ABSTRACT
Objetivo El objetivo principal de este estudio es determinar la prevalencia de patología osteomuscular relacionada con la práctica musical (playing-related musculoskeletal disorders [PRMD]) existente en la población adulta expuesta ocupacionalmente del Área de Gestión Sanitaria de Osuna. Diseño Se trata de un estudio observacional transversal de prevalencia. Lugar: se ha realizado una incursión comunitaria al medio del músico (escuelas de música, conservatorios y bandas de música municipales del Área de Gestión Sanitaria de Osuna). Participantes: han participado un total de 264 músicos mayores de 18 años. Intervención: se han realizado entrevistas semiestructuradas. Variables: las principales variables contempladas han sido la existencia de dolor o molestias relacionadas con la práctica musical alguna vez, variables que definen sociodemográficamente la muestra (edad, sexo, profesión), variables que perfilan la trayectoria musical (instrumento, años tocándolo, horas de práctica a la semana), así como percepción del dolor, zona de dolor e interferencia con el ánimo, entre otras. Resultados Entre los resultados destaca que el 76% de los músicos han referido PRMD en alguna ocasión, siendo más frecuentes en las mujeres (p=0,009; IC 95%), en los músicos de la familia de cuerda (p= 0,041; IC 95%) y en aquellos que realizan menos deporte. (p = 0,000006; IC 95%). Conclusiones Estudiar la prevalencia en nuestro medio del dolor asociado a la práctica musical nos resulta de gran interés por las potenciales opciones de intervención desde el ámbito de Atención Primaria y Comunitaria (AU)
Objective The main aim of this study is to determine the prevalence of PRMD (playing-related musculoskeletal disorders) in adults exposed to it due to their profession, in the area of Osuna. Design It is a cross-sectional study. Site: the study is based on data collected in the local community of musicians (music schools, conservatories and music bands from the region). Participants: 264 individuals older than 18 years old have participated. Interventions: semi-structured interviews were conducted. Main measurements: the main variables considered were: presence of pain or discomfort related to musical practice, socio-demographic variables defining the sample (age, gender, profession), variables characterizing the musical trajectory of the participant (instrument, number of years playing, number of hours of practice per week), perception of pain, area of pain, interference with their mood, among others. Results 76% of the musicians had experienced PRMD in some occasion, being more frequent among women (p = 0,009; IC 95%), string musicians (p= 0,041; IC 95%) and among those doing less physical activity (p = 0,000006; IC 95%). Conclusions Studying the prevalence of playing-related pain was of great interest, given the potential interventions that could be applied in Primary and Community medical care (AU)
Subject(s)
Humans , Male , Female , Adolescent , Young Adult , Adult , Middle Aged , Aged , Musculoskeletal Diseases/epidemiology , Occupational Diseases/epidemiology , Musculoskeletal Pain/epidemiology , Music , Musculoskeletal Diseases/etiology , Musculoskeletal Pain/etiology , Cross-Sectional Studies , Spain/epidemiology , PrevalenceABSTRACT
OBJECTIVE: The main aim of this study is to determine the prevalence of PRMD (playing-related musculoskeletal disorders) in adults exposed to it due to their profession, in the area of Osuna. DESIGN: It is a cross-sectional study. Site: the study is based on data collected in the local community of musicians (music schools, conservatories and music bands from the region). PARTICIPANTS: 264 individuals older than 18 years old have participated. INTERVENTIONS: semi-structured interviews were conducted. MAIN MEASUREMENTS: the main variables considered were: presence of pain or discomfort related to musical practice, socio-demographic variables defining the sample (age, gender, profession), variables characterizing the musical trajectory of the participant (instrument, number of years playing, number of hours of practice per week), perception of pain, area of pain, interference with their mood, among others. RESULTS: 76% of the musicians had experienced PRMD in some occasion, being more frequent among women (p = 0,009; IC 95%), string musicians (p= 0,041; IC 95%) and among those doing less physical activity (p = 0,000006; IC 95%). CONCLUSIONS: Studying the prevalence of playing-related pain was of great interest, given the potential interventions that could be applied in Primary and Community medical care.