanzas with an extremely high average formant dispersion would be rated lower on items referring to Potency (dominance) and higher on items referring to Activity (arousal) and Evaluation (emotional valence). The results confirmed our hypotheses for the dimensions of Potency and Evaluation, but not for the dimension of Activity. We conclude that, at least in poetic language, extreme values of acoustic features of vowels are a significant predictor for the emotional tone of a text.