Unearthing Grape Heritage: Morphological Relationships between Late Bronze-Iron Age Grape Pips and Modern Cultivars.

The grapevine was one of the earliest domesticated fruit crops and has been cultivated since ancient times. It is considered one of the most important fruit crops worldwide for wine and table grape production. The current grape varieties are the outcome of prolonged selection initiated during the domestication process of their wild relative. Recent genetic studies have shed light on the origins of the modern domestic grapevine in western Europe, suggesting that its origin stems from the introgression between eastern domestic grapes and western wild grapes. However, the origin of ancient grapevines remains largely unexplored. In this study, we conducted an extensive analysis of 2228 well-preserved waterlogged archaeological grape pips from two sites in Sardinia (Italy), dated to the Late Bronze Age (ca. 1300-1100 BC) and the Iron Age (4th and 3rd centuries BC). Using morphometrics and linear discriminant analyses, we compared the archaeological grape pips with modern reference collections to differentiate between wild and domestic grape types and to investigate similarities with 330 modern cultivars. Grape pips from the Late Bronze Age displayed a high percentage of similarity with domesticated grapevines, with a small percentage assigned to wild ones, while the majority of grape pips from the Iron Age were classified as domestic. Discriminant analyses revealed that both white and red grape varieties were cultivated during the Late Bronze and Iron Ages, suggesting a high level of diversification in grape cultivation. Furthermore, a high percentage of archaeological grape pips from both periods showed strong similarities with modern cultivars from the Caucasus and Balkans. This suggests that the great diversity of grapevines present in Sardinia could result from interbreeding between western Asian cultivars and local grapevines that began in the Late Bronze Age. Additionally, a substantial proportion of archaeological grape pips exhibited similar morphometric characteristics to two important Mediterranean grape cultivars: "Muscat à petits grains blancs" and "Garnacha".

Characterization of a Unique Nuragic Bronze Navicella with a Combination of X-ray Fluorescence Spectrometry and Monte Carlo Simulation.

This paper describes the results obtained from an archaeometric study of a bronze Nuragic small boat model (Sardinia, Italy) dating from the Early Iron Age (presumably 9th-7th centuries BC). The artifact comes from an unknown location in Sardinia and is one of the objects that came to the Museum of Turin in the 19th century. This model is of particular interest as it is a unique Nuragic boat model containing a human figure among its decorations. The artifact is kept in the collection of the Royal Museum of Turin (Italy) and is a typical example of Sardinian manufacture from the Early Iron Age. This study was carried out using a combination of non-invasive techniques with energy dispersive X-ray fluorescence spectrometry (ED-XRF) integrated with Monte Carlo (MC) simulations and Raman spectroscopy, which allowed the characterization of the alloy of the artifact.

Nuragic Working Tools Characterization with Corrosion Layer Determinations.

From the availability of metals to the technology and tools needed to transform them, roughly every civilization in the Mediterranean basin has a metalsmith story. Many of the objects produced by them share a few peculiar characteristics, usages, or even shapes. In this scenario, a class of objects that can be clustered by their usage, i.e., working tools, stands out from the crowd. For this study, a set of working tools from the Nuragic civilization (Sardinia, Italy) was researched with a non-destructive technique: X-ray Fluorescence (XRF). A quantification of the chemical species present in their alloy was obtained with the use of Monte Carlo simulations. The XRMC package, used for the simulations, managed for the first time to reproduce very complex corrosion layers and to thoroughly characterize them from a chemical perspective. The obtained results were discussed and compared to other results reported in the literature.

The Strange Case of the Nuragic Offerers Bronze Statuettes: A Multi-Analytical Study.

The Nuragic civilization (Sardinia, Italy, XVIII-VIII B.C) developed a flourishing bronze metallurgy with strong connections with other civilizations from the Mediterranean basin. Within the large bronze production, there are some peculiar representations of human figures, known in the archaeological environment of Sardinia as bronzetti, depicting warriors, priests, and offerers. In this paper, an interesting couple of Nuragic statuettes representing offerers, one from the Pigorini Museum in Rome and another from the Musei Reali in Turin, were analyzed. They have been investigated with X-ray fluorescence integrated with Monte Carlo simulations (XRF-MC). The combined methodology provides more accurate results, ranging from the structural characterization to the identification of the corrosion layers to the estimation of the composition of the alloy of the artifact. One of the most striking results regards the heads of the offerers: both heads are covered with a thick iron-based layer, even though the whole artifacts are made of a copper alloy. To understand the reason behind this peculiar corrosion patina, several hypotheses have been considered, including the possibility that these iron mineralizations are the consequence of an ancient superficial treatment, intending to confer a chromatic effect on the figurine's head.

Characterisation of Alloy Composition of Protohistoric Small Boat Models from Sardinia (Italy).

The Sardinian protohistoric civilisation (Final Bronze Age and the Early Iron Age) has greatly contributed to the development of metallurgy in the Mediterranean area by producing a large number of bronze artefacts. Among them, small boat models (so-called "navicelle") represent one of the most characteristic objects from the Sardinian Protohistoric civilisation. This work is an attempt to classify these boats on the basis of their alloy composition, provenience, and morphology. Due to the impossibility of removing the boats from the museum, alloys were characterised using energy-dispersive X-ray fluorescence spectrometry and Monte Carlo simulations. Fifteen boats were analyzed. Obtained results were compared to other performed analyses in the last few decades with different techniques and reported in the literature. Analyses allow for characterising both the bulk composition of ternary alloy Cu-Sn-Pb and patina thickness, offering useful information about their conservation status and the technological achievements of Sardinian craftsmen, while also providing information on smelting temperatures and casting techniques.