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1.
Artigo em Inglês | MEDLINE | ID: mdl-35010436

RESUMO

Developing innovative noise policies that build on international best practices is difficult when policies around the world differ along many dimensions, ranging from different sources covered to different levels of governance involved. This is particularly critical in the context of road traffic, identified as one of the main culprits leading to noise-associated complaints and health issues. In this article, we document the wide range of specifications observed in road traffic policies and propose a methodology to compare noise limits across noise policies. First, we present the responsibilities of administrative governments according to the scope (e.g., emission vs. exposure). Second, we compare noise limits by scope and geographic areas by separating acoustic indicators (overall and event indicators). Third, we convert overall outdoor noise limits into a common basis using the method described by Brink and his associates (2018) and compare them with the World Health Organization (WHO)'s recommendations (2018). Finally, measurement protocols are also compared across outdoor noise policies. This paper shows that road noise is managed at several administrative levels using approaches that are either centralized or decentralized. We also observed disparities in the associated noise limits across geographic areas. The converted outdoor noise limits generally exceeded the WHO's recommendations (2018). Finally, this paper outlines how outdoor measurement protocols vary across geographic areas. However, similarities were identified between state and provincial noise policies within the same country.


Assuntos
Ruído dos Transportes , Acústica , Exposição Ambiental , Europa (Continente) , Ruído dos Transportes/efeitos adversos , Políticas
2.
Artigo em Inglês | MEDLINE | ID: mdl-31137845

RESUMO

Decades of research support the idea that striving for lower sound levels is the cornerstone of protecting urban public health. Growing insight on urban soundscapes, however, highlights a more complex role of sound in public spaces, mediated by context, and the potential of soundscape interventions to contribute to the urban experience. We discuss Musikiosk, an unsupervised installation allowing users to play audio content from their own devices over publicly provided speakers. Deployed in the gazebo of a pocket park in Montreal (Parc du Portugal), in the summer of 2015, its effects over the quality of the public urban experience of park users were researched using a mixed methods approach, combining questionnaires, interviews, behavioral observations, and acoustic monitoring, as well as public outreach activities. An integrated analysis of results revealed positive outcomes both at the individual level (in terms of soundscape evaluations and mood benefits) and at the social level (in terms of increased interaction and lingering behaviors). The park was perceived as more pleasant and convivial for both users and non-users, and the perceived soundscape calmness and appropriateness were not affected. Musikiosk animated an underused section of the park without displacing existing users while promoting increased interaction and sharing, particularly of music. It also led to a strategy for interacting with both residents and city decision-makers on matters related to urban sound.


Assuntos
Música , Som , Cidades , Humanos , Parques Recreativos , Saúde Pública , Quebeque , Inquéritos e Questionários
3.
Front Psychol ; 9: 1593, 2018.
Artigo em Inglês | MEDLINE | ID: mdl-30210414

RESUMO

Understanding the relationship between people and their soundscapes in an urban context of innumerable and diverse sensory stimulations is a difficult endeavor. What public space users hear and how they evaluate it in relation to their performed or intended activities can influence users' engagement with their spaces as well as their assessment of suitability of public space for their needs or expectations. While the interaction between the auditory experience and activity is a topic gaining momentum in soundscape research, capturing the complexity of this relationship in context remains a multifaceted challenge. In this paper, we address this challenge by researching the user-soundscape relationships in relation to users' activities. Building on previous soundscape studies, we explore the role and interaction of three potentially influencing factors in users' soundscape evaluations: level of social interaction of users' activities, familiarity and expectations, and we employ affordance theory to research the ways in which users bring their soundscapes into use. To this end, we employ a mixed methods design, combining quantitative, qualitative and spatial analyses to analyze how users of three public spaces in Amsterdam evaluate their soundscapes in relation to their activities. We documented the use of an urban park in Amsterdam through non-intrusive behavioral mapping to collect spatial data on observable categories of activities, and integrated our observations with on site questionnaires on ranked soundscape evaluations and free responses detailing users' evaluations, collected at the same time from park users. One of our key findings is that solitary and socially interactive respondents evaluate their soundscapes differently in relation to their activities, with the latter offering higher suitability and lower disruption ratings than the former; this points to qualitatively different auditory experiences, analyzed further based on users' open-ended justifications for their evaluations. We provide a methodological contribution (adding to existing soundscape evaluation methodologies), an empirical contribution (providing insight on how users explain their soundscape evaluations in relation to their activities) and a policy and design-related contribution, offering additional insight on a transferable methodology and process that practitioners can employ in their work on the built environment to address the multisensory experience of public spaces.

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