Mindful art.

Bullot & Reber (B&R) begin asking if the study of the mind's inner life can provide a foundation for a science of art. Clearly there are many epistemological problems involved in the study of the cognitive and affective basis of art appreciation. I argue that context is key. I also propose that as long as the "mind's life" continues to be perceived as an "inner" intracranial phenomenon, little progress can be made. Mind and art are one.

Reconciling beauty and utility in early city planning: the contribution of John Nolen.

In the history of city planning, the dichotomy between the aesthetic aspirations of the City Beautiful and City Practical movements is overstated. The aesthetic impulse did not disappear but persisted as an important thread through the development of comprehensive planning approaches into the 1920s. The nexus between beauty and utility was negotiated and expressed across four main discourses: broad social improvement, aesthetic functionality, economic rationality, and holistic design. Ultimately, beauty became wedded to utility within the very nature of the comprehensive city plan itself. The work of the leading city planner John Nolen is central to an understanding of these historic continuities and informed the early evolution of city planning theory and practice. Nolen's challenge to the City Beautiful paradigm, while still retaining an artistic sensibility, reaestheticizes scholars' appreciation of the City Practical.

Gynaecomastia and scrotal rhacosis: two aesthetic surgical operations for men in Byzantine times.

BACKGROUND: Nowadays, as in the past, much attention is paid to aesthetic operations in women, while only infrequently have such operations been referred to in males. Generally, male aesthetic surgery was introduced to surgical practise during the 19th century. In this study, we analysed the practise of such operations in Byzantine times and in other ancient cultures with surgical knowledge, i.e. ancient India and China METHODS: The sixth book of Paul of Aegina's "Epitome of Medicine" was studied for description of aesthetic operations in males in the Byzantine period, since this book is completely devoted to surgery and is generally considered to be the most important reference for surgery in Byzantine times. The original text and its excellent translation by Francis Adams were used. References concerning aesthetic operations for males were identified. Accordingly, historical work and reviews on plastic surgery in ancient India and China were studied. RESULTS: Mainly, two aesthetic surgical procedures for males in the Byzantine period were identified. These two procedures comprise gynaecomastia and rhacosis (scrotal relaxation). Two different techniques were reported for the surgical management of gynaecomastia, through sub-mammary or supra-mammary access. Two procedures were noted for rhacosis, for which Paul of Aegina reproduced the respective chapters from Leonides' and Antyllus' works. Evidence supporting male aesthetic surgery in ancient India and China or elsewhere was not found. CONCLUSIONS: Despite the dubious aesthetic result, the existence of different aesthetic surgical techniques in males substantiate the advanced level of surgery achieved by physicians in the Byzantine period.

See Josephus: viewing first-century sexual drama with Victorian eyes.

This article looks first at how the art of J.W. Waterhouse responds to the classical world: how complex the scene of reception is, triangulated between artist, the ancient past, and his audiences, and extended over time. Second, it looks at how this scene of reception engages with a specific Victorian problematic about male sexuality and self-control. This is not just a question of Waterhouse using classics as an alibi for thinking about desire, but also of the interference of different models of desire and different knowledges of the classical world in the reception of the painting's narrative semantics.

[The overview of traditional Chinese medical cosmetology in pre-Qin dynasty].

The cosmetic measures of humans emerged very early. As far back as the late Palaeolithic age related cosmetic decorations came into being. In the Shang and Zhou dynasty, there were already cosmetic people who applied rouges and powders. In the Spring and Autumn dynasty and Warring States periods, because of the increase awareness of aesthetic enjoyment and the prevalence of attention paid to cosmetology, people began to discuss aesthetics. The development of TCM also caused the fusion of the cosmetology and TCM. The records of the early ancient literature such as Shan Hai Jing and silk scrolls of Ma Wang Dui reflected the overview of TCM cosmetology in pre-Qin dynasty.

[The Vitruvian Man: an anatomical drawing for proportions by Leonardo Da Vinci]. / L'Homme de Vitruve: un dessin de proportion anatomique par Léonard de Vinci.

The aim of the study was to find out and to analyse the text by Vitruvius which inspired the famous drawing by Leonardo da Vinci (circa 1490) kept in the Galleria dell'Accademia, in Venezia, Italy: the man inscribed in one circle and in one square. The book "de Architectura" by Vitruvius Marcus Pollio was printed several times since the Renaissance when both the roman architecture of antiquity and this text became very popular. From a French translation by Claude Perrault in 1864, it became easy to find a French translation with the original text in Latin (Paris, 2003, Les Belles Lettres, French text by Pierre Gros). The drawing by Leonardo da Vinci illustrates with great accuracy and fidelity the quotation of Vitruvius (with the exception of two of the 12 main relationships). The genius of Leonardo da Vinci was to keep only one trunk, head and neck for two pairs of limbs: scapular and pelvic; to make the circle tangent to the lower edge of the square; to adjust a few features of the quotation for the equilibrium of the whole figure; and of course to bring his incredible skill as a drawer (one of the best of his century). The drawing was made on a sheet of paper 344x245mm, in black ink which became dark brown with time; several lines complete the figure above and below; a short caption and a horizontal scale appear just under the drawing. The celebrity of the drawing, a symbol of the Renaissance, of the equilibrium of man and mankind, of the universality of the artists and intellectuals of the time (Humanism) made it iconic and it has been constantly reproduced and adapted especially for advertisement and logos, not only in the medical field.

Reform in the garden.

English gardens powered by steam engines offer an intriguing view of how technological and scientific progress was naturalized in the landscape of 19th-century Prussia, and in Prussian culture, during the early years of industrial modernization. One such garden is Peacock Island, in the Havel River near Potsdam. A product of the reform era that preceded and followed the Napoleonic Wars, it expressed the goal of Friedrich Wilhelm III and his government to enter into the British system of factory production and world trade. Modern science, as represented especially by Alexander von Humboldt, played a prominent role.

Gender and aesthetic norms in popular hygienic culture in Germany from 1900 to 1914.

The paper concerns the construction of gender norms in popular hygienic literature at the turn of the century. It argues that the formulation of aesthetic gender norms for women's and men's bodies was a response to social developments which were perceived as a threat to the middle-class ideology of separate spheres for the sexes. Concerns about the blurring of gender distinctions were expressed in the aesthetic idiom of the educated middle class. Aesthetic norms for each sex were established and contrasted with the degenerate body forms of contemporaries. The spectre of masculinized women and feminized men was raised, reflecting a deep-seated uneasiness about changing gender roles and identities. The increasing assertiveness of women as expressed in feminist activism was interpreted by anti-feminist authors as a sign of degeneracy. For these authors any articulation of self-interest by women was suspect. Strong sexual desires of women which could serve as the basis for the independent articulation of female sexual interests were denied or declared as abnormal. Feminist critics argued that it was the lack of economic and social independence of women which was the reason for the declining health and beauty of the female sex.

Diseases of the skull in pre-Columbian South American mummies.

OBJECTIVE: The majority of paleopathological investigations focus on the study of the skull. This is because the skull is the most frequently preserved part of the human body recovered from archaeological excavations. From studying the skull, a variety of information can be obtained regarding the individual, such as sex, age, nutritional status, and other disease processes, if present. METHODS: This study represents the examination of more than 700 human skulls recovered from archaeological excavations from the Andean region of southern Peru and northern Chile and dating back more than 8000 years. RESULTS: A variety of skull abnormalities were encountered. The nonmetric variables of Huschke's foramina and palatine tori were common. Cranial deformation was observed in more than 85% of the cases. There were two cases of sagittal synostosis. Iron deficiency anemia resulting in porotic hyperostosis of the skull was evident in certain cultures. Exostoses of the external auditory canal resulting from chronic otitis was evident only among coastal populations. One skull demonstrated a periostitis consistent with Treponema infection. Trephination was encountered only in the skulls from Peru. Fifty-four cases of skull fractures were observed, half of which showed evidence of healing. Finally, only two cases of neoplastic skull lesions were encountered. CONCLUSION: The study of the human skull alone provides a large amount of information regarding the health and diseases of ancient populations.

Is a tan really beautiful?

History has demonstrated many dangerous beauty fads, including tanning, which have evolved into a false concept of beauty. A teaching tool, which emphasizes tanning as just a fashion trend rather than a beauty enhancer, can help discourage people from suntanning their skin.

The changing face of beauty.

Beautiful faces, like clothing and body conformation, go in and out of fashion. Yet, certain women in every era are considered truly beautiful. Who, then, sets standards of facial beauty and how are women chosen as representative of an ideal? Identifying great beauties is easier than explaining why they are chosen, but answers to these elusive questions are suggested in art, literature, and a review of past events.