El cuerpo humano en el "Moisés" de Miguel Ángel / The human body in Michelangelo's Moses
Rev. méd. Chile
; 141(10): 1321-1326, oct. 2013.
Article
em Es
| LILACS
| ID: lil-701741
Biblioteca responsável:
CL1.1
ABSTRACT
What grips us so powerfully to a work of art is the artist's intention, if he succeeds to express it in his work and we are able to understand it. Michelangelo's Moses established the essential structures of an animate organism and the embodiment of consciousness in the world. Since the body is an expressive unit, it is possible to reconstruct a highly feasible sequence of movements that might have preceded the moment caught in the statue. It is an expression of the highest ideal of mental and spiritual achievement through the controlled tension between action and restraint. The phenomenon of embodiment and feeling the body as own is the basis of concrete human existence.
Palavras-chave
Texto completo:
1
Coleções:
01-internacional
Base de dados:
LILACS
Assunto principal:
Escultura
/
Corpo Humano
/
Anatomia Artística
Limite:
Humans
Idioma:
Es
Revista:
Rev. méd. Chile
Assunto da revista:
MEDICINA
Ano de publicação:
2013
Tipo de documento:
Article
País de afiliação:
Chile