Crucibles of Craft: Home Workshops and Leisurely Striving in Twentieth-Century U.S. Woodworking Magazines.

With more leisure time in the early to mid-twentieth century, more people in industrialized countries took up hobbies. One hobby-woodworking-became a favorite among men, especially homeowners. Beyond the familiar "do-it-yourselfers" there was an audience eager to learn about woodworking, and magazine publishers encouraged them to acquire new skills and home machinery. American publishers led the way, but workshop converts in English-speaking countries like Canada and the United Kingdom got the magazines and the message. The promise of creative leisure at home did not democratize the hobby. Monthly features and awards praising accomplished amateurs did not challenge social and economic norms but defined leisure success in conventional terms. Those with the income and space to maintain a hobby served as models for others whose circumstances were less ideal. Through its flagship publication, a machine manufacturer often acquiesced to the industrial-era pressures that hobbies sought to alleviate.

Motherhood, medicine and magazines in interwar Vienna: the case of Die Mutter (The Mother, 1924-1926).

In an era long before 'Doctor Google', the question of how people accessed information about their bodies and their health is significant. This article investigates how medical knowledge about motherhood was disseminated in the pages of an entirely neglected and short-lived, yet important interwar Viennese periodical, Die Mutter: Halbmonatsschrift für alle Fragen der Schwangerschaft, Säuglingshygiene und Kindererziehung (The Mother: A Biweekly Magazine for All Questions about Pregnancy, Infant Hygiene and Child-Rearing). The magazine's founder, editor and champion was Gina Kaus, a bestselling, prize-winning author and screenplay writer. Die Mutter was part of a wider interwar Viennese press landscape of publications dedicated to mothers and motherhood, many of them produced by women for women. I suggest that periodicals about motherhood constituted an important alternative public sphere, one coming in part from the grassroots, rather than from a top-down municipal approach to public health-even in a city where mothers' bodies were already a focal point for left-of-center politics and public health initiatives in the wake of World War I.

"The highest in each class was a twilight baby": scientific motherhood, twilight sleep and the eugenics movement in McClure's Magazine.

In the early twentieth century, childbirth was increasingly being viewed as a medical experience in North America. Women were encouraged to engage with 'scientific motherhood' by adhering to medical advice and undergoing the latest medical and technological interventions. Two movements simultaneously emerged that engaged with scientific motherhood: the positive eugenics movement, which sought to encourage reproduction among specific groups, and the twilight sleep movement, which promoted the use of pain management during childbirth. While these two distinct movements had different goals, they intersected both in their intended audiences (white, middle-class and upper-class American women) and in their prioritisation of medical and scientific authority. This article builds on work that has identified connections between twilight sleep and the eugenics movement to consider the role of twentieth-century magazines in rhetorically linking the eugenics and twilight sleep movements, and how this contributed to constructing the cultural role of the 'scientific mother'.As a key proponent of twilight sleep, the American monthly periodical McClure's Magazine is the focus of this investigation. Articles published in McClure's incorporated the rhetoric of the eugenics movement to promote twilight sleep and 'painless childbirth', while also engaging with concerns of the eugenics movement by framing the falling birthrate among American women as a social and political problem. Alongside the rhetorical framing within McClure's articles, we focus on visual material such as photographs that exhibit 'eugenic mothers' and healthy 'twilight sleep babies' to promote the method's safety and efficacy to American audiences. This article incorporates scholarship on early twentieth-century eugenics and photography, women's involvement in the eugenics movement, and twilight sleep and the politics of women's health. Through its analysis, this article demonstrates that the convergence of developments in obstetrics and the eugenics movement in popular media had complex implications for women's reproductive agency in the early twentieth century.