1 H NMR study and multivariate data analysis of reindeer skin tanning methods.

Reindeer skin clothing has been an essential component in the lives of indigenous people of the arctic and sub-arctic regions, keeping them warm during harsh winters. However, the skin processing technology, which often conveys the history and tradition of the indigenous group, has not been well documented. In this study, NMR spectra and relaxation behaviors of reindeer skin samples treated with a variety of vegetable tannin extracts, oils and fatty substances are studied and compared. With the assistance of principal component analysis (PCA), one can recognize patterns and identify groupings of differently treated samples. These methods could be important aids in efforts to conserve museum leather artifacts with unknown treatment methods and in the analysis of reindeer skin tanning processes. Copyright © 2016 John Wiley & Sons, Ltd.

MRI and unilateral NMR study of reindeer skin tanning processes.

The study of arctic or subarctic indigenous skin clothing material, known for its design and ability to keep the body warm, provides information about the tanning materials and techniques. The study also provides clues about the culture that created it, since tanning processes are often specific to certain indigenous groups. Untreated skin samples and samples treated with willow (Salix sp) bark extract and cod liver oil are compared in this study using both MRI and unilateral NMR techniques. The two types of samples show different proton spatial distributions and different relaxation times, which may also provide information about the tanning technique and aging behavior.

Ancient Roman wall paintings mapped nondestructively by portable NMR.

The stratigraphies of decorated walls in ancient Herculaneum, Italy, were analyzed by single-sided (1)H NMR. A large version of the NMR-MOUSE® with a maximum penetration depth of 25 mm was used to map proton density profiles at different positions of the Mosaic of Neptune and Amphitrite showing considerable differences between different tesserae and the mortar bed at different times of the year. In the House of the Black Room, different mortar layers were observed on painted walls as well as different proton content in different areas due to different moisture levels and different conservation treatments. The proton density profiles of the differently treated areas indicated that one method leads to higher moisture content than the other. Untreated wall paintings from different times were profiled in a recently excavated room at the Villa of the Papyri showing two different types of mortar layer structures which identify two different techniques of preparing the walls for painting. Reflectance Fourier mid-infrared spectroscopy and in situ X-ray fluorescence measurements complemented the NMR measurements and provided additional insight into the identification of organic coatings as well as the nature of the pigments used, respectively. The information acquired nondestructively by NMR is valued for elaborating conservation strategies and for identifying different schools of craftsmen who prepared the mortar supports of the wall paintings.

Noninvasive depth profiling of walls by portable nuclear magnetic resonance.

A compact and mobile single-sided (1)H NMR sensor, the NMR-MOUSE, has been employed in the nondestructive characterization of the layer structure of historic walls and wall paintings. Following laboratory tests on a model hidden fresco, paint and mortar layers were studied at Villa Palagione and the Seminario Vescovile di Sant' Andrea in Volterra, Italy. Different paint and mortar layers were identified, and further characterized by portable X-ray fluorescence spectroscopy where accessible. In the detached and restored fresco "La Madonna della Carcere" from the Fortezza Medicea in Volterra, paint and mortar layers were discriminated and differences in the moisture content of the adhesive that fixes the detached wall painting to its support were found in both restored and original sections. These investigations encourage the use of the portable and single-sided NMR technology for nondestructive studies of the layer structure and conservation state of historic walls.

Unilateral NMR applied to the conservation of works of art.

In conventional NMR, samples from works of art in sizes above those considered acceptable in the field of art conservation would have to be removed to place them into the bore of large superconducting magnets. The portable permanent-magnet-based systems, by contrast, can be used in situ to study works of art, in a noninvasive manner. One of these portable NMR systems, NMR-MOUSE(R), measures the information contained in one pixel in an NMR image from a region of about 1 cm(2), which can be as thin as 2-3 microm. With such a high depth resolution, profiles through the structures of art objects can be measured to characterize the materials, the artists' techniques, and the deterioration processes. A novel application of the technique to study a deterioration process and to follow up a conservation treatment is presented in which micrometer-thick oil stains on paper are differentiated and characterized. In this example, the spin-spin relaxation T (2) of the stain is correlated to the iodine number and to the degree of cross-linking of the oil, parameters that are crucial in choosing an appropriate conservation treatment to remove them. It is also shown that the variation of T (2) over the course of treatments with organic solvents can be used to monitor the progress of the conservation interventions. It is expected that unilateral NMR in combination with multivariate data analysis will fill a gap within the set of high-spatial-resolution techniques currently available for the noninvasive analysis of materials in works of art, where procedures to study the inorganic components are currently far more developed than those suitable for the study of the organic components.

Insight into framework destruction in ultramarine pigments.

We report key evidence on the framework destruction in ultramarine pigments upon color fading. Experiments on faded pigments in a fresco painting environment reveal that the paramagnetic chromophores are set free via sodalite framework destruction and are subsequently degraded. Fading in acidic media produces similar results, although a larger number of beta-cages appear to be destroyed, and H2S is released. The findings are further supported by studies on natural and synthetic ultramarine pigments of various shades via solid-state resonance-Raman spectroscopy, colorimentry, and solid-state 29Si and 27Al NMR spectroscopy. NMR parameters are shown to correlate well with the intensities of Raman signals corresponding to the S3(-*) chromophores. A further correlation is established between the colorimetric parameters, L* (lightness) and C* (chroma), and the paramagnetic shift and paramagnetic linebroadening in NMR spectra for both 27Al and 29Si.