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Fractionating auditory priors: A neural dissociation between active and passive experience of musical sounds.
Kliuchko, Marina; Brattico, Elvira; Gold, Benjamin P; Tervaniemi, Mari; Bogert, Brigitte; Toiviainen, Petri; Vuust, Peter.
Afiliação
  • Kliuchko M; Center for Music in the Brain (MIB), Department of Clinical Medicine, Aarhus University & The Royal Academy of Music Aarhus/Aalborg (RAMA), Aarhus, Denmark.
  • Brattico E; BioMag Laboratory, HUS Medical Imaging Center, University of Helsinki and Helsinki University Hospital, Helsinki, Finland.
  • Gold BP; Center for Music in the Brain (MIB), Department of Clinical Medicine, Aarhus University & The Royal Academy of Music Aarhus/Aalborg (RAMA), Aarhus, Denmark.
  • Tervaniemi M; Montreal Neurological Institute, McGill University, Montreal, Canada.
  • Bogert B; Cicero Learning, Faculty of Educational Sciences, University of Helsinki, Helsinki, Finland.
  • Toiviainen P; Cognitive Brain Research Unit, Department of Psychology and Logopedics, Faculty of Medicine, University of Helsinki, Helsinki, Finland.
  • Vuust P; Cognitive Brain Research Unit, Department of Psychology and Logopedics, Faculty of Medicine, University of Helsinki, Helsinki, Finland.
PLoS One ; 14(5): e0216499, 2019.
Article em En | MEDLINE | ID: mdl-31051008
ABSTRACT
Learning, attention and action play a crucial role in determining how stimulus predictions are formed, stored, and updated. Years-long experience with the specific repertoires of sounds of one or more musical styles is what characterizes professional musicians. Here we contrasted active experience with sounds, namely long-lasting motor practice, theoretical study and engaged listening to the acoustic features characterizing a musical style of choice in professional musicians with mainly passive experience of sounds in laypersons. We hypothesized that long-term active experience of sounds would influence the neural predictions of the stylistic features in professional musicians in a distinct way from the mainly passive experience of sounds in laypersons. Participants with different musical backgrounds were recruited professional jazz and classical musicians, amateur musicians and non-musicians. They were presented with a musical multi-feature paradigm eliciting mismatch negativity (MMN), a prediction error signal to changes in six sound features for only 12 minutes of electroencephalography (EEG) and magnetoencephalography (MEG) recordings. We observed a generally larger MMN amplitudes-indicative of stronger automatic neural signals to violated priors-in jazz musicians (but not in classical musicians) as compared to non-musicians and amateurs. The specific MMN enhancements were found for spectral features (timbre, pitch, slide) and sound intensity. In participants who were not musicians, the higher preference for jazz music was associated with reduced MMN to pitch slide (a feature common in jazz music style). Our results suggest that long-lasting, active experience of a musical style is associated with accurate neural priors for the sound features of the preferred style, in contrast to passive listening.
Assuntos

Texto completo: 1 Base de dados: MEDLINE Métodos Terapêuticos e Terapias MTCI: Terapias_energeticas / Musicoterapia Assunto principal: Percepção da Altura Sonora / Estimulação Acústica / Percepção Sonora Idioma: En Revista: PLoS One Ano de publicação: 2019 Tipo de documento: Article País de afiliação: Dinamarca

Texto completo: 1 Base de dados: MEDLINE Métodos Terapêuticos e Terapias MTCI: Terapias_energeticas / Musicoterapia Assunto principal: Percepção da Altura Sonora / Estimulação Acústica / Percepção Sonora Idioma: En Revista: PLoS One Ano de publicação: 2019 Tipo de documento: Article País de afiliação: Dinamarca