Realizing the gravity of the simulation: adaptation to simulated hypogravity leads to altered predictive control.

Accurate predictive abilities are important for a wide variety of animal behaviors. Inherent to many of these predictions is an understanding of the physics that underlie the behavior. Humans are specifically attuned to the physics on Earth but can learn to move in other environments (e.g., the surface of the Moon). However, the adjustments made to their physics-based predictions in the face of altered gravity are not fully understood. The current study aimed to characterize the locomotor adaptation to a novel paradigm for simulated reduced gravity. We hypothesized that exposure to simulated hypogravity would result in updated predictions of gravity-based movement. Twenty participants took part in a protocol that had them perform vertically targeted countermovement jumps before (PRE), during, and after (POST) a physical simulation of hypogravity. Jumping in simulated hypogravity had different neuromechanics from the PRE condition, with reduced ground impulses (p ≤ .009) and muscle activity prior to the time of landing (i.e., preactivation; p ≤ .016). In the 1 g POST condition, muscle preactivation remained reduced (p ≤ .033) and was delayed (p ≤ .008) by up to 33% for most muscles of the triceps surae, reflecting an expectation of hypogravity. The aftereffects in muscle preactivation, along with little-to-no change in muscle dynamics during ground contact, point to a neuromechanical adaptation that affects predictive, feed-forward systems over feedback systems. As such, we conclude that the neural representation, or internal model, of gravity is updated after exposure to simulated hypogravity.

Higher Node Activity with Less Functional Connectivity During Musical Improvisation.

Musical improvisation is one of the most complex forms of creative behavior, which offers a realistic task paradigm for the investigation of real-time creativity where revision is not possible. Despite some previous studies on musical improvisation and brain activity, what and how brain areas are involved during musical improvisation are not clearly understood. In this article, we designed a new functional magnetic resonance imaging (fMRI) study, in which, while being in the MRI scanner, advanced jazz improvisers performed improvisatory vocalization and imagery as main tasks and performed a prelearned melody as a control task. We incorporated a musical imagery task to avoid possible confounds of mixed motor and perceptual variables in previous studies. We found that musical improvisation compared with prelearned melody is characterized by higher node activity in the Broca's area, dorsolateral prefrontal cortex, lateral premotor cortex, supplementary motor area and cerebellum, and lower functional connectivity in number and strength among these regions. We discuss various explanations for the divergent activation and connectivity results. These results point to the notion that a human creative behavior performed under real-time constraints is an internally directed behavior controlled primarily by a smaller brain network in the frontal cortex.