Simulating room transfer functions between transducers mounted on audio devices using a modified image source method.

The image source method (ISM) is often used to simulate room acoustics due to its ease of use and computational efficiency. The standard ISM is limited to simulations of room impulse responses between point sources and omnidirectional receivers. In this work, the ISM is extended using spherical harmonic directivity coefficients to include acoustic diffraction effects. These effects occur in practice when transducers are mounted on audio devices of finite spatial extent, e.g., modern smart speakers with loudspeakers and microphones. The proposed method is verified using finite element simulations of various loudspeaker and microphone configurations in a shoebox-shaped room. It is shown that the accuracy of the proposed method is related to the sizes, shapes, number, and positions of the devices inside a room. A simplified version of the proposed method, which can significantly reduce computational effort, is also presented. The proposed method and its simplified version can simulate room transfer functions more accurately than currently available image source methods and can aid the development and evaluation of speech and acoustic signal processing algorithms, including speech enhancement, acoustic scene analysis, and acoustic parameter estimation.

The mechanisms of harmonic sound generation during phonation: A multi-modal measurement-based approach.

Sound generation during voiced speech remains an open research topic because the underlying process within the human larynx is hardly accessible for direct measurements. In the present study, harmonic sound generation during phonation was investigated with a model that replicates the fully coupled fluid-structure-acoustic interaction (FSAI). The FSAI was captured using a multi-modal approach by measuring the flow and acoustic source fields based on particle image velocimetry, as well as the surface velocity of the vocal folds based on laser vibrometry and high-speed imaging. Strong harmonic sources were localized near the glottis, as well as further downstream, during the presence of the supraglottal jet. The strongest harmonic content of the vocal fold surface motion was verified for the area near the glottis, which directly interacts with the glottal jet flow. Also, the acoustic back-coupling of the formant frequencies onto the harmonic oscillation of the vocal folds was verified. These findings verify that harmonic sound generation is the result of a strong interrelation between the vocal fold motion, modulated flow field, and vocal tract geometry.

Analysis of the tonal sound generation during phonation with and without glottis closure.

The human phonation is characterized by periodical oscillations of the vocal folds with a complete glottis closure. In contrast, a glottal insufficiency (GI) represents an oscillation without glottis closure resulting in a breathy and weak voice. In this study, flow-induced oscillations of silicone vocal folds were modeled with and without glottis closure. The measurements comprised the flow pressure in the model, the generated sound, and the high-speed footage of the vocal fold motion. The analysis revealed that the sound signal for vocal fold oscillations without closure exhibits a lower number of harmonic tones with smaller amplitudes compared to the case with complete closure. The time series of the pressure signals showed small and periodical oscillations occurring less frequently and with smaller amplitude for the GI case. Accordingly, the pressure spectra include fewer harmonics similar to the sound. The analysis of the high-speed videos indicates that the strength of the pressure oscillations correlates with the divergence angle of the glottal duct during the closing motion. Physiologically, large divergence angles typically occur for a pronounced mucosal wave motion with glottis closure. Thus, the results indicate a correlation between the intensity of the mucosal wave and the development of harmonic tones.

The mechanisms of subharmonic tone generation in a synthetic larynx model.

The sound spectra obtained in a synthetic larynx exhibited subharmonic tones that are characteristic for diplophonia. Although the generation of subharmonics is commonly associated with asymmetrically oscillating vocal folds, the synthetic elastic vocal folds showed symmetrical oscillations. The amplitudes of the subharmonics decreased with an increasing lateral diameter of the supraglottal channel, which indicates a strong dependence of the supraglottal boundary conditions. Investigations of the supraglottal flow field revealed small cycle-to-cycle variations of the static pressure in the region of the pulsatile glottal jet as the origin of the first subharmonic tone. It is located at half the fundamental frequency of the vocal fold oscillation. A principle component analysis of the supraglottal flow field with the fully developed glottal jet revealed a large recirculation area in the second spatial eigenvector which deflected the glottal jet slightly in a perpendicular direction of the jet axis. The rotation direction of the recirculation area changed with different oscillation cycles between clockwise and counterclockwise. As both directions were uniformly distributed across all acquired oscillation cycles, a cycle-wise change can be assumed. It is concluded that acoustic subharmonics are generated by small fluctuations of the glottal jet location favored by small lateral diameters of the supraglottal channel.

Acoustic reciprocity in the spherical harmonic domain: A formulation for directional sources and receivers.

Acoustic reciprocity states that the transfer function between a source and a receiver remains unchanged if the two are interchanged. An extension of acoustic reciprocity to the spherical harmonic domain has been derived in the literature between a directional source and a directional receiver. The present letter derives a reciprocal relation between source and receiver directivity coefficients, which facilitates the derivation of a transfer function in the spherical harmonic domain using directivity coefficients obtained via reciprocity. Additionally, reciprocity between transfer functions is extended for more general source and receiver directivities, which include acoustic scattering effects.

Effect of the ventricular folds in a synthetic larynx model.

Within the human larynx, the ventricular folds serve primarily as a protecting valve during swallowing. They are located directly above the sound-generating vocal folds. During normal phonation, the ventricular folds are passive structures that are not excited to periodical oscillations. However, the impact of the ventricular folds on the phonation process has not yet been finally clarified. An experimental synthetic human larynx model was used to investigate the effect of the ventricular folds on the phonation process. The model includes self-oscillating vocal fold models and allows the comparison of the pressure distribution at multiple locations in the larynx for configurations with and without ventricular folds. The results indicate that the ventricular folds increase the efficiency of the phonation process by reducing the phonation threshold level of the pressure below the vocal folds. Two effects caused by the ventricular folds could be identified as reasons: (1) a decrease in the mean pressure level in the region between vocal and ventricular folds (ventricles) and (2) an increase in the glottal flow resistance. The reason for the first effect is a reduction of the pressure level in the ventricles due to the jet entrainment and the low static pressure in the glottal jet. The second effect results from an increase in the glottal flow resistance that enhances the aerodynamic energy transfer into the vocal folds. This effect reduces the onset threshold of the pressure difference across the glottis.