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Introducción: Es importante la relación entre el desarrollo de las categorías originalidad, flexibilidad, autonomía y motivación del modo de actuación creativo. El objetivo del artículo consistió en elaborar un sistema de indicaciones para el desarrollo de categorías del modo de actuación creativo en estudiantes universitarios. Métodos: Se realizó una investigación mixta, donde el universo lo constituyeron estudiantes de la carrera de Pedagogía-Sicología de la Universidad de Sancti Spíritus "José Martí Pérez" en el curso 2021-2022 y se tomó una muestra aleatoria intencional de 24 educandos del tercer año. Resultados: El procesamiento estadístico de los instrumentos aplicados permitió ubicar al 75 % de la muestra entre un nivel medio y bajo en el desarrollo de categorías del modo de actuación creativo, por carencias en su expresión. Discusión: Desde fundamentos teóricos referenciados se analizó una propuesta de indicaciones que permiten la sistematización de contenidos de aprendizaje y facilitan el desarrollo de acciones autónomas y motivadoras para solucionar problemáticas en el contexto laboral. Conclusiones: La elaboración de indicaciones, desde la disciplina principal integradora y en estrecha relación con las categorías declaradas del modo de actuación creativo, facilitaron su desarrollo y demostraron pertinencia y factibilidad en el contexto de la práctica laboral.
Introduction: The relationship between the development of the categories of originality, flexibility, autonomy and motivation of the creative mode of action is important. The objective of the article was to develop a system of indications for the development of categories of the creative mode of action in university students. Methods: A mixed investigation was carried out, where the universe was made up of students of the Pedagogy-Psychology degree at the University of Sancti Spíritus "José Martí Pérez" in the 2021-2022 academic year and an intentional random sample of 24 students from the third year was taken. In the research, actions were designed to solve problems in work practice and a self-assessment scale about the development of the categories of the creative mode of action. Results: The statistical processing of the applied instruments allowed 75 % of the sample to be placed between a medium and low level in the development of categories of the creative mode of action, due to deficiencies in its expression. Discussion: From referenced theoretical foundations, a proposal of indications was analyzed that allow the systematization of learning content and facilitate the development of autonomous and motivating actions to solve problems in the work context. Conclusions: The development of indications, from the main integrative discipline and in close relationship with the declared categories of the creative mode of action, facilitated its development and demonstrated relevance and feasibility in the context of work practice.
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RESUMO O presente trabalho apresenta e discute a criação conjunta de histórias em quadrinho como objeto intermediário e intraintermediário na psicoterapia psicodramática com crianças. Foram realizados um relato de experiência do caso G e um estudo da arte, possibilitando reconhecer histórias em quadrinho como objetos intermediários e intraintermediários conforme o objetivo de sua utilização nas sessões, permitindo o uso de técnicas psicodramáticas, diminuindo o campo tenso e recuperando a criatividade-espontaneidade do paciente. Foi possível concluir que o emprego de histórias em quadrinho propicia maior vínculo entre terapeuta e criança, além de fornecer meios ao paciente de se expressar sem receio, abrindo espaço para o jogar psicodramático, para a cocriação e para o encontro de novas respostas para situações vividas.
RESUMEN El presente trabajo presenta y discute la Creación Conjunta de Cómics como Objeto Intermedio y Intra Intermedio, en psicoterapia psicodramática con niños. Se realizó un relato de experiencia del caso G., y se estudió el arte, permitiendo reconocer los cómics como Objetos Intermedios e Intra Intermedios según la finalidad de su uso en las sesiones, permitiendo el uso de técnicas psicodramáticas, reduciendo el tiempo. campo y recuperando la creatividad-espontaneidad del paciente. Es posible concluir que el uso de cómics proporciona un mayor vínculo entre terapeuta y niño, además de brindar medios para que el paciente se exprese sin miedo, abriendo espacio para el juego psicodramático, para la co-creación y la búsqueda de nuevas respuestas a situaciones vividas.
ABSTRACT The current paper aimed to comprehend the cooperative comic stories' creation as an intermediary and an intra-intermediary object, becoming a potential practice to be used during psychodramatic psychotherapy with children. An experience report on case G and a study of art were carried out, making it possible to recognize comic books as intermediate and intra-intermediate objects according to the objective of their use in the sessions, allowing the use of psychodramatic techniques, reducing the tense field and recovering patient's creativity-spontaneity. It was possible to conclude that the use of comic books provides a greater bond between therapist and child, in addition to providing means for the patient to express themselves without fear, opening space for psychodramatic play, for co-creation and for finding new responses to situations experienced.
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Este artigo pretende discutir o texto seminal de Melanie Klein, Inveja e gratidão (1957), no intuito de articulá-lo com os fenômenos da esperança, desesperança, criatividade e destrutividade. Na leitura realizada, observamos que a inveja é um solo fértil para o crescimento da desesperança e destrutividade. Enquanto a capacidade de ter gratidão pode levar o indivíduo a ser esperançoso e ter uma vida criativa, o contrário seria possível? Ser invejoso e ao mesmo tempo ter criatividade e esperança? Com base no dualismo pulsional freudiano, do qual Klein não abriu mão na construção da sua metapsicologia, respondemos que sim, primordialmente a partir da introjeção do objeto bom, que possibilita a elaboração da inveja, elemento que enfatizaremos a partir da figura do analista no processo clínico. Para elucidarmos cada um desses elementos, iremos utilizar o conto "A legião estrangeira" de Clarice Lispector (1999) como fio condutor ao longo de todo o texto.
Resumos This article aims to discuss Melanie Klein's seminal text, "Envy and gratitude" (1957), in order to articulate it with the phenomena of hope, hopelessness, creativity, and destructiveness. In ours readings, we observed that envy is a fertile soil for the growth of hopelessness and destructiveness. While the ability to have gratitude can lead an individual to be hopeful and have a creative life. Would the opposite be possible? To be envious and at the same time creative and hopeful? Based on Freudian Dualism drive, which Klein did not give up in the construction of her metapsychology, we answer yes, primarily from the introjection of the good object, which allows the elaboration of envy, an element that we will emphasize from the figure of the analyst in the clinical process. To elucidate each of these elements, we will use the short story "The foreign legion" by Clarice Lispector (1999) as a guiding thread throughout the text.
Cet article discute le texte fondateur de Melanie Klein, "Envie et gratitude" 27 (1957), afin de l'articuler avec les phénomènes de l'espoir, du désespoir, de la créativité et de la destructivité. Au cours de notre lecture, nous avons observé que l'envie est un terreau fertile pour la croissance du désespoir et de la destructivité. En revanche, la capacité à être reconnaisant peut conduire les individus à être plein d'espoir et à mener une vie créative. Le contraire serait-il possible? Être envieux et en même temps créatif et plein d'espoir? Sur la base du dualisme pulsionnel freudien, que Klein n'a pas abandonné dans la construction de sa métapsychologie, nous répondons par l'affirmative, notamment par l'introjection du bon objet qui permet d'élaborer l'envie, élément que nous soulignerons à travers la figure de l'analyste dans le processus clinique. Afin d'élucider chacun de ces éléments, nous utiliserons la nouvelle "La Légion étrangère" (1999) de Clarice Lispector comme fil conducteur tout au long du texte.
Este artículo pretende discutir el texto fundamental de Melanie Klein, "Envidia y gratitud" (1957), para articularlo con los fenómenos de esperanza, desesperanza, creatividad y destructividad. En la lectura realizada se observa que la envidia es un campo fértil para el crecimiento de la desesperanza y la destructividad. Mientras que la capacidad de expresar gratitud puede llevar al individuo a tener esperanza y tener una vida creativa. ¿Sería posible lo contrario? ¿Ser envidioso y al mismo tiempo tener creatividad y esperanza? Partiendo del dualismo pulsional freudiano, al que Klein no abandonó en la construcción de su metapsicología, este texto responde que es posible esto, principalmente desde la introyección del objeto bueno, que posibilita la elaboración de la envidia, elemento que se enfatizará a partir de la figura del analista en el proceso clínico. Para dilucidar cada uno de estos elementos se utiliza el cuento "La legión extranjera", de Clarice Lispector (1999), como hilo conductor a lo largo del texto.
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Fundamento: En la carrera de Medicina es necesario formar profesionales con pensamiento creativo que permita la solución de problemas vinculados con el ejercicio de su profesión. La Genética Médica aporta la posibilidad de reflexionar y crear soluciones creativas. Objetivo: Proponer actividades que posibiliten el aprendizaje creativo en estudiantes de Medicina desde la Genética Médica. Metodología: Se emplearon métodos teóricos, empíricos y matemático-estadístico, con una muestra de 34 estudiantes y 3 profesores que imparten la asignatura. Resultados: Los docentes reconocen que, a pesar de hacer intentos para alcanzar el aprendizaje creativo, desconocen algunas vías y manifiestan no contar con el tiempo suficiente para su logro. El accionar didáctico no favorece el conocimiento, aplicación y disposición de estudiantes para un aprendizaje creativo. Se propusieron actividades sustentadas en procederes en Genética Médica, como parte de la estrategia didáctica de los docentes, asimismo contribuir al perfeccionamiento del aprendizaje creativo en los estudiantes. Las mismas centradas en métodos problémicos y el uso de recursos tecnológicos. Conclusiones: La formación de los médicos necesita expresar un aprendizaje creativo vinculado a un desempeño eficiente en la solución de problemas de la comunidad, lo cual se puede facilitar mediante la utilización de actividades en la asignatura Genética Médica.
Background: In the Medicine career it is necessary to form professionals with creative thoughts that allow the solution of problems linked to their professional practice. Medical Genetics provides the possibility to reflect and create creative solutions. Objective: To propose activities that allow creative learning in Medical students from the Medical Genetics perspective. Methodology: Theoretical, empirical and mathematical-statistical methods were applied, with a sample of 34 students and 3 teachers who teach the subject. Results: Teachers recognize that, despite making attempts to achieve creative learning, they are unaware of some ways and declare that they do not have enough time to achieve it. The didactic action does not favor the knowledge, application and disposition of students for creative learning. Activities supported by procedures in Medical Genetics were proposed as part of the didactic strategy of the teachers, likewise contribute to the improvement of creative learning in students. The same ones are focused on problem-solving methods and the use of technological resources. Conclusions: Physician education needs to express creative learning coupled with efficient performance in solving community problems, which may be facilitated through the use of activities in Medical Genetics Medical subject.
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Background: High-ability students require effective educational strategies. This study introduces and evaluates a curriculum enrichment programme aimed at enhancing cre ativity. The programme is based on a competency framework and was implemented using variations of Project-Based Learning (PBL) strategies. Method: A quasi-experimental design compared two interventions using pre-test and post-test groups. The first intervention (N = 38) involved a 12-week PBL unit focused on designing a video game using block-based program ming through Scratch. The second intervention (N = 51), also lasting 12 weeks, comprised three separate projects involving vectorial design and programming of an Arduino-based ro bot. Both interventions used strategies for creative-thinking development. The sample includ ed high-ability students from 8 to 12 years of age. Results: Both interventions significantly increased creativity, with no statistical differences between them. This suggests that both types of PBL interventions effectively improved participants' creativity. Conclusions: This study suggests that PBL-based curricular enrichment programmes are effective in fostering creativity among high-ability students.
Antecedentes: Los estudiantes con alta capacidad requieren estrategias educativas efectivas. Este estudio presenta y evalúa un programa de enriquecimiento curricular diseñado para mejorar la creatividad. El programa se basa en un marco de competencias y se implemen tó utilizando variaciones de estrategias de aprendizaje basado en proyectos (ABP). Método: Un diseño cuasi-experimental comparó dos intervenciones utilizando grupos pretest y postest. La primera intervención consistió en una unidad de ABP de 12 semanas centrada en el diseño de un videojuego utilizando programación basada en bloques mediante Scratch. La segunda intervención, también de 12 semanas de duración, consistió en tres proyectos independientes de diseño vectorial y programación de un robot basado en Arduino. En ambas intervencio nes se utilizaron estrategias para el desarrollo del pensamiento creativo. La muestra incluía estudiantes con altas capacidades de entre 8 y 12 años. Resultados: Ambas intervenciones aumentaron significativamente la creatividad, sin diferencias estadísticas entre ellas. Esto sugiere que ambos tipos de intervenciones de ABP mejoraron efectivamente la creatividad de los participantes. Conclusiones: Este estudio sugiere que los programas de enriquecimiento curricular basados en ABP son efectivos para fomentar la creatividad entre los estudiantes con altas capacidades.
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This narrative review addresses the complex relationship between neurological diseases and artistic expression, which can have a profound impact on a painter´s works. This exploration highlights the dynamic and ever-evolving connection between neuroscience and art, offering insights into the extraordinary ways in which the human brain and artistic expression intersect and evolve. Following brain damage, there may be the emergence of sudden artistic talents, intriguing changes in the styles of established artists, the paradoxical facilitation of artistic abilities despite the cognitive decline consequent to these injuries, besides coping strategies that artists adopt in response to the challenges of health. Therefore, this article investigates different scenarios where brain injuries and disorders have had a profound impact on artists, leading to the emergence of new talents, changes in artistic styles, and unexpected improvements in their work, as well as adaptations in their artistic practices, as represented by some painters such as Tommy McHugh (1949 -2012), Francisco Goya (1746-1828), Otto Dix (1891-1969), Willem de Kooning (1904-1997), William Charles Utermohlen (1933-2007) and Charles Meryon (1821-1868). Consequently, works of art can be valuable but understudied tools for understanding brain dysfunction, although they must be interpreted with great care.
Esta revisão narrativa aborda a complexa relação entre doenças neurológicas e expressão artística, que pode ter um impacto profundo na obra de um pintor. Esta exploração destaca a conexão dinâmica e em constante evolução entre a neurociência e a arte, oferecendo insights sobre as formas extraordinárias pelas quais o cérebro humano e a expressão artística se cruzam e evoluem. Após danos cerebrais, pode haver o surgimento de talentos artísticos repentinos, mudanças intrigantes nos estilos de artistas estabelecidos, a facilitação paradoxal de habilidades artísticas, apesar do declínio cognitivo consequente a essas lesões, além de estratégias de enfrentamento que os artistas adotam em resposta aos desafios de saúde. Portanto, este artigo investiga diferentes cenários onde lesões e distúrbios cerebrais tiveram um impacto profundo nos artistas, levando ao surgimento de novos talentos, mudanças nos estilos artísticos e melhorias inesperadas em seu trabalho, bem como adaptações em suas práticas artísticas, bem como representado por alguns pintores como Tommy McHugh (1949 -2012), Francisco Goya (1746-1828), Otto Dix (1891-1969), Willem de Kooning (1904-1997), William Charles Utermohlen (1933-2007) e Charles Meryon (1821-1868). Consequentemente, as obras de arte podem ser ferramentas valiosas, mas pouco estudadas, para a compreensão da disfunção cerebral, embora devam ser interpretadas com muito cuidado.
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This narrative review addresses the world of artists who linked their creative journeys alongside their battles with epilepsy, a neurological condition engineered by recurrent epileptic seizures, with multifaceted implications in biopsychosocial domains. By examining the lives and works of celebrated artists such as Vincent Van Gogh and contemporary painters, particularly those possibly affected by epilepsy, a narrative transcends clinical elucidations, investigating historical contexts, artistic expressions, and therapeutic interventions. The focus is on uncovering the transformative influence of engaging in artistic activities for individuals struggling with epilepsy. It investigates the profound impact of artistic pursuits on people affected by epilepsy, showing the resilience of the human spirit in harnessing adversity as a source of creativity. This exploration illuminates the potential of art, not only as a means of self-expression, but also as a therapeutic medium in the setting of epilepsy and associated neurorehabilitation.
Esta revisão narrativa aborda o mundo dos artistas que associaram as suas jornadas criativas paralelamente às suas batalhas contra a epilepsia, uma condição neurológica caracterizada por ataques epilépticos recorrentes, com implicações multifacetadas em domínios biopsicossociais. Ao examinar as vidas e obras de artistas célebres como Vincent Van Gogh e pintores contemporâneos, particularmente aqueles possivelmente afetados pela epilepsia, a narrativa transcende as elucidações clínicas, investigando contextos históricos, expressão artística e intervenções terapêuticas. O foco está em desvendar a influência transformadora do envolvimento em atividades artísticas para indivíduos que lutam contra a epilepsia. Ele investiga o profundo impacto das atividades artísticas nas pessoas afetadas pela epilepsia, mostrando a resiliência do espírito humano ao aproveitar a adversidade como uma fonte de criatividade. Esta exploração ilumina o potencial da arte, não apenas como meio de autoexpressão, mas também como meio terapêutico no cenário da epilepsia e da neurorreabilitação associada.
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Creative Self-Efficacy (CSE) and Creative Personal Identity (CPI) are creative self-beliefs which act as creative achievement predictors in different contexts, including school. Brazilian theoretical studies suggest that characteristics of military school can inhibit creative expression. The question is raised whether the school environment can influence CSE and CPI. Therefore, the goal was to compare male and female students from military and civilian schools, in terms of CSE and IPC, in addition to verifying the interaction between the variables. Participants were 230 secondary school students, with a mean age of 16.07 years (SD = .92). The Short Scale of Creative Self (SSCS) and a sociodemographic questionnaire were used. No significant differences or interactions were observed, except for the higher IPC in women when compared to men. Thus, it is possible that the typical restrictions of the military model of education do not necessarily imply barriers to creativity.(AU)
Autoeficácia Criativa (AEC) e Identidade Pessoal Criativa (IPC) são crenças do self criativo que atuam como preditoras da realização criativa em diversos contextos, inclusive escolar. Estudos teóricos brasileiros sugerem que as características da escola militar podem inibir a expressão criativa. Questiona-se como AEC e IPC podem ser influenciadas pelo ambiente escolar. Portanto, o objetivo deste estudo foi comparar estudantes de escolas militares e civis, do sexo masculino e feminino, quanto à AEC e IPC, além de verificar possível interação entre as variáveis. Participaram 230 estudantes do ensino médio, com idade média de 16,07 anos (DP = 0,92). Utilizou-se a Escala Breve do Self Criativo (EBSC) e um questionário sociodemográfico. Não foram observadas diferenças ou interações significativas entre os grupos, exceto pela IPC superior nas mulheres, quando comparadas aos homens. Nesse sentido, é possível que as restrições típicas do modelo militar de educação não impliquem necessariamente barreiras à criatividade.(AU)
La Autoeficacia Creativa (AEC) y la Identidad Personal Creativa (IPC) son creencias del self creativo que actúan como predictores del logro creativo en diferentes contextos, incluyendo el escolar. Estudios teóricos brasileños sugieren que las características de las escuelas militares pueden inhibir la expresión creativa. Se cuestiona si el entorno escolar puede influir en la AEC y la IPC. Por lo tanto, el objetivo de este estudio fue comparar alumnos y alumnas de escuelas militares y civiles, en términos de AEC y IPC, además de verificar la interacción entre las variables. Participaron 230 estudiantes de secundaria de escuelas públicas, con una edad promedia de 16,07 años (DS = 0,92). Se utilizó la escala Short Scale of Creative Self (SSCS) y un cuestionario sociodemográfico. No se observaron diferencias o interacciones significativas entre los grupos, excepto por una IPC superior en mujeres en comparación con los hombres. Es posible que las restricciones típicas del modelo educativo militar no necesariamente impliquen barreras para la creatividad.(AU)
Sujets)
Humains , Mâle , Femelle , Adolescent , Adulte , Jeune adulte , Étudiants/psychologie , Créativité , Personnel militaire/enseignement et éducation , Enquêtes et questionnaires , Analyse de variance , Auto-efficacité , Enseignement Primaire et Secondaire , Facteurs sociodémographiquesRésumé
De acordo com a Organização Mundial da Saúde, estima-se que 5% da população tenha Altas Habilidades, podendo esse número ser ainda maior. O presente trabalho tem como objetivo realizar uma pesquisa na área das Altas Habilidades com foco na inteligência lógico-matemática e a criatividade no Pensamento Computacional. O atendimento desse público ainda é incipiente na medida em que as políticas públicas destinadas à Educação Especial não são implementadas como deveriam ser. Dessa maneira, trata-se de uma pesquisa bibliográfica acerca dessa temática, referente ao período de 2015 a 2021. Utilizamos como metodologia a revisão da literatura, através de pesquisa realizada nas bases de dados Nuevas Ideas en Informática Educativa, Biblioteca Digital de Tese e Dissertação da Universidade Estadual do Oeste do Paraná (UNIOESTE), Research Society, na Revista de Informática da Educação, Revista Computação Aplicada e na Revista Internacional Educon. Os resultados mostraram a necessidade de pesquisa no campo das Altas Habilidades com tendência ao Pensamento Computacional, a fim de difundir o conhecimento a respeito dessa temática para que mais pessoas com esse perfil possam ser identificadas e assistidas para que suas potencialidades possam ser desenvolvidas.
According to the World Health Organization, it is estimated that 5% of the population has high skills, and this number may be even higher. The present work aims to conduct a research in the area of high skills focusing on logical-mathematical intelligence and creativity in computational thinking. The attendance of this public is still incipient to the extent that the public policies aimed at Special Education are not implemented as they should be. Thus, this is a bibliographical research on this theme, referring to the period from 2015 to 2021. We used as methodology the literature review, through research conducted in the databases Nuevas Ideas en Informática Educativa, Biblioteca Digital de Tese e Dissertação da Universidade Estadual do Oeste do Paraná (UNIOESTE) (in English - Digital Library of Thesis and Dissertation of the State University of Western Paraná - UNIOESTE), Research Society, in the Revista de Informática da Educação, Revista Computação Aplicada, and in Revista Internacional Educon. The results showed the need for research in the field of high skills with a tendency to computational thinking, in order to disseminate knowledge about this theme so that more people with this profile can be identified and assisted so that their potentialities can be developed.
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Este artigo reflexiona sobre a "ludicidade", seus significados e manifestações, especialmente como "criatividade latente" e função estruturante na constituição da "identidade humana", a partir do desenvolvimento da criança. As referências são em pesquisas pela Neurociência e Psicomotricidade com os paradigmas sistêmicos - corpo e mente integrados. Decorre da experiência pessoal no brincar em brinquedotecas e da prática docente/clínica na Psicopedagogia e Psicologia.
This article presents "ludicity/play-playthings", its meanings and manifestations, especially as "latent creativity" and structuring function in the constitution of "human identity/individuality", from child development The references are in research by Neuroscience and Psychomotricity with the systemic paradigms - integrated body and mind. It stems from personal experience in playing in toy libraries and from teaching/clinical practice in Psychopedagogy/Psychology.
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Resumen Este artículo es parte de una investigación que pretende identificar el impacto que tienen las enfermedades crónicas en el desarrollo de la creatividad, la identidad y la subjetividad de los sujetos que las padecen. El documento presenta la revisión de 50 artículos con resultados de estudios que, en la última década, investigaron sobre la creatividad en relación con la identidad y la subjetividad de niños, niñas, adolescentes y jóvenes que viven con enfermedades crónicas. Desde lo metodológico, se trata de un estudio no probabilístico de tipo intencional, en el cual se abordaron datos bibliométricos construidos a partir de bases de datos especializadas y, posteriormente, se efectuó un análisis interpretativo crítico de estas investigaciones desde una perspectiva cualitativa, para el que se recurrió a la categorización de la información. Los resultados evidencian que el uso del arte como estrategia terapéutica facilita el afrontamiento de la enfermedad; sin embargo, también se evidencian afectaciones relevantes en el sistema familiar y relacional de quienes viven con estas enfermedades. Se concluye que la investigación en este campo se ha dado principalmente desde la medicina y la psicología, pero dejó un campo abierto que puede ser explorado por la investigación social.
Abstract This article presents a state of the art that integrates the review of fifty articles of the results of studies that, in the last decade, investigated creativity in relation to the identity and subjectivity of children, adolescents and young people living with chronic diseases .The document is part of a doctoral research that aims to identify the transformations that creativity undergoes in relation to the development of identity and subjectivity of children living with chronic diseases, such as HIV/AIDS, cancer and diabetes, given that these are the diseases that Sontag (2008) relates as the diseases that cause the greatest social and economic impacts and that modify the life project of people in the long term. From the methodological point of view, bibliometric data constructed from specialized databases such as PubMed, APA, Science Direct, Proquest, Redalyc, Scielo and Scopus were approached; subsequently a critical interpretive analysis of these investigations was carried out from a qualitative perspective. The results show that the use of art as a therapeutic strategy facilitates coping with the disease; however, relevant effects are also evident in the family and relational system of those who live with these diseases. It is also found that a large part of the research, as suggested by Sontag (2008), assumes diseases as an enemy, making use of the language of war, in addition to locating whoever experiences the disease as a battle hero or as a survivor when it is possible to go through the disease in a satisfactory way, however, it is also evident that this position implies a struggle of the subject with himself. Also, some of the authors state that the disease facilitates the recognition of abilities, tastes and skills of which one was not aware before experiencing it. Through these investigations, the understanding of the importance of relationships with peers as a key aspect for the development of self-regulation is broadened, which facilitates self-care practices far from victimization and family overprotection. Creativity has been understood mainly from artistic exercises, art-therapy and the use of some resources such as painting, drawing, music and dance for the approach to the subject who lives with chronic diseases, from the research exercises themselves, but also from an attempt to allow the subject to establish diverse communications with his context and to establish communication bridges with himself and with his new life circumstances. However, this perspective leaves aside the proposal of Lavie, Narayan and Rosaldo (1993), who argue that creativity is the human capacity to respond to daily circumstances in different ways, which allows expanding the field of action of what creative, facilitating that it is linked to the daily lives of the subjects and other ways of displaying creativity are explored, from relationships, from the practices of self-recognition and self-care regarding the same disease.It is also found that chronic diseases are related to metaphors that force the subject who experiences them to assume the role of warrior, war hero or war victim; these postures assume burdens for the subject and, although in some cases they help to assume the disease with a spirit of improvement, they also increase responsibility, guilt and difficulties in cases in which the disease is not overcome.
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Background: One of the major challenges for pharmacology teachers is how to capture students’ interests and engage them in the subject, to create an engaging and enjoyable learning process. “Creative study guide posters” is one such novel educational tool that can help achieve these goals. Aims and Objectives: The authors tried to recreate visual artwork in the subject of pharmacology to engage students and at the same time make learning easy and fun-filled. Materials and Methods: In this study, 2nd year medical students participated and prepared creative study guide posters on antimicrobials and microbes in the form of two armies. On the one hand, antimicrobial drugs depicted the good army, consisting of the name of the drug, drug group, and mechanism of action, while on the other hand, the microorganisms depicted the evil army, consisting of the names of the common microbes, representing the battle of Kurukshetra as in the Indian epic of Mahabharata. Results: The majority of the students found this model interesting and useful for revising antimicrobials. About 82.3% of students agreed that their concepts of antimicrobials improved after this activity. About 86.46% of students believed that this model would foster interactive learning. Only 65.63% of students felt that the traditional methods of revising topics were better than this activity. Conclusion: Creative instruction encourages students to think independently, paricipate actively, and express themselves freely. Creative study guide poster activities help with better student engagement, reinforcing concepts, and better retention than just passing information passively in classrooms.
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In the new journey of building a modern socialist country in an all-round way, China is gradually entering the ranks of innovative countries. The national emphasis on scientific and technological innovation and transformation and the policy guidance have inspired the unprecedented enthusiasm and confidence of Chinese orthopaedic surgeons for innovation and transformation. After decades of unremitting efforts of orthopaedics predecessors, Chinese orthopaedics, as the new force of scientific and technological innovation, has been developing towards the direction of digitalization, personalized, minimally invasive, precise and intelligent, but some problems have also been exposed. We should strengthen the main position of independent innovation of orthopedics new technology, materials and instruments, implement the strategy of combining "import" with China's specific national conditions, and use Chinese and western, strive to solve the problem of transformation of scientific research results, accelerate the process of localization replacement, so that the innovation transformation results in the land of China.
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Objetivo: investigar a produção científica na área da enfermagem sobre o Método Criativo Sensível. Método: pesquisa descritiva, com abordagem quantitativa, do tipo revisão bibliométrica. Resultados: foram recuperados 293 documentos, dos quais 97 estão presentes na base de dados da Literatura Latino-Americana e do Caribe em Ciências da Saúde, 184 na Medical Literature Analysis and Retrieval System Online, seis na Scopus e seis na Web of Science. Em suma, destaca-se as publicações nos idiomas inglês (69,9%) e português (22,5%), bem como a disponibilidade no formato de artigos científicos (96,6%) entre os anos de 1967 a 2022. A revista Nurse Education detém 30 publicações. Os termos mais utilizados na indexação das pesquisas foram "Humanos", "Criatividade", "Métodos", "Psicologia" e "Ensino". Os principais autores na área foram Ivone Evangelista Cabral, Liliane Faria da Silva e Eliane Tatsch Neves. Conclusão: identificou-se crescimento do comportamento das informações sobre o método criativo sensível na enfermagem.
Objective: to investigate the scientific production in the area of nursing on the Sensitive Creative Method. Method: descriptive research, with a quantitative approach, of the bibliometric review type. Results: two hundred and ninety-three (293) documents were retrieved, of which 97 are present in the Latin American and Caribbean Health Sciences Literature database, 184 in the Medical Literature Analysis and Retrieval System Online, six in Scopus and six in the Web of Science. In short, publications in English (69.9%) and Portuguese (22.5%) stand out, as well as the availability in the format of scientific articles (96.6%) between 1967 and 2022. Nurse Education magazine owns 30 publications. The most used terms in the indexing of the searches were "Humans", "Creativity", "Methods", "Psychology" and "Teaching". The main authors in the area were Ivone Evangelista Cabral, Liliane Faria da Silva and Eliane Tatsch Neves. Conclusion: we identified an increase in the behavior of information about the sensitive creative method in nursing.
Objetivo: investigar la producción científica en el área de enfermería sobre el Método Creativo Sensible. Método: investigación descriptiva, con enfoque cuantitativo, del tipo revisión bibliométrica. Resultados: Se recuperaron 293 documentos, de los cuales 97 están presentes en la base de datos Literatura Latinoamericana y del Caribe en Ciencias de la Salud, 184 en el Sistema de Análisis y Recuperación de Literatura Médica en Línea, seis en Scopus y seis en Web of Science. En definitiva, destacan las publicaciones en inglés (69,9%) y portugués (22,5%), así como la disponibilidad en formato de artículos científicos (96,6%) entre los años 1967 a 2022. La revista Nurse Education cuenta con 30 publicaciones. Los términos más utilizados en las búsquedas de indexación fueron "Humanos", "Creatividad", "Métodos", "Psicología" y "Enseñanza". Las principales autoras del área fueron Ivone Evangelista Cabral, Liliane Faria da Silva y Eliane Tatsch Neves. Conclusión: se identificó crecimiento en el comportamiento de la información sobre el método creativo sensible en enfermería.
Sujets)
Humains , Recherche en soins infirmiers , Bibliométrie , Soins , Créativité , MéthodesRésumé
Introducción: la formación de los residentes deviene proceso fundamental para garantizar especialistas con una sólida preparación profesional. Objetivo: exponer un conjunto de ideas, posicionamientos teóricos y metodológicos orientados a elevar la calidad de la formación del residente en Gastroenterología desde un enfoque creativo y tecnológico. Métodos: se realizó una revisión bibliográfica sistemática para desarrollar un análisis del contenido de documentos, tesis de doctorado, maestría, artículos originales y de revisión publicados entre 1981 y 2022 en español. Se consultaron 47 artículos y se seleccionaron 28. La búsqueda fue realizada en las bases de datos SciELO y Google académico de julio a septiembre de 2022. Tras la identificación de los estudios preseleccionados, se llevó a cabo la lectura de los títulos, resumen y palabras claves para comprobar su pertinencia con el estudio. Desarrollo: la revisión documental permitió esclarecer una serie de dificultades presentes en el proceso de formación de los especialistas en Gastroenterología y hacer propuestas que pueden contribuir en este sentido desde las nuevas concepciones de la educación como la creatividad, el trabajo colaborativo y la enseñanza problémica, usando las ventajas de las tecnologías de la información y las comunicaciones. Conclusiones: el proceso de formación de los residentes en Gastroenterología necesita adaptarse a las nuevas exigencias de la educación. Potencializar la creatividad desde la perspectiva de la enseñanza problémica y el trabajo colaborativo mediante el uso de las herramientas que brindan las tecnologías de la información y la comunicación, debe ser la directriz, en este propósito.
Introduction: The training of residents becomes a fundamental process to guarantee specialists with a solid professional preparation. Objective: To present a set of ideas, theoretical and methodological positions that guide how to raise the quality of the resident's training in Gastroenterology from a creative and technological approach. Method: A systematic bibliographic review was carried out to develop an analysis of the content of documents, doctoral theses, master's degrees, original and review articles published from 1981 to 2022 in Spanish. We consulted 47 articles and selected 26. The search was carried out in the SciELO and Google scholar databases from July to September 2022, after the identification of the pre-selected studies, the titles, abstract and keywords were read to check their relevance to the study. Development: The documentary review allowed to clarify a series of difficulties in the training process of specialists in gastroenterology and make proposals that can contribute in this sense from the new conceptions of education, such as creativity, collaborative work, problem-solving teaching using the advantages of information and communication technologies. Conclusions: The training process of residents in gastroenterology needs to adapt to the new demands of education. Potentiating creativity from the perspective of probability teaching and collaborative work through the use of the tools provided by information and communication technologies, should be the guideline, in this purpose.
Sujets)
Créativité , Enseignement médical , Technologie de l'information , GastroentérologieRésumé
Apesar dos avanços científicos na compreensão da criatividade, ainda restam dúvidas na definição deste constructo por alunos e professores. Este estudo teve como objetivo identificar a percepção da criatividade em alunos (n=74) e professores (n=24). A média de idade foi de 30,5 anos, em sua maioria mulheres (70,41%), de escolaridade com nível superior (75%), da região Sudeste (58%). O instrumento utilizado foi um questionário online com perguntas abertas sobre a percepção da criatividade. Por meio da análise de conteúdo, verificou-se que os participantes descrevem a criatividade através de características cognitivas (fluência, flexibilidade, elaboração e originalidade), sendo que os professores mostraram maior ênfase ao ambiente criativo, enquanto alunos acreditam que a pessoa e o processo sejam aspectos que podem estimular a expressão da criatividade. Os resultados se alinham com outros encontrados na literatura, reforçando a importância de que a criatividade seja inserida na formação dos professores e trabalhada junto aos alunos.
A pesar de los avances científicos en la comprensión de la creatividad, aún hay dudas en la definición de este constructo por alumnos y profesores. Este estudio tuvo por objetivo identificar la percepción de la creatividad en alumnos (n=74) y profesores (n=24). El promedio de edad fue de 30,5 años, en mayoría mujeres (el 70,41%), de escolaridad con nivel universitario (el 75%), de la región Sudeste (el 58%). El instrumento utilizado fue un cuestionario online con preguntas abiertas sobre la percepción de la creatividad. Por intermedio del análisis de contenido, se verificó que los participantes describen la creatividad a través de características cognitivas (fluencia, flexibilidad, elaboración y originalidad), siendo que los profesores mostraron mayor énfasis al ambiente creativo, mientras alumnos creen que la persona y el proceso sean aspectos que pueden estimular la expresión de la creatividad. Los resultados se alinean con otros encontrados en la literatura, reforzando la importancia de que la creatividad sea inserida en la formación de los profesores y trabajada junto a los alumnos.
Despite scientific advances in the understanding of creativity, there are still doubts in the definition of this construct by students and teachers. This study aimed to identify the perception of creativity in students (n=74) and teachers (n=24). The average age was 30.5 years, mostly women (70.41%), with higher education (75%), from the Southeast region (58%). The instrument used was an online questionnaire with open questions about the perception of creativity. Through content analysis, it was found that participants describe creativity through cognitive characteristics (fluency, flexibility, elaboration and originality), with teachers showing greater emphasis on the creative environment, while students believe that the person and the process are aspects that can stimulate the expression of creativity. The results are in line with others found in the literature, reinforcing the importance that creativity is inserted in the training of teachers and worked with students.
Sujets)
Créativité , Compréhension , Éducation , Niveau d'instructionRésumé
Los eventos científicos virtuales constituyen un canal de transferencia de tecnologías que permite la difusión y la socialización de las producciones de la ciencia a la comunidad científica. En la Universidad de Ciencias Médicas de Villa Clara durante el periodo enero-junio se realizó la I Feria Estudiantil de Innovación y Aplicación Científica: EUREKA 2022, surgida a partir de la idea de los autores con el objetivo de mostrar los resultados en materia de innovación y aplicación científica de los estudiantes de todo el país. Más allá de ese objetivo el evento contó con varias actividades colaterales que se desarrollaron de forma presencial y también de manera virtual. Es objetivo de los autores a través de este artículo socializar con estudiantes y profesores la relevancia del evento EUREKA 2022 como actividad científica estudiantil.
Virtual scientific events constitute a technology transfer channel that allows the dissemination and socialization of scientific productions to the scientific community. At the University of Medical Sciences of Villa Clara, from January to June, the I Student Fair of Innovation and Scientific Application was held EUREKA 2022, arising from the idea of the authors with the aim of showing the results in terms of innovation. and scientific application of students across the country. Beyond this objective, the event had several collateral activities that were carried out in person and also virtually. The objective of the authors through this article is to socialize with students and professors the relevance of the EUREKA 2022 event as a student scientific activity.
Sujets)
Science , Étudiants , Créativité , Enseignement médicalRésumé
SUMMARY OBJECTIVE: Midwifery services are a cornerstone of maternal care but the trait creativity of midwifery students is unclear. The aim of this study was to assess trait creativity among midwives in Taizhou, China. METHODS: A cross-sectional online survey among midwives was conducted from July 20 to August 10, 2022. Trait creativity was assessed using the Williams Creativity Assessment Packet. RESULTS: A total of 300 survey respondents were studied. The mean scores for the imagination dimension (p=0.032) and the risk-taking dimension (p=0.049) differed across major groups. We further compared the scores of trait creativity dimensions after excluding male participants. Midwifery students only scored lower on the specific imagination dimension (p=0.024). CONCLUSION: The imagination level of midwifery students certainly deserves further attention. Education workers should pay more attention to the imagination of midwifery students.
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RESUMO O estudo parte do seguinte problema: a reconexão de pessoas com o seu órgão uterino facilita o autoconhecimento e desenvolvimento da espontaneidade-criatividade? Tal problema implica a necessidade de se compreender em que momento da história do Ocidente o útero passou a ser locus de doenças e preconceitos; e, a partir de uma análise sociopsicodramática, compreender os reflexos desta narrativa hegemônica na atualidade político-cultural brasileira. As dores históricas que bloqueiam a espontaneidade-criatividade são chamadas de conserva colonial. Trata-se de uma pesquisa qualitativa e psicodramática, com estudos de casos que apresentam o sofrimento de consulentes firmados pela desconexão com seu órgão uterino. Utiliza-se um método específico, denominado uterodrama, que facilitou o desenvolvimento da espontaneidade-criatividade das consulentes1 a partir da reaproximação com seu útero.
ABSTRACT The study starts from the following issue question: does the reconnection between people and their uterine organ ease self-knowledge and the development of spontaneity-creativity? This problem requires the comprehension of what moment of Western history, the uterus became a locus of disease and prejudice; and, from a social-psychodramatic analysis, understanding the consequences of this hegemonic narrative in the Brazilian current political-cultural reality. For being historical sorrows that block our spontaneity-creativity, we name it of colonial conservatism. This is qualitative and psychodramatic research, with the study of cases presenting the suffering of consultants caused by the disconnection with their uterine organ. We used a specific approach, called uterodrama, which facilitated the development of consultants' spontaneity and creativity as they experienced the reapproximation with their uterus.
RESUMEN El estudio parte del siguiente tema: ¿La reconexión de las personas con su órgano uterino facilita el autoconocimiento y el desarrollo de la espontaneidad-creatividad? Tal tema requiere la necesidad de comprender en qué momento de la historia de Occidente el útero se ha convertido en locus de enfermedades y prejuicios; y, a partir de un análisis sociopsicodramático, comprender los reflejos de esta narrativa hegemónica en la actualidad político-cultural brasileña. Al seren dolores históricos que bloquean la espontaneidad-creatividad, se le denomina conserva colonial. Se trata de una investigación cualitativa y psicodramática, con estudios de casos que presentan el sufrimiento de consultores causados por la desconexión con su órgano uterino. Se utiliza una obra específica, llamada uterodrama, que ha facilitado el desarrollo de la espontaneidad-creatividad de las consultores en la reaproximación con su útero.
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ABSTRACT Objective: To learn about the experiences of nurse entrepreneurs in building their careers and business trajectories. Method: A descriptive and exploratory, qualitative study carried out with nurse entrepreneurs, recruited using the snowball technique. Interviews were conducted via Skype and audio-recorded between June and July 2021, which were transcribed and subjected to content analysis. Results: 15 nurses participated. Three thematic axes were identified: "Entrepreneurship in nursing with the use of technologies", which presented niches of activity and the use of technologies; "Desire to innovate even with fear of the new", which reports feelings and motivations related to entrepreneurship, especially innovation; and "What nurses need to know before starting a business", which presents the risks and benefits of entrepreneurship, as well as the skills needed by entrepreneurs. Conclusion: The entrepreneurial experience presents challenges for nurses. Thus, encouraging knowledge about entrepreneurship makes it possible to strengthen autonomy and gain new opportunities in nursing.
RESUMEN Objetivo: Conocer las experiencias de enfermeras emprendedoras en la construcción de sus carreras y trayectorias empresariales. Método: Estudio cualitativo descriptivo y exploratorio realizado con enfermeras emprendedoras reclutadas mediante la técnica "Bola de Nieve". Las entrevistas se realizaron a través de Skype y se grabaron en audio entre junio y julio de 2021, se transcribieron y se sometieron a un análisis de contenido. Resultados: Participaron 15 enfermeras. Se identificaron tres ejes temáticos: "Emprendimiento en enfermería con el uso de tecnologías", que presenta nichos de actividad y el uso de tecnologías; "Deseo de innovar aún con miedo a lo nuevo", que reporta sentimientos y motivaciones relacionados con el emprendimiento, especialmente la innovación; y "Lo que las enfermeras necesitan saber antes de emprender", que presenta los riesgos y beneficios del emprendimiento, así como las habilidades que necesitan las emprendedoras. Conclusión: La experiencia emprendedora presenta retos en la práctica de las enfermeras. Por lo tanto, fomentar el conocimiento sobre el espíritu emprendedor permite fortalecer la autonomía y obtener nuevas oportunidades en la enfermería.
RESUMO Objetivo: Conhecer as experiências de enfermeiros empreendedores na construção da carreira e trajetória empresarial. Método: Estudo descritivo e exploratório, qualitativo, realizado com enfermeiros empreendedores, recrutados pela técnica "Bola de Neve". Realizou-se entrevistas via Skype e audiogravadas nos meses de junho a julho de 2021, que foram transcritas e submetidas a análise de conteúdo. Resultados: Participaram 15 enfermeiros. Identificou-se três eixos temáticos: "Empreender na enfermagem com a utilização de tecnologias", que apresentou nichos de atuação e o uso de tecnologias; "Desejo de inovar mesmo com medo do novo", que relata sentimentos e motivações relacionados ao empreender, em especial a inovação; e "O que o enfermeiro precisa saber antes de empreender", que apresenta os riscos e benefícios do empreendimento, bem como, as habilidades necessárias ao empreendedor. Conclusão: A experiência empreendedora apresenta desafios na prática dos enfermeiros. Destarte, incentivar o saber sobre o empreendedorismo possibilita o fortalecimento da autonomia e conquista de novas oportunidades de atuação na Enfermagem.