Delivery structure of nationalism message on Twitter in the context of Indonesian netizens.

Nationalism has emerged to be discussed in this modern era due to the emergence of a globalized society. Its delivery structure of nationalism message is significant to be investigated due to its impact on the self-determination of a nation so that nationalism spreads among civil society. In the Indonesian context, discussions of Indonesia's Independence Day arise as a response to this self-determination. Its discussion came up in a face-to-face conversation, as well as on Twitter through the #HUTRI76 network. As a microblogging platform, Twitter was able to facilitate discussion of Indonesian in articulating their Independence Day. The concept of nationalism was utilized to sharpen the analysis. Hence, the social network analysis method has been applied to explore various metrics in the #HUTRI76 Twitter network. The results showed some influencers who varied in their profession, emerged and played a role in sparking discourse on Indonesia's Independence Day. The discussion of Indonesian Independence Day on Twitter was a reproduction message of the government. Moreover, users engaged the varied media to cross-posting their messages as regards Indonesia's Independence Day, which means Twitter acts as a hub through hyperlinks embedded in tweets.

The Mode of Reflexive Practice among Young Indonesian Creative Workers in the Time of COVID-19.

This article examines reflexive practice among young creative workers in Yogyakarta, Indonesia, during COVID-19. Since March 2020, the COVID-19 pandemic has unleashed a series of relentless and overlapping crises across the Indonesian archipelago. In urban centres across Indonesia, the arts and creative sectors are among the key economic sectors severely afflicted by the pandemic. COVID-19 implies a lot more than the loss of income and livelihoods. Mobility restrictions, gig cancellations, venue closures, all entail the loss of connections, opportunities, and creative outlets. Yet despite such uncertain conditions, young creative workers remain reflexively creative in order to survive in everyday life. Building upon interviews and focus-group discussions with young creative workers in Yogyakarta, we found three modes of temporality-based reflexive practice: waiting, doing something and re-learning, which represent young creative workers' active responses manifested in the practical and contradictory relationship to the diverse possibilities within hierarchical and heterogenous cultural fields in a pandemic era characterised by regular ruptures. The analysis of the data below contributes to the literature on reflexivity and habitus among young creative workers in a time of pandemic.