RESUMO
Low-temperature thermochronology is a powerful tool for constraining the thermal evolution of rocks and minerals in relation to a breadth of tectonic, geodynamic, landscape evolution, and natural resource formation processes through deep time. However, complexities inherent to these analytical techniques can make interpreting the significance of results challenging, requiring them to be placed in their geological context in 4-dimensions (3D + time). We present a novel tool for the geospatial archival, analysis and dissemination of fission-track and (U-Th)/He data, built as an extension to the open-access AusGeochem platform ( https://ausgeochem.auscope.org.au ) and freely accessible to scientists from around the world. To demonstrate the power of the platform, three regional datasets from Kenya, Australia and the Red Sea are placed in their 4D geological, geochemical, and geographic contexts, revealing insights into the tectono-thermal evolutions of these areas. Beyond facilitating data interpretation, the archival of fission track and (U-Th)/He (meta-)data in relational schemas unlocks future potential for greater integration of thermochronology and numerical geoscience techniques. The power of formatting data to interface with external tools is demonstrated through the integration of GPlates Web Service with AusGeochem, enabling thermochronology data to be readily viewed in their paleogeographic context through deep time from within the platform.
RESUMO
Oxalate-rich mineral accretions, often found in rock shelters around the world, offer important opportunities for radiocarbon dating of associated rock art. Here, sample characterization and chemical pretreatment techniques are used to characterize the accretions, prescreen for evidence of open-system behavior, and address potential contamination. The results provide stratigraphically consistent sequences of radiocarbon dates in millimeter-scale laminated accretions, demonstrating their reliability for dating rock art, particularly symbolic markings commonly engraved into these relatively soft deposits. The age sequences are also consistent with correlations between distinctive patterns in the layer sequences visible in shelters up to 90 km apart in the Kimberley region of northwestern Australia, suggesting their synchronized formation is not entirely shelter specific but broadly controlled by variations in regional environmental conditions. Consequently, these accretions also offer potential as paleoenvironmental archives, with radiocarbon dating of layers in nine accretions indicating four, approximately synchronous growth intervals covering the past 43 ka.
RESUMO
Naturalistic depictions of animals are a common subject for the world's oldest dated rock art, including wild bovids in Indonesia and lions in France's Chauvet Cave. The oldest known Australian Aboriginal figurative rock paintings also commonly depict naturalistic animals but, until now, quantitative dating was lacking. Here, we present 27 radiocarbon dates on mud wasp nests that constrain the ages of 16 motifs from this earliest known phase of rock painting in the Australian Kimberley region. These initial results suggest that paintings in this style proliferated between 17,000 and 13,000 years ago. Notably, one painting of a kangaroo is securely dated to between 17,500 and 17,100 years on the basis of the ages of three overlying and three underlying wasp nests. This is the oldest radiometrically dated in situ rock painting so far reported in Australia.
Assuntos
Arqueologia , Pinturas/história , Datação Radiométrica , Austrália , História Antiga , HumanosRESUMO
The Kimberley region in Western Australia hosts one of the world's most substantial bodies of indigenous rock art thought to extend in a series of stylistic or iconographic phases from the present day back into the Pleistocene. As with other rock art worldwide, the older styles have proven notoriously difficult to date quantitatively, requiring new scientific approaches. Here, we present the radiocarbon ages of 24 mud wasp nests that were either over or under pigment from 21 anthropomorphic motifs of the Gwion style (previously referred to as "Bradshaws") from the middle of the relative stylistic sequence. We demonstrate that while one date suggests a minimum age of c. 17 ka for one motif, most of the dates support a hypothesis that these Gwion paintings were produced in a relatively narrow period around 12,000 years ago.
RESUMO
This data article contains mineralogical and chemical data from mineral accretions sampled from rock art shelters in the Kimberley region of north west Australia. The accretions were collected both on and off pigment and engraved rock art of varying styles observed in the Kimberley with an aim of providing a thorough understanding of the formation and preservation of such materials in the context of dating [1]. This contribution includes processed powder X-ray Diffraction data, Scanning Electron Microscopy energy dispersive spectroscopy data, and Laser Ablation ICP-MS trace element mapping data.