Effects of a narrative template on memory for the time of movie scenes: automatic reshaping is independent of consolidation.

Memory for time is influenced by reconstructive processes, but the underlying mechanisms remain unclear. The present study investigated whether the effect of schematic prior knowledge on temporal memory for movie scenes, produced by the incomplete presentation (cut) of the movie at encoding, is modulated by cut position, retention interval, and task repetition. In a timeline positioning task, participants were asked to indicate when short video clips extracted from a previously encoded movie occurred on a horizontal timeline that represented the video duration. In line with previous findings, removing the final part of the movie resulted in a systematic underestimation of clips' position as a function of their proximity to the missing part. Further experiments demonstrate that the direction of this automatic effect depends on which part of the movie is deleted from the encoding session, consistent with the inferential structure of the schema, and does not depend on consolidation nor reconsolidation processes, at least within the present experimental conditions. We propose that the observed bias depends on the automatic influence of reconstructive processes on judgments about the time of occurrence, based on prior schematic knowledge.

Reconstructive nature of temporal memory for movie scenes.

Remembering when events took place is a key component of episodic memory. Using a sensitive behavioral measure, the present study investigates whether spontaneous event segmentation and script-based prior knowledge affect memory for the time of movie scenes. In three experiments, different groups of participants were asked to indicate when short video clips extracted from a previously encoded movie occurred on a horizontal timeline that represented the video duration. When participants encoded the entire movie, they were more precise at judging the temporal occurrence of clips extracted from the beginning and the end of the film compared to its middle part, but also at judging clips that were closer to event boundaries. Removing the final part of the movie from the encoding session resulted in a systematic bias in memory for time. Specifically, participants increasingly underestimated the time of occurrence of the video clips as a function of their proximity to the missing part of the movie. An additional experiment indicated that such an underestimation effect generalizes to different audio-visual material and does not necessarily reflect poor temporal memory. By showing that memories are moved in time to make room for missing information, the present study demonstrates that narrative time can be adapted to fit a standard template regardless of what has been effectively encoded, in line with reconstructive theories of memory.