A unitary mechanism underlies adaptation to both local and global environmental statistics in time perception.

Our duration estimation flexibly adapts to the statistical properties of the temporal context. Humans and non-human species exhibit a perceptual bias towards the mean of durations previously observed as well as serial dependence, a perceptual bias towards the duration of recently processed events. Here we asked whether those two phenomena arise from a unitary mechanism or reflect the operation of two distinct systems that adapt separately to the global and local statistics of the environment. We employed a set of duration reproduction tasks in which the target duration was sampled from distributions with different variances and means. The central tendency and serial dependence biases were jointly modulated by the range and the variance of the prior, and these effects were well-captured by a unitary mechanism model in which temporal expectancies are updated after each trial based on perceptual observations. Alternative models that assume separate mechanisms for global and local contextual effects failed to capture the empirical results.

Cognitive entailments among "the true, the good, the beautiful": a mainland Chinese sample.

Philosophers and cognitive scientists have long debated about the entailments among "the true, the good, the beautiful" (TGB hereafter). In the current article, we directly probed mainland Chinese subjects' cognitive entailment among TGB. Using 1-7 (Experiment 1) and 1-6 (Experiment 2) Likert scales, we convergently observed that mainland Chinese subjects tend to think that the beautiful is not the true, and that the good is the beautiful. Additionally, Experiment 1 also revealed that mainland Chinese subjects tend to think that the true is not the beautiful. Some of these results may reflect anthropological universals, and some others may reflect cultural specifics. Experiment 3 revealed that the most popular translation of TGB in Chinese into English is rather "the true, the kind, the beautiful", suggesting that the three concepts mapped to TGB in Chinese is not one-to-one mapped to the three concepts mapped to TGB in English. Therefore, caution should be exercised when making cross-linguistic or cross-cultural comparisons about TGB in the future.

East of West, West of East: a matter of global and local identity.

Research is a very personal matter. On the basis of experiences in different countries with researchers from different cultures over many years, some observations will be described. The conceptual frame of this attempt is to look for anthropological universals and cultural specifics. Much can be learned from spatial representations in the arts. Whereas in the West since Renaissance time the central perspective has become dominant in visual art, in Eastern landscape paintings the "floating view" is typical. The claim that the central perspective corresponds to geometric laws and matches how we see the world is misleading for at least two reasons: It violates mechanisms of size constancy, and the visual world is spatially reduced in pictures to the perifoveal region only. Research on spatial attention has disclosed two different attentional systems being responsible either for near-fovea vision or for the far periphery. This fundamental principle as a global characteristic of visual processing is neglected in Western art. In Eastern art with a floating view geometric laws are violated, and different potential perspectives are integrated within a holistic pattern. The semantics of what shall be expressed becomes important irrespective of physical parameters. The latter may also create the unique phenomenon of becoming subjectively part of the picture confirming personal identity. Cultural specifics like in the arts (what one might expect) can surprisingly also be observed in theoretical considerations about visual processing. Whereas in the tradition of Western science visual percepts are built up with local elements like feature detectors, in an important Chinese theory global topological features are analyzed first. An important task of the brain is to create the identity of a percept on the basis of spatially and temporally distributed neural activities. It is, thus, an important theoretical question how to deal with the challenge to create and maintain the identity of a percept for some time. It is suggested that one should leave behind a monocausal reasoning for such explanations but adopt for analytical strategies the concept of complementarity as a generative principle.

Sadness and happiness are amplified in solitary listening to music.

Previous studies have shown that music is a powerful means to convey affective states, but it remains unclear whether and how social context shape the intensity and quality of emotions perceived in music. Using a within-subject design, we studied this question in two experimental settings, i.e. when subjects were alone versus in company of others without direct social interaction or feedback. Non-vocal musical excerpts of the emotional qualities happiness or sadness were rated on arousal and valence dimensions. We found evidence for an amplification of perceived emotion in the solitary listening condition, i.e. happy music was rated as happier and more arousing when nobody else was around and, in an analogous manner, sad music was perceived as sadder. This difference might be explained by a shift of attention in the presence of others. The observed interaction of perceived emotion and social context did not differ for stimuli of different cultural origin.

Subjective present: a window of temporal integration indexed by mismatch negativity.

It has been proposed that temporal perception is implemented in a "time window" of approximately 3 s which we experience as "present". Using mismatch negativity (MMN), we tested the hypothesis whether a time window of 3 s is selective for pre-attentively detecting the violation of regularity in a stimulus sequence by employing different interstimulus intervals. Our results showed that in frontal midline areas, the amplitudes of MMN were significantly larger for the shorter interstimulus intervals up to 3 s than for the longer ones. In lateralized frontal areas, male subjects seemed to have a stronger effect in the temporal modulation of the MMN, which might deserve further investigation. We conclude that a time window of 3 s is selective for neuronal mechanisms to process deviant stimuli and that information processing is temporally segmented, creating a "subjective present" in discrete sequential steps.

Neural correlates of moral judgments in first- and third-person perspectives: implications for neuroethics and beyond.

BACKGROUND: There appears to be an inconsistency in experimental paradigms used in fMRI research on moral judgments. As stimuli, moral dilemmas or moral statements/ pictures that induce emotional reactions are usually employed; a main difference between these stimuli is the perspective of the participants reflecting first-person (moral dilemmas) or third-person perspective (moral reactions). The present study employed functional magnetic resonance imaging (fMRI) in order to investigate the neural correlates of moral judgments in either first- or third-person perspective. RESULTS: Our results indicate that different neural mechanisms appear to be involved in these perspectives. Although conjunction analysis revealed common activation in the anterior medial prefrontal cortex, third person-perspective elicited unique activations in hippocampus and visual cortex. The common activation can be explained by the role the anterior medial prefrontal cortex may play in integrating different information types and also by its involvement in theory of mind. Our results also indicate that the so-called "actor-observer bias" affects moral evaluation in the third-person perspective, possibly due to the involvement of the hippocampus. We suggest two possible ways in which the hippocampus may support the process of moral judgment: by the engagement of episodic memory and its role in understanding the behaviors and emotions of others. CONCLUSION: We posit that these findings demonstrate that first or third person perspectives in moral cognition involve distinct neural processes, that are important to different aspects of moral judgments. These results are important to a deepened understanding of neural correlates of moral cognition-the so-called "first tradition" of neuroethics, with the caveat that any results must be interpreted and employed with prudence, so as to heed neuroethics "second tradition" that sustains the pragmatic evaluation of outcomes, capabilities and limitations of neuroscientific techniques and technologies.

Self processing in the brain: a paradigmatic fMRI case study with a professional singer.

Understanding the mechanisms involved in perception and conception of oneself is a fundamental psychological topic with high relevance for psychiatric and neurological issues, and it is one of the great challenges in neuroscientific research. The paradigmatic single-case study presented here aimed to investigate different components of self- and other-processes and to elucidate corresponding neurobiological underpinnings. An eminent professional opera singer with profound performance experience has undergone functional magnetic resonance imaging and was exposed to excerpts of Mozart arias, sung by herself or another singer. The results indicate a distinction between self- and other conditions in cortical midline structures, differentially involved in self-related and self-referential processing. This lends further support to the assumption of cortical midline structures being involved in the neural processing of self-specific stimuli and also confirms the power of single case studies as a research tool.

A unique visual rhythm does not pop out.

We investigated attentional demands in visual rhythm perception of periodically moving stimuli using a visual search paradigm. A dynamic search display consisted of vertically "bouncing dots" with regular rhythms. The search target was defined by a unique visual rhythm (i.e., a shorter or longer period) among rhythmic distractors with identical periods. We found that search efficiency for a faster or a slower periodically moving target decreased as the number of distractors increased, although searching for a faster target was about one second faster than searching for a slower target. We conclude that perception of a visual rhythm defined by a unique period is not a "pop-out" process, but a serial one that demands considerable attention.

Conscious vision in blindness: A new perceptual phenomenon implemented on the "wrong" side of the brain.

Patients with lesions in the visual cortex are blind in corresponding regions of the visual field, but they still may process visual information, a phenomenon referred to as residual vision or "blindsight". Here we report behavioral and fMRI observations with a patient who reports conscious vision across an extended area of blindness for moving, but not for stationary stimuli. This completion effect is shown to be of perceptual and not of conceptual origin, most likely mediated by spared representations of the visual field in the striate cortex. The neural output to extra-striate areas from regions of the deafferented striate cortex is apparently still intact; this is, for instance, indicated by preserved size constancy of visually completed stimuli. Neural responses as measured with fMRI reveal an activation only for moving stimuli, but importantly on the ipsilateral side of the brain. In a conceptual model this shift of activation to the "wrong" hemisphere is explained on the basis of an imbalance of excitatory and inhibitory interactions within and between the striate cortices due to the brain injury. The observed neuroplasticity indicated by this shift together with the behavioral observations provide important new insights into the functional architecture of the human visual system and provide new insight into the concept of consciousness.

Neurocognitive processing of body representations in artistic and photographic images.

Visual art because of its artistic context can be related to the general idea of providing alternative perceptual experiences. However, research examining the neural basis of art beyond the paradigm of beauty has been neglected. This study seeks to determine how the perception of a body in an artwork can be distinguished from the perception of a body in a non-artistic photography. While viewing different body representations in both artworks and photographs, subjects were required to evaluate the appeal of the portrayed persons. By using functional magnetic resonance imaging (fMRI) we show that the perception of a body within the context of art leads to a higher activation in the right parietal cortex and the extrastriate cortex bilaterally. Relating this result to concepts from previous research, we suggest that the perception of art is linked to visuo-spatial coding and also motor mapping. In contrast, the higher activity in the ventromedial prefrontal cortex and the primary visual cortex during the perception of a body in a non-artistic frame of reference, i.e. in a photograph, can be linked to processes of person evaluation. Possibly, the task to judge the appeal of a person in a photograph might be more daunting and, thus, cause emotional and even moral challenges being reflected in the ventromedial prefrontal activity. Taken together, perceptual experiences within an artistic vs. a non-artistic frame of reference are based on distinct patterns of neuronal activity.

Classifying fMRI-derived resting-state connectivity patterns according to their daily rhythmicity.

The vast majority of biological functions express rhythmic fluctuations across the 24-hour day. We investigated the degree of daily modulation across fMRI (functional Magnetic Resonance Imaging) derived resting-state data in 15 subjects by evaluating the time courses of 20 connectivity patterns over 8h (4 sessions). For each subject, we determined the chronotype, which describes the relationship between the individual circadian rhythm and the local time. We could therefore analyze the daily time course of the connectivity patterns controlling for internal time. Furthermore, as the participants' scan times were staggered as a function of their chronotype, we prevented sleep deprivation and kept time awake constant across subjects. Individual functional connectivity within each connectivity pattern was defined at each session as connectivity strength measured by a mean z-value and, in addition, as the spatial extent expressed by the number of activated voxels. Highly rhythmic connectivity patterns included two sub-systems of the Default-Mode Network (DMN) and a network extending over sensori-motor regions. The network characterized as the most stable across the day is mainly associated with processing of executive control. We conclude that the degree of daily modulation largely varies across fMRI derived resting-state connectivity patterns, ranging from highly rhythmic to stable. This finding should be considered when interpreting results from fMRI studies.

Body movement enhances the extraction of temporal structures in auditory sequences.

Auditory and motor systems interact in processing auditory rhythms. This study investigated the effect of intuitive body movement, such as head nodding or foot tapping, on listeners' ability to entrain to the pulse of an auditory sequence. A pulse-finding task was employed using an isochronous sequence of tones in which tones were omitted at pseudorandom positions. Musicians and non-musicians identified their subjectively fitting pulse either using periodic body movement or through listening only. The identified pulse was measured subsequently by finger tapping. Movement appeared to assist pulse extraction especially for non-musicians. The chosen pulse tempi tended to be faster with movement. Additionally, movement led to higher synchronization stabilities of the produced pulse along the sequence, regardless of musical training. These findings demonstrated the facilitatory role of body movement in entraining to auditory rhythms and its interaction with musical training.

The visual field paradox: a theoretical account on the reafference principle providing a common frame for the homogeneity and inhomogeneity of visual representation.

Observations on the structure of the visual field and its central representation lead to a paradox. A functional dissociation is indicated in oculomotor or attentional control when different response modes are observed as a function of stimulus eccentricity. Alternatively, constancy of brightness throughout the visual field suggests its homogeneity. This paradox can be resolved, if perceptual and motor processes are not conceived of being controlled by separate neuronal mechanisms, but are interconnected within one frame of reference. The reafference principle allows to formulate such a common frame as it integrates afferent and efferent processes. On the basis of this concept, the visual field paradox can be interpreted as not being a paradox at all, but a necessary condition for optimal information processing.

Spatial orienting in the visual field: a unified perceptual space?

Visual attention can be oriented toward a spatial location in the visual field exogenously by an abrupt onset of a peripheral cue. In a series of behavioral studies on exogenous orienting of attention with a double-cue paradigm, we demonstrated a functional subdivision of perceptual space in the visual field. Specifically, inhibition of return (IOR) is much stronger at periphery relative to perifoveal visual field up to approximately 15° eccentricity, suggesting two dissociable functional areas in the visual field. To further investigate the generality of this functional subdivision of the visual field, we measured IOR effects with another single-cue paradigm and applied a very short cue-target interval that was typically anticipated not to observe any inhibitory effect at all. Consistent with this expectation, no IOR effects at the eccentricities up to 15° were observed. However, significant IOR effects beyond 15° eccentricities were consistently demonstrated. These results not only revealed an early onset of IOR for more peripheral stimuli, but also confirmed that the perceptual space in the visual field is not homogeneous but underlies a functional subdivision with a border of ca. 15° eccentricity.

An Aesthetic Frame for Three Modes of Knowing.

This is the claim: Human knowledge expresses itself in three different modes: explicit, implicit, and sensory (e.g., visual) knowledge. The reference to knowledge as explicit knowledge only (as it is usually done) neglects the other modes of knowledge. Instead of using the noun "knowledge," it is suggested that we use "knowing" as a term to stress the active mode in cognition. The three modes of knowing are reflected in different mechanisms of cognitive and neural processing; these can already be observed in classical documents of humankind. This unity of the different modes of knowing can also be extracted from cultural artifacts such as poetry. Although possessing different characteristics, the three modes of knowing are related to each other in a complementary way, thus providing an integrative network for cognition. We suggest that a unifying frame of the modes of knowing lies in aesthetic principles. These different modes of knowing with their unifying frame reflect some general features of cognition. We stress that basic concepts in "artificial or machine intelligence" do not match at all human modes of knowing.

Complementarity of mental content and logistic algorithms in a taxonomy of cognitive functions.

It is maintained that a classification or taxonomy of functions is required to reflect cognitive functions. On the basis of the epistemological position of a pragmatic monism, it can be stated that cognitive functions are evolutionary products, and furthermore that their availability is dependent on the structural and operational integrity of neural modules and networks. Loss of functions as a consequence of local injuries or the disruption of neural networks can be used to develop a catalog of functions. The logic is as follows: the loss of a function is a proof of its existence. On a general level, two complementary domains of functions are distinguished in this taxonomy. The first domain consists of those functions that represent the content of subjective phenomena, such as percepts in different modalities, memories, emotions, volitions, intentions, or speech acts (the "what"). The second consists of those functions that make conscious content possible as a necessary condition, such as activation (being modulated for instance by the circadian rhythm), the temporal control of functions (on different time-scales using distinct neural algorithms), or attentional mechanisms (for instance spatial attention under endogenous or exogenous control), and we refer to these functions as logistic functions (the "how"). Complementarity as a generative principle is a prime characteristic of this taxonomy with both content and logistic functions.

Temporal twilight zone and beyond: Timing mechanisms in consciously delayed actions.

Precise timing is essential for many kinds of human behavior. When a fastest response is not required, movements are initiated at the appropriate time requiring an anticipatory temporal component. Temporal mechanisms for movements with such an anticipatory component are not yet sufficiently understood; in particular, it is not known whether on the operational level for delayed movements distinct time windows are used or whether anticipatory control is characterized by continuous temporal processing. With a modified reaction-time paradigm, we asked participants to act with predefined time delays between 400 and 5000 ms; after each individual trial, a numerical feedback was provided which allowed correction of the response time for each next trial. Visual stimuli (Experiment 1) and auditory stimuli (Experiment 2) were used. In the statistical analyses, piecewise linear models and exponential decay models for the response variability of different delay times were compared. These analyses favored piecewise linear models; a decreasing variability with increasing delay of voluntary controlled actions was observed up to ~1 s, followed by close to constant variability beyond this delay. We suggest that precise temporal control of voluntary delayed movements is reached only after a "temporal twilight zone" of ~1 s, which apparently marks a temporal border between two different timing mechanisms.

Individual differences in the perception of temporal order: the effect of age and cognition.

Temporal-order judgements in the time range of some milliseconds were assessed by using two auditory tasks in 86 participants, aged from 20 to 69 years. Two stimulus presentation modes, binaural versus monaural, were compared. Elderly participants performed worse than the younger participants; however, different patterns of age-related declines were observed, depending on the presentation mode. In the monaural mode considerable deterioration was observed beyond 60 years of age, whereas in the binaural mode declines were found much earlier, from 40 years of age. Performance of the monaural task correlated with cognitive competences and provided important insight into neuronal timing mechanisms. In contrast, the binaural mode reflected a bias towards an integrated perception of sequential stimuli and was less related to cognitive resources. These findings provide evidence that age-related declines in human sequencing abilities involve, besides temporal mechanisms, also a mode-specific processing, presumably associated with different neuronal mechanisms.

Screening for depression in the older long-term unemployed.

BACKGROUND: Misdiagnosis and undertreatment of depression in older, long-term unemployed people may not only pose a serious medical problem, but may also be an obstacle for their vocational reintegration. Screening for depression could be a first step to increasing treatment rates within this high-risk group. Therefore, the WHO-5 Well-Being Index was tested for its validity in unemployment offices. METHODOLOGY: Three hundred and sixty-five participants in a German programme for the vocational reintegration of long-term unemployed people were screened with the WHO-5 Well-Being Index. In 104 of these subjects, ICD-10 diagnoses were made using DIA-X Structured Clinical Interview. RESULTS: Using the DIA-X data as a gold standard, the WHO-5 Well-Being Index obtained satisfactory results for sensitivity (82.5%) and specificity (70.3%) as a screening tool for affective disorders when used with an adjusted cut-off-point of < or = 12. While none of the 18.5% male participants diagnosed with major depression received treatment, half of the 24% of female participants with major depression received treatment. CONCLUSION: Screening with the WHO-5 within unemployment offices is useful to detect people with depressive disorders. Many of them do not receive optimal treatment and can be motivated to seek professional help. Reducing depression by better treatment will also increase the chances of reemployment.