Color representation and interpretation of special effect coatings.

A representation of the color gamut of special effect coatings is proposed and shown for six different samples, whose colors were calculated from spectral bidirectional reflectance distribution function (BRDF) measurements at different geometries. The most important characteristic of the proposed representation is that it allows a straightforward understanding of the color shift to be done both in terms of conventional irradiation and viewing angles and in terms of flake-based parameters. A different line was proposed to assess the color shift of special effect coatings on a*,b*-diagrams: the absorption line. Similar to interference and aspecular lines (constant aspecular and irradiation angles, respectively), an absorption line is the locus of calculated color coordinates from measurement geometries with a fixed bistatic angle. The advantages of using the absorption lines to characterize the contributions to the spectral BRDF of the scattering at the absorption pigments and the reflection at interference pigments for different geometries are shown.

Application of the S-CIELAB color model to processed and calibrated images with a colorimetric dithering method.

This work uses the S-CIELAB color model to compare images that have been calibrated and processed using a colorimetric dithering method which simulates increments in viewing distance. Firstly, we obtain XYZ calibrated images by applying the appropriate color transformations to the original images. These transformations depend on whether the image is viewed on a display device or encoded by a capture device, for example. Secondly, we use a colorimetric dithering method consisting of a partitive additive mixing of XYZ tristimulus values. The number of dithered pixels depends on simulated viewing distance. The dithered tristimulus values are transformed to digital data to observe the dithering effects in the image. Finally, we predict color differences using the S-CIELAB model as color appearance model for images. Moreover, this paper proposes some applications of this method to artistic and industrial problems where one must compare two images that appear different at close viewing distance, but match when they are seen from afar.