Desire, Marriage, and Overpopulation: The Sexual Lives of Insects in the Enlightenment.

During the eighteenth century, the discovery of sexual reproduction in insect species prompted the demise of spontaneous generation and new developments in natural history, theology, and political economy. The sexual lives of insects prompted debates on whether insects were governed by desire, free will, and even marital tendency. Fuelled by the democratisation of microscopy, early modern entomology took a new turn and breadth: the study of insects and of their sexual lives provided unexpected new insights into human sexuality, reproduction, and Malthusian fears of overpopulation. This article surveys the intellectual culture of entomology and natural history during the crucial decades when entomologists worked to quantify the reproductive capacities of insect species. Assessing the influences these entomological works had within political economy and theology, we argue that the sexual lives of insects - once analysed and delineated - influenced familiar ideological features of the intellectual landscape of the late Enlightenment, particularly in the theological philosophies of northern Europe and in the political economy of population in Britain.

'Ghosts from other planets': plurality of worlds, afterlife and satire in Emanuel Swedenborg's De Telluribus in mundo nostro solari (1758).

In 1758 in London, Swedish natural philosopher and mystic theologian Emanuel Swedenborg published De Telluribus in Mundo nostro Solari (Earths in our solar system), a treatise on the plurality of worlds and life on other planets. During the seventeenth and eighteenth centuries, these topics formed a heterogenous literary genre which encompassed theology, astronomy, philosophy and satire. In De Telluribus, Swedenborg made detailed claims of communication with extraterrestrial spirits in the afterlife, through which he sought to spread his theology to new audiences. The paper will explore the role of De Telluribus in Swedenborg's career, explain its content and analyse its polarized reception. It will show that De Telluribus combined for the first time the literary codes of two popular genres during the period, namely those concerning the plurality of worlds and the dialogues of the dead. By doing so, the paper revises current scholarly understanding of Swedenborg by showcasing him as a versatile yet ill-fated recombiner of literary genres. More broadly, the paper will shed light upon previously unnoticed eighteenth-century literary interactions along with a wider overview on the reception of themes such as the plurality of worlds, mysticism and satire in Scandinavia and Germany.