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The rhythmic mind: brain functions of percussionists in improvisation.
Liao, Yin-Chun; Yang, Ching-Ju; Yu, Hsin-Yen; Huang, Chiu-Jung; Hong, Tzu-Yi; Li, Wei-Chi; Chen, Li-Fen; Hsieh, Jen-Chuen.
Affiliation
  • Liao YC; Institute of Brain Science, National Yang Ming Chiao Tung University, Taipei, Taiwan.
  • Yang CJ; Integrated Brain Research Unit, Department of Medical Research, Taipei Veterans General Hospital, Taipei, Taiwan.
  • Yu HY; Institute of Brain Science, National Yang Ming Chiao Tung University, Taipei, Taiwan.
  • Huang CJ; Integrated Brain Research Unit, Department of Medical Research, Taipei Veterans General Hospital, Taipei, Taiwan.
  • Hong TY; Department of Biological Science and Technology, College of Biological Science and Technology, National Yang Ming Chiao Tung University, Hsinchu, Taiwan.
  • Li WC; Graduate Institute of Arts and Humanities Education, Taipei National University of the Arts, Taipei, Taiwan.
  • Chen LF; Institute of Brain Science, National Yang Ming Chiao Tung University, Taipei, Taiwan.
  • Hsieh JC; Institute of Brain Science, National Yang Ming Chiao Tung University, Taipei, Taiwan.
Front Hum Neurosci ; 18: 1418727, 2024.
Article in En | MEDLINE | ID: mdl-39118819
ABSTRACT

Introduction:

Percussionists stand out for their expertise in rhythm, with the network for musical rhythm (NMR) serving a vital neurological function in their improvisation, which is deeply rooted in comprehensive musical knowledge. Our research examines the central representations of various improvisation tactics used by percussionists and investigates the interactions between the NMR and other relevant neural networks.

Methods:

Twenty-five percussionists participated in functional magnetic resonance imaging (fMRI) sessions, which included two cognitive strategies of improvisation. Structural improvisation (SIMP) emphasized rhythmic patterns, while free improvisation (FIMP) focused on musical spontaneity. Sight-reading scenario served as the reference condition. Paired t-tests were utilized for comparative analyses.

Results:

The findings revealed a dynamic interplay characterized by increased activity in the executive control network and NMR, along with decreased activity in the default mode network during SIMP. During FIMP, heightened activity was observed in the executive control network, NMR, limbic, and memory systems. In both SIMP vs. sight-reading and FIMP vs. sight-reading comparisons, the visual network's activity decreased, a trend also observed in the comparative analysis of FIMP vs. SIMP.

Discussion:

In SIMP, percussionists leverage external rhythmic signals, resulting in heightened NMR and ECN activity and reduced DMN activity. In contrast, FIMP is characterized by a rise in activity within the NMR, ECN, limbic system, memory system, and reward system, underscoring the vital roles of motivation and memory in the rapid production of spontaneous musical ideas within set frameworks. The diminished activity in the visual network during FIMP compared to SIMP suggests less reliance on visual stimuli in FIMP. These findings suggest that various improvisational tactics may engage different neural pathways.
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