Nature in motion: The tuning of the visual system to the spatiotemporal properties of natural scenes.

Natural scenes contain several statistical regularities despite their superficially diverse appearances (e.g., mountains, rainforests, deserts). First, they exhibit a unique distribution of luminance intensities decreasing across spatial frequency, known as the 1/fα amplitude spectrum (α ≈ 1). Additionally, natural scenes share consistent geometric properties, comprising similar densities of structure across multiple scales-a property classifying them as fractal (e.g., how the branching patterns of rivers and trees appear similar irrespective of scale). These two properties are intimately related and correlate strongly in natural scenes. However, research using thresholded noise images suggests that spatially, the human visual system is preferentially tuned to natural scene structure more so than 1/fα spectra. It is currently unclear whether this dependency on natural geometry extends to the temporal domain. We used a psychophysics task to measure discrimination sensitivity toward two types of synthetic noise movies: gray scale and thresholded (N = 60). Each movie type shared the same geometric properties (measured fractal D), but substantially differing spectral properties (measured α). In both space and time, we observe a characteristic dependency on stimulus structure across movie types, with sensitivity peaking for stimuli with natural geometry despite having altered 1/fα spectra. Although only measured behaviorally, our findings may imply that the neural processes underlying this tuning have developed to be sensitive to the most stable signal in our natural environment-structure (e.g., the structural properties of a tree are consistent from morning to night despite illumination changes across time points).

The tuning of human visual cortex to variations in the 1/fα amplitude spectra and fractal properties of synthetic noise images.

Natural scenes share a consistent distribution of energy across spatial frequencies (SF) known as the 1/fα amplitude spectrum (α≈0.8-1.5, mean 1.2). This distribution is scale-invariant, which is a fractal characteristic of natural scenes with statistically similar structure at different spatial scales. While the sensitivity of the visual system to the 1/f properties of natural scenes has been studied extensively using psychophysics, relatively little is known about the tuning of cortical responses to these properties. Here, we use fMRI and retinotopic mapping techniques to measure and analyze BOLD responses in early visual cortex (V1, V2, and V3) to synthetic noise images that vary in their 1/fα amplitude spectra (α=0.25 to 2.25, step size: 0.50) and contrast levels (10% and 30%) (Experiment 1). To compare the dependence of the BOLD response between the photometric (intensity based) and geometric (fractal) properties of our stimuli, in Experiment 2 we compared grayscale noise images to their binary (thresholded) counterparts, which contain only black and white regions. In both experiments, early visual cortex responded maximally to stimuli generated to have an input 1/f slope corresponding to natural 1/fα amplitude spectra, and lower BOLD responses were found for steeper or shallower 1/f slopes (peak modulation: 0.59% for 1.25 vs. 0.31% for 2.25). To control for changing receptive field sizes, responses were also analyzed across multiple eccentricity bands in cortical surface space. For most eccentricity bands, BOLD responses were maximal for natural 1/fα amplitude spectra, but importantly there was no difference in the BOLD response to grayscale stimuli and their corresponding thresholded counterparts. Since the thresholding of an image changes its measured 1/f slope (α) but not its fractal characteristics, this suggests that neuronal responses in early visual cortex are not strictly driven by spectral slope values (photometric properties) but rather their embedded geometric, fractal-like scaling properties.

[Chronic wound in waiting-room]. / Kronicna rana u cekaonici.

Chronic wounds are wounds that in addition to standard methods of treatment do not heal within 6-8 weeks, depending on their localization and etiology. Wound healing is affected by a number of factors: physical, psychosocial, relationship to the patient's disease, the condition of the wound itself, as well as the experience and knowledge of medical personnel and financial resources of the institution. Treating chronic wounds begins taking adequate history. Holistic approach is very important in each patient. It should take into account all the situations that can lead to the prolonged healing of wounds. The psychosocial status of the patient plays an important role in the treatment of chronic wounds.

[Plausible solution to prevent major amputation in diabetic foot patients]. / Sto nakon amputacije dijabetickog stopala?

Diabetes mellitus is one of the leading public health problems in the world. Complications of diabetes mellitus include cardiovascular diseases, retinopathy, neuropathy and diabetic foot, which can in turn lead to lower extremity amputations. This is the main cause of mortality and the biggest expenditure for health system. Treatment is long and frustrating for the patient and also for medical staff. Amputations are becoming more frequent, while the quality of life after amputation is greatly reduced. Healing of postoperative infection is long lasting and demands a lot of hard work from the surgeon and the rest of medical staff, while causing severe suffering for the patient. Progression of infection increases mortality. Negative pressure therapy after minor foot amputations greatly reduces healing time. Negative Pressure Wound Therapy (NPWT) was applied after surgical treatment. All necrotic tissue and fibrin deposits were removed. Initial therapy was administered continuously with 125 mm Hg of vacuum. The NPWT was continued intermittently. Additionally, all patients underwent additional hyperbaric treatment and local hemoglobin administration. In conclusion, in all cases presented, combined NPWT, hyperbaric and topical hemoglobin therapy proved to be a highly effective therapeutic option in preventing pending major amputation following minor diabetic foot amputation.

Fractal Fluency: Processing of Fractal Stimuli Across Sight, Sound, and Touch.

People are continually exposed to the rich complexity generated by the repetition of fractal patterns at different size scales. Fractals are prevalent in natural scenery and also in patterns generated by artists and mathematicians. In this chapter, we will investigate the powerful significance of fractals for the human senses. In particular, we propose that fractals with mid-range complexity play a unique role in our visual experiences because the visual system has adapted to these prevalent natural patterns. This adaptation is evident at multiple stages of the visual system, ranging from data acquisition by the eye to processing of this data in the higher visual areas of the brain. Based on these results, we will discuss a fluency model in which the visual system processes mid-complexity fractals with relative ease. This fluency optimizes the observer's capabilities (such as enhanced attention and pattern recognition) and generates an aesthetic experience accompanied by a reduction in the observer's physiological stress levels. In addition to reviewing people's responses to viewing fractals, we will compare these responses to recent research focused on fractal sounds and fractal surface textures. We will extend our fractal fluency model to allow for stimuli across multiple senses.

Perception of Mooney faces by young infants: the role of local feature visibility, contrast polarity, and motion.

We examined the ability of young infants (3- and 4-month-olds) to detect faces in the two-tone images often referred to as Mooney faces. In Experiment 1, this performance was examined in conditions of high and low visibility of local features and with either the presence or absence of the outer head contour. We found that regardless of the presence of the outer head contour, infants preferred upright over inverted two-tone face images only when local features were highly visible (Experiment 1a). We showed that this upright preference disappeared when the contrast polarity of two-tone images was reversed (Experiment 1b), reflecting operation of face-specific mechanisms. In Experiment 2, we investigated whether motion affects infants' perception of faces in Mooney faces. We found that when the faces appeared to be rigidly moving, infants did show an upright preference in conditions of low visibility of local features (Experiment 2a). Again the preference disappeared when the contrast polarity of the image was reversed (Experiment 2b). Together, these results suggest that young infants have the ability to integrate fragmented image features to perceive faces from two-tone face images, especially if they are moving. This suggests that an interaction between motion and form rather than a purely motion-based process (e.g., structure from motion) facilitates infants' perception of faces in ambiguous two-tone images.

Effects of bioreactive acrolein from automotive exhaust gases on human cells in vitro.

Acrolein is a toxic unsaturated aldehyde and widespread environmental pollutant produced during lipid peroxidation and also by burning of tobacco or liquid fuels. Inhalation or dermal exposure to acrolein could be toxic to organisms. This very reactive aldehyde has a strong affinity for binding to proteins thus forming pathogenic protein-adducts. In the present study we have analyzed formation of bioreactive acrolein-protein adducts in bovine serum albumin solution exposed to exhaust gases of mineral diesel fuel and of mineral diesel fuel supplemented with different amounts of a novel diesel fuel additive denoted Ecodiesel (produced by a genuine procedure of recycling of plant oils used for food preparation). The effects of acrolein-protein adducts were tested on human microvascular endothelial cells and on human osteosarcoma cells that are sensitive to bioactivities of lipid peroxidation products. The results have shown a reduction of the bioreactive acrolein in exhaust gases when mineral diesel was supplemented with 5-20% Ecodiesel. Moreover, acrolein-protein adducts obtained from mineral diesel supplemented with Ecodiesel were less toxic than those obtained from mineral diesel alone. Thus, we assume that supplementing mineral diesel fuel with Ecodiesel would be of benefit for the use of renewable energy, for environment and for human health due to reduced environmental pollution with bioreactive acrolein.

Modeling magnification and anisotropy in the primate foveal confluence.

A basic organizational principle of the primate visual system is that it maps the visual environment repeatedly and retinotopically onto cortex. Simple algebraic models can be used to describe the projection from visual space to cortical space not only for V1, but also for the complex of areas V1, V2 and V3. Typically a conformal (angle-preserving) projection ensuring local isotropy is regarded as ideal and primate visual cortex is often regarded as an approximation of this ideal. However, empirical data show systematic deviations from this ideal that are especially relevant in the foveal projection. The aims of this study were to map the nature of anisotropy predicted by existing models, to investigate the optimization targets faced by different types of retino-cortical maps, and finally to propose a novel map that better models empirical data than other candidates. The retino-cortical map can be optimized towards a space-conserving homogenous representation or a quasi-conformal mapping. The latter would require a significantly enlarged representation of specific parts of the cortical maps. In particular it would require significant enlargement of parafoveal V2 and V3 which is not supported by empirical data. Further, the recently published principal layout of the foveal singularity cannot be explained by existing models. We suggest a new model that accurately describes foveal data, minimizing cortical surface area in the periphery but suggesting that local isotropy dominates the most foveal part at the expense of additional cortical surface. The foveal confluence is an important example of the detailed trade-offs between the compromises required for the mapping of environmental space to a complex of neighboring cortical areas. Our models demonstrate that the organization follows clear morphogenetic principles that are essential for our understanding of foveal vision in daily life.

Visual adaptation to natural scene statistics and visual preference.

The amplitude of Fourier spectra for natural scenes falls with spatial frequency (f) and is described by the equation, 1/fα, where exponent α corresponds to the slope of the spectral drop-off. For natural scenes α takes on intermediate values ~1.25, reflecting their scale invariance. It is also well-established that, on average, images with natural scene statistics are preferred to those that deviate from these properties. Although this average pattern of preference for images with the intermediate values of α is robust, there are also marked individual differences in preference for different levels of α. This study investigated the effects of adaptation on average and individual visual preferences for synthetic filtered noise images varying in α. Participant preferences (N = 58) were measured via a 2AFC task prior to adaptation (baseline) and post-adaptation There were 3 adaptation conditions (α = 0.25, 1.25, 2.25) and 5 test levels of α (0.25, 0.75, 1.25, 1.75, 2.25). On average, the adaptation elevated preferences for test images with α matching the adaptor conditions, especially in adaptor conditions, α = 0.25 and 2.25. We also observed marked individual differences in preference for different levels of α. These different preference profiles remained stable throughout the experiment and affected the levels of adaptation observed in different adaptation conditions.

Nice and slow: Measuring sensitivity and visual preference toward naturalistic stimuli varying in their amplitude spectra in space and time.

The 1/fα amplitude spectrum is a statistical property of natural scenes characterising a specific distribution of spatial and temporal frequencies and their associated luminance intensities. This property has been studied extensively in the spatial domain whereby sensitivity and visual preference overlap and peak for slopes within the natural range (α ≈ 1), but remains relatively less studied in the temporal domain. Here, we used a 4AFC task to measure sensitivity and a 2AFC task to measure visual preference and across a wide range of spatial (α = 0.25, 1.25, 2.25) and temporal (α = 0.25 to 2.50, step size: 0.25) slope conditions. Stimuli with a shallow temporal slope modulate rapidly (e.g. 0.25), whereas stimuli with a steep slope modulate slowly (e.g. 2.25). Interestingly, sensitivity and visual preference did not closely overlap. While the sensitivity of the visual system is highest for our stimulus with an intermediate modulation rate (1.25), which is most abundant in nature, the stimulus with the slowest modulation rate (2.25) was most preferred. It seems sensible for the visual system to be sensitive to spatiotemporal spectra that most commonly exist in nature (α ≈ 1). However, it is possible that preference might be related to what these properties signal in the natural world. Consider the cases of waves slowly vs. rapidly crashing on a beach or fast vs. slow animals. In both instances the slowest option is often the safest and preferential, suggesting that the temporal 1/fα amplitude spectrum provides additional information that may indicate preferred environmental conditions.

Aesthetics and Psychological Effects of Fractal Based Design.

Highly prevalent in nature, fractal patterns possess self-similar components that repeat at varying size scales. The perceptual experience of human-made environments can be impacted with inclusion of these natural patterns. Previous work has demonstrated consistent trends in preference for and complexity estimates of fractal patterns. However, limited information has been gathered on the impact of other visual judgments. Here we examine the aesthetic and perceptual experience of fractal 'global-forest' designs already installed in humanmade spaces and demonstrate how fractal pattern components are associated with positive psychological experiences that can be utilized to promote occupant wellbeing. These designs are composite fractal patterns consisting of individual fractal 'tree-seeds' which combine to create a 'global fractal forest.' The local 'tree-seed' patterns, global configuration of tree-seed locations, and overall resulting 'global-forest' patterns have fractal qualities. These designs span multiple mediums yet are all intended to lower occupant stress without detracting from the function and overall design of the space. In this series of studies, we first establish divergent relationships between various visual attributes, with pattern complexity, preference, and engagement ratings increasing with fractal complexity compared to ratings of refreshment and relaxation which stay the same or decrease with complexity. Subsequently, we determine that the local constituent fractal ('tree-seed') patterns contribute to the perception of the overall fractal design, and address how to balance aesthetic and psychological effects (such as individual experiences of perceived engagement and relaxation) in fractal design installations. This set of studies demonstrates that fractal preference is driven by a balance between increased arousal (desire for engagement and complexity) and decreased tension (desire for relaxation or refreshment). Installations of these composite mid-high complexity 'global-forest' patterns consisting of 'tree-seed' components balance these contrasting needs, and can serve as a practical implementation of biophilic patterns in human-made environments to promote occupant wellbeing.

The foveal confluence in human visual cortex.

The human visual system devotes a significant proportion of its resources to a very small part of the visual field, the fovea. Foveal vision is crucial for natural behavior and many tasks in daily life such as reading or fine motor control. Despite its significant size, this part of cortex is rarely investigated and the limited data have resulted in competing models of the layout of the foveal confluence in primate species. Specifically, how V2 and V3 converge at the central fovea is the subject of debate in primates and has remained "terra incognita" in humans. Using high-resolution fMRI (1.2 x 1.2 x 1.2 mm(3)) and carefully designed visual stimuli, we sought to accurately map the human foveal confluence and hence disambiguate the competing theories. We find that V1, V2, and V3 are separable right into the center of the foveal confluence, and V1 ends as a rounded wedge with an affine mapping of the foveal singularity. The adjacent V2 and, in contrast to current concepts from macaque monkey, also V3 maps form continuous bands (approximately 5 mm wide) around the tip of V1. This mapping results in a highly anisotropic representation of the visual field in these areas. Unexpectedly, for the centermost 0.75 degrees, the cortical representations for both V2 and V3 are larger than that of V1, indicating that more neuronal processing power is dedicated to second-level analysis in this small but important part of the visual field.

Viewing Art in Different Contexts.

While aesthetic experiences are not limited to any particular context, their sensorial, cognitive and behavioral properties can be profoundly affected by the circumstances in which they occur. Given the ubiquitous nature of contextual effects in nearly all aspects of behavior, investigations aimed at delineating the context-dependent and context-independent aspects of aesthetic experience and engagement with aesthetic objects in a diverse range of settings are important in empirical aesthetics. Here, we analyze the viewing behavior of visitors (N = 19) freely viewing 15 paintings in the 20th-century Australian collection room at the Art Gallery of New South Wales. In particular, we focus on how aspects of viewing behavior including viewing distance in the gallery condition and eye gaze measures such as fixation count, total fixation duration and average fixation duration are affected by the artworks' physical characteristics including size and image statistics properties such as Fourier amplitude spectrum, fractal dimension and entropy. In addition, the same artworks were viewed in the laboratory, either scaled to fit most of the screen (N = 22) or to preserve their relative size as in the museum condition (N = 17) to assess the robustness of these relationships across different presentation contexts. We find that the effects of presentation context are modulated by the artworks' physical characteristics.

Temporal structure of chromatic channels revealed through masking.

The human color and luminance-driven systems appear to be mediated by mechanisms with distinct spatio-temporal tuning properties, with the iso-luminant color-driven system comparatively less sensitive to high rates of temporal modulation. While color and luminance defined speed and rate discrimination studies indicate perceptual access to the outputs of multiple, overlapping temporal frequency-selective mechanisms (channels), a detailed functional characterization of their response is currently restricted to the luminance-driven domain. Threshold elevations for 1- and 10-Hz targets were measured as a function of the temporal frequency of a spatio-temporally overlaid masking stimulus (1-30 Hz). Target and masking stimuli were iso-oriented gratings spatio-temporally modulated along each axis of human color space: L - M (red-green), S + S- (violet-yellow; S-cone isolating), and L + M + S (achromatic). Qualitatively equivalent patterns of temporal frequency-dependent masking were observed when measured within and, with one exception (red-green target, achromatic mask), between cardinal axes of human color space: fitted by one low-pass and one bandpass Gaussian function. That both low-pass and higher bandpass masking functions were evident between iso-luminant cardinal color axes (L - M and S + S-) suggests that both low and high temporal frequency masking may be cortically mediated.

Temporal whitening: transient noise perceptually equalizes the 1/f temporal amplitude spectrum.

Naturally occurring luminance distributions are approximately 1/f in their spatial and temporal amplitude spectra. By systematically varying the spatio-temporal profile of broadband noise stimuli, we demonstrate that humans invariably overestimate the proportion of high spatial and temporal frequency energy. Critically, we find that that the strength of this bias is of a magnitude that predicts a perceptually equalized response to the spatio-temporal fall off in the natural amplitude spectrum. This interpretation is supported by our finding that the magnitude of this transient response bias, while evident across a broad range of narrowband spatial frequencies (0.25-8 cycles/deg), decreases above 2 cycles/deg, which itself compensates for the increase in temporal frequency energy previously observed at high spatial frequencies as a consequence of small fixational eye movements (M. Rucci, R. Iovin, M. Poletti, & F. Santini, 2007). Additional temporal masking and adaptation experiments reveal a transiently biased asymmetry. Whereas temporal frequencies >4 Hz mask and adapt 1- and 15-Hz targets, lower masking and adaptation frequencies have much less effect on sensitivity to 15-Hz compared with 1-Hz targets. These results imply that the visual system over-represents its transient input to an extent that predicts an equalized temporal channel response to the low-frequency-biased structure of natural scenes.

The perception of illusory transparent surfaces in infancy: early emergence of sensitivity to static pictorial cues.

Most developmental studies consistently show that sensitivity to purely pictorial cues to perceptual organization emerges around 6-7 months of age (e.g. B. I. Bertenthal, J. J. Campos, & M. M. Haith, 1980). Here, we show evidence for an early emergence of visual completion using purely static two-dimensional pictorial information. By using preferential looking technique, we examined whether 3-4 and 5-6 month-olds perceive illusory transparent surface which is induced by a newly developed mixed polarity Kanizsa configuration. Our results suggest that 3-4 and 5-6 month-olds discriminate and prefer the transparent Kanizsa configuration both from its rotated counterpart, and from the non-transparent Kanizsa configuration. Our stimuli and experimental manipulation exclude the possibility that these responses were based on the geometrical properties of the figure or the local contrast difference between the figures. Our finding suggests the sensitivity for surface segmentation based solely on two-dimensional cues in both 3-4 and 5-6 month olds.

Preference for Fractal-Scaling Properties Across Synthetic Noise Images and Artworks.

A large number of studies support the notion that synthetic images within a certain intermediate fractal-scaling range possess an intrinsic esthetic value. Interestingly, the fractal-scaling properties that define this intermediate range have also been found to characterize a vast collection of representational, abstract, and graphic art. While some have argued that these statistic properties only serve to maximize the visibility of the artworks' spatial structure, others argue that they are intrinsically tied to the artworks' esthetic appeal. In this study, we bring together these two threads of research and make a direct comparison between visual preference for varying fractal-scaling characteristics in both synthetic images and artworks. Across two studies, viewers ranked and rated sets of synthetic noise images and artworks that systematically varied in fractal dimension for liking, pleasantness, complexity, and interestingness. We analyzed both average and individual patterns of preference between the two image classes. Average preference peaked for intermediate fractal dimension values for both categories, but individual patterns of preferences for both high and low values also emerged. Correlational analyses indicated that individual preferences between the two image classes remained moderately consistent and were improved when the fractal dimensions between synthetic images and artworks were more closely matched. Overall, these findings further support the role of fractal-scaling statistics both as a key determinant of an object's esthetic value and as a valuable predictor of individual differences in esthetic preference.

Do sudden onsets need to be perceived as new objects to capture attention? The interplay between sensory transients and display configuration.

Yantis and Jonides (1984) and Jonides and Yantis (1988) reported robust involuntary attentional capture by sudden-onsets, the origin of which has been debated. Prominent accounts have highlighted aspects that include the "new object" status of a sudden-onset (Yantis & Hillstrom, 1994) and the substantial luminance changes accompanying their appearance (Gellatly, Cole & Blurton, 1999; Franconeri, Hollingworth & Simons, 2005), including relative differences in the amount of sensory change between target and nontarget items (Pinto, Olivers & Theeuwes, 2008). In this research we dissociate the amount of sensory change accompanying sudden onsets from the extent to which they appear as newly created objects in search displays. We attempted to determine the relative contribution of local sensory changes and display configuration to attentional capture by sudden-onsets. We showed that the display configuration of old objects modulates the impact of capture caused by sudden-onsets.

Created unequal: Temporal dynamics of modal and amodal boundary interpolation.

In this study we manipulate the distribution of contrast polarity reversals in inducing configurations to create novel variants of modal and amodal completion. The novel variants, better equated in their geometric and photometric characteristics offer a superior way to probe similarities and differences in the temporal dynamics that underlie different forms of perceptual completion. We use dot localisation to directly compare the spatial characteristics of modally and amodally interpolated contours at presentation durations ranging from 120 to 300ms and find robust differences in the spatiotemporal formation of modally and amodally completed boundaries. Modally completed contours are localised more accurately and with better spatial precision across all presentation durations. Our results challenge the assumption that the boundary interpolation system depends solely on the geometrical relatability of inducing fragments and suggest that boundary interpolation depends on the spatial distribution of local luminance relationships. As an alternative to the strong version of the identity hypothesis, we propose that modal and amodal completion are mediated by different mechanisms, triggered by particular configurations of contrast polarity.

Taxonomy of Individual Variations in Aesthetic Responses to Fractal Patterns.

In two experiments, we investigate group and individual preferences in a range of different types of patterns with varying fractal-like scaling characteristics. In Experiment 1, we used 1/f filtered grayscale images as well as their thresholded (black and white) and edges only counterparts. Separate groups of observers viewed different types of images varying in slope of their amplitude spectra. Although with each image type, the groups exhibited the "universal" pattern of preference for intermediate amplitude spectrum slopes, we identified 4 distinct sub-groups in each case. Sub-group 1 exhibited a typical peak preference for intermediate amplitude spectrum slopes ("intermediate"; approx. 50%); sub-group 2 exhibited a linear increase in preference with increasing amplitude spectrum slope ("smooth"; approx. 20%), while sub-group 3 exhibited a linear decrease in preference as a function of the amplitude spectrum slope ("sharp"; approx. 20%). Sub-group 4 revealed no significant preference ("other"; approx. 10%). In Experiment 2, we extended the range of different image types and investigated preferences within the same observers. We replicate the results of our first experiment and show that individual participants exhibit stable patterns of preference across a wide range of image types. In both experiments, Q-mode factor analysis identified two principal factors that were able to explain more than 80% of interindividual variations in preference across all types of images, suggesting a highly similar dimensional structure of interindividual variations in preference for fractal-like scaling characteristics.