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Parallelisms and deviations: two fundamentals of an aesthetics of poetic diction.
Menninghaus, Winfried; Wagner, Valentin; Schindler, Ines; Knoop, Christine A; Blohm, Stefan; Frieler, Klaus; Scharinger, Mathias.
Affiliation
  • Menninghaus W; Language and Literature, Max Planck Institute for Empirical Aesthetics, 60322 Frankfurt am Main, Hessen, Germany.
  • Wagner V; Faculty of Humanities and Social Sciences, Helmut-Schmidt-University/University of the Armed Forces Hamburg, 22043 Hamburg, Germany.
  • Schindler I; Seminar of Media Education, Europa-Universität Flensburg, 24943 Flensburg, Schleswig-Holstein, Germany.
  • Knoop CA; Language and Literature, Max Planck Institute for Empirical Aesthetics, 60322 Frankfurt am Main, Hessen, Germany.
  • Blohm S; Pragmatics, Leibniz Institute for the German Language, 68161 Mannheim, Baden-Württemberg, Germany.
  • Frieler K; Scientific Services, Max Planck Institute for Empirical Aesthetics, 60322 Frankfurt am Main, Hessen, Germany.
  • Scharinger M; German Studies and Arts, Philipps-Universität Marburg, 35032 Marburg, Germany.
Philos Trans R Soc Lond B Biol Sci ; 379(1895): 20220424, 2024 Jan 29.
Article in En | MEDLINE | ID: mdl-38104607
ABSTRACT
Poetic diction routinely involves two complementary classes of features (i) parallelisms, i.e. repetitive patterns (rhyme, metre, alliteration, etc.) that enhance the predictability of upcoming words, and (ii) poetic deviations that challenge standard expectations/predictions regarding regular word form and order. The present study investigated how these two prediction-modulating fundamentals of poetic diction affect the cognitive processing and aesthetic evaluation of poems, humoristic couplets and proverbs. We developed quantitative measures of these two groups of text features. Across the three text genres, higher deviation scores reduced both comprehensibility and aesthetic liking whereas higher parallelism scores enhanced these. The positive effects of parallelism are significantly stronger than the concurrent negative effects of the features of deviation. These results are in accord with the hypothesis that art reception involves an interplay of prediction errors and prediction error minimization, with the latter paving the way for processing fluency and aesthetic liking. This article is part of the theme issue 'Art, aesthetics and predictive processing theoretical and empirical perspectives'.
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Full text: 1 Collection: 01-internacional Database: MEDLINE Main subject: Emotions / Mental Processes Language: En Journal: Philos Trans R Soc Lond B Biol Sci Year: 2024 Type: Article Affiliation country: Germany

Full text: 1 Collection: 01-internacional Database: MEDLINE Main subject: Emotions / Mental Processes Language: En Journal: Philos Trans R Soc Lond B Biol Sci Year: 2024 Type: Article Affiliation country: Germany