What breaks a melody: perceiving F0 and intensity sequences with a cochlear implant.

ABSTRACT

Pitch perception has been extensively studied using discrimination tasks on pairs of single sounds. When comparing pitch discrimination performance for normal-hearing (NH) and cochlear implant (CI) listeners, it usually appears that CI users have relatively poor pitch discrimination. Tasks involving pitch sequences, such as melody perception or auditory scene analysis, are also usually difficult for CI users. However, it is unclear whether the issue with pitch sequences is a consequence of sound discriminability, or if an impairment exists for sequence processing per se. Here, we compared sequence processing abilities across stimulus dimensions (fundamental frequency and intensity) and listener groups (NH, CI, and NH listeners presented with noise-vocoded sequences). The sequence elements were firstly matched in discriminability, for each listener and dimension. Participants were then presented with pairs of sequences, constituted by up to four elements varying on a single dimension, and they performed a same/different task. In agreement with a previous study (Cousineau et al., 2009) fundamental frequency sequences were processed more accurately than intensity sequences by NH listeners. However, this was not the case for CI listeners, nor for NH listeners presented with noise-vocoded sequences. Intensity sequence processing was, nonetheless, equally accurate in the three groups. These results show that the reduced pitch cues received by CI listeners do not only elevate thresholds, as previously documented, but also affect pitch sequence processing above threshold. We suggest that efficient sequence processing for pitch requires the resolution of individual harmonics in the auditory periphery, which is not achieved with the current generation of implants.