Comparison of subjective evaluations in virtual and real environments for soundscape researcha).

Emerging technologies of virtual reality (VR) and augmented reality (AR) are enhancing soundscape research, potentially producing new insights by enabling controlled conditions while preserving the context of a virtual gestalt within the soundscape concept. This study explored the ecological validity of virtual environments for subjective evaluations in soundscape research, focusing on the authenticity of virtual audio-visual environments for reproducibility. Different technologies for creating and reproducing virtual environments were compared, including field recording, simulated VR, AR, and audio-only presentation, in two audio-visual reproduction settings, a head-mounted display with head-tracked headphones and a VR lab with head-locked headphones. Via a series of soundwalk- and lab-based experiments, the results indicate that field recording technologies provided the most authentic audio-visual environments, followed by AR, simulated VR, and audio-only approaches. The authenticity level influenced subjective evaluations of virtual environments, e.g., arousal/eventfulness and pleasantness. The field recording and AR-based technologies closely matched the on-site soundwalk ratings in arousal, while the other approaches scored lower. All the approaches had significantly lower pleasantness ratings compared to on-site evaluations. The choice of audio-visual reproduction technology did not significantly impact the evaluations. Overall, the results suggest virtual environments with high authenticity can be useful for future soundscape research and design.

Free-field method for inverse characterization of finite porous acoustic materials using feed forward neural networks.

This paper presents a free-field method for inverse estimation of acoustic porous material parameters from sound pressure measurements above small rectangular samples. The finite sample effect, the spherical propagation of the sound field, and a potential lateral material reaction are considered. Using an extensive series of systematically varied finite element simulations, neural network models are developed to replace computationally expensive simulations as a forward model for the calculation of the complex sound pressure above small samples in the inverse optimization. The method is experimentally validated using various porous material samples. The results show that the influence of the finite sample size is successfully removed and thus, the acoustic properties of the materials can be estimated from the determined porous parameters with high accuracy, even based on a single sound pressure measurement over small samples with pronounced edge diffraction. The poroacoustic parameters hence derived can be used directly, e.g., in simulation applications, or to calculate complex surface impedances or absorption coefficients.

Using learned priors to regularize the Helmholtz equation least-squares method.

The Helmholtz equation least-squares (HELS) method is a valuable tool for estimating equivalent sound sources of a radiating object. It solves an inverse problem by mapping measured pressures to a set of basis functions satisfying the Helmholtz equation in spherical coordinates. However, this problem is often ill-posed, necessitating additional regularization methods, in which often variations of Ridge or Lasso are used. These conventional methods do not explicitly consider the distribution underlying the source radiations (besides sparsity) and are often used in the context of obtaining only a point estimate, even in the presence of ambiguity in the data. In this work, we propose the use of empirical priors through a normalizing flow model to enhance the inversion results obtained with the HELS method. We first validate our approach using numerical data and subsequently demonstrate its superior performance in interpolating a measured violin directivity compared to Lasso and Ridge methods, even when optimal regularization parameters are selected.

Impact of the ear canal motion on the impedance boundary conditions in models of the occlusion effect.

The occlusion effect (OE) denotes the increased low-frequency perception of bone-conducted sounds when the ear canal (EC) is occluded. Circuit and finite element (FE) models are commonly used to investigate the OE and improve its prediction, often applying acoustic impedances at the EC entrance and tympanic membrane (TM). This study investigates the sound generation caused by the structural motion of the EC. In addition to the EC wall vibration, it accounts for the motions of the EC entrance and TM, resulting from nondeforming motion of the surrounding structures. A model extension including these motions with the impedances is proposed. Related mechanisms are illustrated based on a circuit model. Implications are discussed by using an EC motion extracted from a FE model of a human head. The results demonstrate that the motions of the EC entrance and TM, addressed by the proposed extension, affects the TM sound pressure and may lead to a reduction of the OE at lower frequencies compared to solely considering the EC wall vibration. Accordingly, this phenomenon potentially reconciles differences between experimental data and OE simulations at frequencies below about 250 Hz, highlighting the importance to discern between multiple contributing mechanisms to the TM sound pressure.

Acoustic source characterization of simulated subsonic jet noise using spherical harmonics.

As subsonic jets remain one of the major contributions to aircraft noise emissions, near-field flow simulations should be included in aircraft design at an early stage using quantitatively predicted sound pressure levels and the time-domain signal properties of the noise data. In this regard, the interface from the near-field data to the far-field radiation-under consideration of acoustic reflections from objects such as fuselage and wings-remains as bottleneck. This study presents the computation of a spherical equivalent source model of jet noise with minimal complexity by means of spherical harmonic (SH) coefficients. Using spherical Hankel extrapolation of sound pressure data from virtual, concentrical microphone arrays, the results of the determination for the radius, in which all acoustic sources of a flow field are confined, indicate the source radius around the end of the potential core to be equivalent to five times the nozzle diameter. The result of the SH transform shows the dominant energy contribution to be related to nine elementary sources. The resulting equivalent source model of jet noise provides a convenient format for further use in large-scale computational fluid dynamics simulations.

Deconvolution with neural grid compression: A method to accurately and quickly process beamforming results.

Beamforming results depend on the spatial resolution of the microphone array used, which may lead to sources close to each other being considered as one. Deconvolution methods that consider all directions simultaneously, such as DAMAS, produce better results in these situations. However, they have a high computational cost, often lack sufficient speed to be used in real-time applications, and have limited accuracy at lower frequencies. This paper introduces a hybrid method to perform deconvolution using a neural network that can improve the speed of deconvolution on high-resolution grids by more than 2 orders of magnitude, while also generating sparser maps without sacrificing accuracy compared to the compressed DAMAS method.

The ACOUCOU platform: Online acoustic education developed by an interdisciplinary team.

The ACOUCOU platform is a web-based, interactive, acoustics training platform that includes a set of free educational materials in various technical fields of acoustics. Educational materials are designed to serve as a modern self-development tool for students and engineers, as well as a comprehensive solution for professional education in the work environment. On the other hand, the provided materials of the platform can be a useful tool, supporting teachers, company researchers, and academic lecturers in the process of teaching acoustics. The ACOUCOU platform is a part of a strategic plan for expanding and strengthening acoustic knowledge web-based tools and supporting the development of innovative teaching methods based on attractive and effective delivery of digital content, and best practices at national and international levels. It addresses the challenge of a lack of experts in the acoustics field and the growing needs of the market.

A war of coefficients or a meaningless wrangle over practical unessentials?

The Reflections series takes a look back on historical articles from The Journal of the Acoustical Society of America that have had a significant impact on the science and practice of acoustics.

Aircraft noise-Auralization-based assessment of weather-dependent effects on loudness and sharpness.

This paper deals with the question of how specific weather conditions affect the perception of aircraft noise. Auralization is a suitable method by enabling parametrical decompositions of the overall aircraft noise scenario into source and propagation components. Considering influences on the auditory perception, the signal processing chain contains different virtual receivers and post processing using psychoacoustic hearing models. For broad coverage, generic standardized as well as measurement-based atmosphere models with variation of ground impedances such as soil data are evaluated. These variations are given aircraft noise measurement values based on A-weighted sound pressure levels LA and psychoacoustic measures regarding loudness, N, and sharpness, S. The results show an immense influence of weather conditions on A-weighted sound pressure levels and on psychoacoustic perception of aircraft noise, too. The weather-dependent differences of A-weighted sound pressure levels are up to 15 dBA and relative differences regarding loudness of factor 1.6 and sharpness of factor 2.0 occur. The approach can be used to get a better understanding of how the temporal statistics of specific local weather conditions and their perceptual consequences may lead to improved taxation of actual noise events and to an improved basis for long-term averages of aircraft noise effects.

The "Missing 6 dB" Revisited: Influence of Room Acoustics and Binaural Parameters on the Loudness Mismatch Between Headphones and Loudspeakers.

Generations of researchers observed a mismatch between headphone and loudspeaker presentation: the sound pressure level at the eardrum generated by a headphone has to be about 6 dB higher compared to the level created by a loudspeaker that elicits the same loudness. While it has been shown that this effect vanishes if the same waveforms are generated at the eardrum in a blind comparison, the origin of the mismatch is still unclear. We present new data on the issue that systematically characterize this mismatch under variation of the stimulus frequency, presentation room, and binaural parameters of the headphone presentation. Subjects adjusted the playback level of a headphone presentation to equal loudness as loudspeaker presentation, and the levels at the eardrum were determined through appropriate transfer function measurements. Identical experiments were conducted at Oldenburg and Aachen with 40 normal-hearing subjects including 14 that passed through both sites. Our data verify a mismatch between loudspeaker and binaural headphone presentation, especially at low frequencies. This mismatch depends on the room acoustics, and on the interaural coherence in both presentation modes. It vanishes for high frequencies and broadband signals if individual differences in the sound transfer to the eardrums are accounted for. Moreover, small acoustic and non-acoustic differences in an anechoic reference environment (Oldenburg vs. Aachen) exert a large effect on the recorded loudness mismatch, whereas not such a large effect of the respective room is observed across moderately reverberant rooms at both sites. Hence, the non-conclusive findings from the literature appear to be related to the experienced disparity between headphone and loudspeaker presentation, where even small differences in (anechoic) room acoustics significantly change the response behavior of the subjects. Moreover, individual factors like loudness summation appear to be only loosely connected to the observed mismatch, i.e., no direct prediction is possible from individual binaural loudness summation to the observed mismatch. These findings - even though not completely explainable by the yet limited amount of parameter variations performed in this study - have consequences for the comparability of experiments using loudspeakers with conditions employing headphones or other ear-level hearing devices.

Audio-video virtual reality environments in building acoustics: An exemplary study reproducing performance results and subjective ratings of a laboratory listening experiment.

The present study adopted a human-centred approach to explore the potential of audio-video Virtual Reality (VR) to evaluate indoor noise protection by building characteristics. Different background speech conditions, convolved with sound insulation filters of adjacent office rooms, were presented in a VR office environment and the effects on cognitive performances and subjective ratings were measured. The found effect patterns were the same as those obtained in a real laboratory setting reported by Schlittmeier, Hellbrück, Thaden, and Vorländer. [(2008). Ergonomics 51, 719-736]. This exemplary study promises various options for research on noise effects by the use of virtual built environments which are of high plausibility and unlimited variability.

A round robin on room acoustical simulation and auralization.

A round robin was conducted to evaluate the state of the art of room acoustic modeling software both in the physical and perceptual realms. The test was based on six acoustic scenes highlighting specific acoustic phenomena and for three complex, "real-world" spatial environments. The results demonstrate that most present simulation algorithms generate obvious model errors once the assumptions of geometrical acoustics are no longer met. As a consequence, they are neither able to provide a reliable pattern of early reflections nor do they provide a reliable prediction of room acoustic parameters outside a medium frequency range. In the perceptual domain, the algorithms under test could generate mostly plausible but not authentic auralizations, i.e., the difference between simulated and measured impulse responses of the same scene was always clearly audible. Most relevant for this perceptual difference are deviations in tone color and source position between measurement and simulation, which to a large extent can be traced back to the simplified use of random incidence absorption and scattering coefficients and shortcomings in the simulation of early reflections due to the missing or insufficient modeling of diffraction.

An Extended Binaural Real-Time Auralization System With an Interface to Research Hearing Aids for Experiments on Subjects With Hearing Loss.

Theory and implementation of acoustic virtual reality have matured and become a powerful tool for the simulation of entirely controllable virtual acoustic environments. Such virtual acoustic environments are relevant for various types of auditory experiments on subjects with normal hearing, facilitating flexible virtual scene generation and manipulation. When it comes to expanding the investigation group to subjects with hearing loss, choosing a reproduction system which offers a proper integration of hearing aids into the virtual acoustic scene is crucial. Current loudspeaker-based spatial audio reproduction systems rely on different techniques to synthesize a surrounding sound field, providing various possibilities for adaptation and extension to allow applications in the field of hearing aid-related research. Representing one option, the concept and implementation of an extended binaural real-time auralization system is presented here. This system is capable of generating complex virtual acoustic environments, including room acoustic simulations, which are reproduced as combined via loudspeakers and research hearing aids. An objective evaluation covers the investigation of different system components, a simulation benchmark analysis for assessing the processing performance, and end-to-end latency measurements.

Experimental investigations on sound energy propagation in acoustically coupled volumes using a high-spatial resolution scanning system.

The aim of this work is to study the sound field distribution in an experimental scale-model of two coupled rooms. An automatic scanning mechanism moves a microphone in small grid steps to measure room impulse responses at each grid point. The measurements cover the entire two-dimensional area of the coupled rooms. Sound energy distributions can be analyzed in the form of animated visual displays, revealing sound propagation across the coupling aperture and inside each room. This paper describes the measurement results, and the analysis method, which offer deep insights into the temporal development of a sound field in coupled spaces.

Sampling the sound field in auditoria using large natural-scale array measurements.

Suitable data for spatial wave field analyses in concert halls need to satisfy the sampling theorem and hence requires densely spaced measurement positions over extended regions. The described measurement apparatus is capable of automatically sampling the sound field in auditoria over a surface of 5.30 m × 8.00 m to any appointed resolutions. In addition to discussing design features, a case study based on measured impulse responses is presented. The experimental data allow wave field animations demonstrating how sound propagating at grazing incidence over theater seating is scattered from rows of chairs (seat-dip effect). The visualized data of reflections and scattering from an auditorium's boundaries give insights and opportunities for advanced analyses.

Generation and analysis of an acoustic radiation pattern database for forty-one musical instruments.

A database of acoustic radiation patterns was recorded, modeled, and analyzed for 41 modern or authentic orchestral musical instruments. The generation of this database included recordings of each instrument over the entire chromatic tone range in an anechoic chamber using a surrounding spherical microphone array. Acoustic source centering was applied in order to align the acoustic center of the sound source to the physical center of the microphone array. The acoustic radiation pattern is generated in the spherical harmonics domain at each harmonic partial of each played tone. An analysis of the acoustic radiation pattern complexity has been performed in terms of the number of excitation points using the centering algorithm. The database can be used both for studying the radiation of musical instruments itself, as well as for the implementation of radiation patterns in room acoustical simulations and auralization in order to obtain a spatial excitation of the room closer to reality.

Acoustic centering of a baffled piston in the circular harmonics domain.

The acoustic center of radiating sources is relevant to the modeling of radiation patterns and to their effective implementation in acoustical applications and computer models. However, the acoustic center of the sources may not be unique and therefore should be defined. Previously studied source centering algorithms used analytic methods for specific acoustic models, or applied post processing methods on a recorded sound from an acoustic source that was surrounded by a spherical microphone array. This work performs an acoustic centering of a radiating circular baffled piston that is formed by an open termination of a circular pipe. A signal processing based acoustic centering algorithm is redefined for this case and is shown to be correlated with the effective length of the pipe.

Psychoacoustic analysis of noise and the application of earplugs in an ICU: A randomised controlled clinical trial.

BACKGROUND: Patients and medical staff are exposed to high noise levels in ICUs, which may have a negative impact on their health. Due to the diversity of noise sources present, including the operating noise of medical devices, staff conversations and the unwrapping of disposables, noise profiles are varied. Psychoacoustics deals with the analysis of sound, focusing on its effects on physiological perception and stress. OBJECTIVES: The aim of our study was to examine and to classify noise and its psychoacoustic properties in different locations in our ICU at different times. The impact of noise on subjective parameters and stress-related physiological data was also assessed with and without interventional methods. DESIGN: A randomised, controlled, single-blinded clinical trial. SETTING: University Hospital, from November 2010 to May 2011. PATIENTS: One hundred and forty-four patients in the ICU. INTERVENTIONS: In the first part, multidisciplinary psychoacoustic measurement was performed on the patients in our ICU. In the subsequent clinical trial, patients were equipped with effective earplugs, less effective earplugs and no earplugs. Thereafter, active noise cancellation headphones with or without sound masking were employed on a third patient population. MAIN OUTCOME MEASURES: Cortisol and α-amylase in saliva, skin conductance measures, vital signs, psychoacoustic analyses and two standardised questionnaires [State-Trait Anxiety Inventory (STAI) and Hospital Anxiety and Depression Scale (HADS)] were assessed. RESULTS: In the first part, the mean ±â€Šstandard deviation (SD) subjective loudness was 9.2 ±â€Š4.0 sone. Although absolute sound pressure level and loudness were lower during the night, the number of loud events increased significantly. Skin conductance in the earplug groups was significantly reduced in comparison to that in the control population but not the active noise reduction groups. Nevertheless, noise reduction was found to be comfortable for most patients. CONCLUSION: Noise in the ICU is of high clinical relevance. Diverse noise reduction methods, such as earplugs and active noise cancellation, are available. The avoidance of unnecessary noise, however, should be the primary focus. TRIAL REGISTRATION: German Clinical Trials Register (DRKS00000534).

Generation of a reference radiation pattern of string instruments using automatic excitation and acoustic centering.

Radiation patterns of musical instruments are important for the understanding of music perception in concert halls, and may be used to improve the plausibility of virtual acoustic systems. Many attempts have been performed to measure the spatial response of musical instruments using surrounding spherical microphone arrays with a limited number of microphones. This work presents a high-resolution spatial sampling of the radiation pattern of an electrically excited violin, and addresses technical problems that arise due to mechanical reasons of the excitation apparatus using acoustic centering.

Acoustic centering of sources with high-order radiation patterns.

Surrounding spherical microphone arrays have recently been used in order to model the radiation pattern of acoustic sources that are assumed to be at the center of the array. Source centering algorithms are applied to the measurements in order to reduce the negative effect of acoustic source misalignment with regard to the physical center of the microphone array. Recent works aim to minimize the energy that is contained in the high-order coefficients of the radiation pattern in the spherical harmonics domain, in order to directly address the problem of increased order and spatial aliasing resulted by this misalignment. However, objective functions which directly minimize the norm of these coefficients were shown to be convex only when employed on sources with low-order radiation patterns. This work presents a source centering algorithm that operates on plane sections and aims to achieve a convex objective function on every plane section. The results of the proposed algorithm are shown to be more convex than the previous algorithms for sources with higher-order radiation pattern, usually at higher frequencies.