The role of prosody in interpreting causality in English discourse.

Previous studies have well established that certain causal connectives encode information about the semantic-pragmatic distinction between different types of causal relations such as CAUSE-CONSEQUENCE versus CLAIM-ARGUMENT relations. These "specialized" causal connectives assist listeners in discerning different types of causality. Additionally, research has demonstrated that utterances expressing CLAIM-ARGUMENT relations exhibit distinct prosodic characteristics compared to utterances expressing CAUSE-CONSEQUENCE relations. However, it remains unknown whether the prosodic characteristics of utterances expressing causality can aid listeners in determining the specific type of causality being conveyed. To address this knowledge gap, this study investigates the impact of the prosody, specifically the prosody of the causal connective so in English, on listeners' interpretation of the type of causality expressed. We conducted a perception experiment employing a forced-choice discourse completion task, where the participants were required to select a continuation for each sound clip they heard. The sound clip consisted of factual events followed by the causal connective so. We found that the odds of listeners choosing subjective continuations over objective continuations increased when the connective so at the end of the sound clip was pronounced with subjective causality prosodic features, such as prolonged duration and a concave f0 contour. This finding suggests that the prosody of the connective so plays a role in conveying subjectivity in causality, guiding listeners in interpreting causal relations. In addition, it is important to note that our data revealed individual variation among listeners in their interpretations of prosodic information related to subjective-objective causality contrast.

Processing of Grammatical Agreement in the Face of Variation in Lexical Stress: A Mismatch Negativity Study.

Previous electroencephalography studies have yielded evidence for automatic processing of syntax and lexical stress. However, these studies looked at both effects in isolation, limiting their generalizability to everyday language comprehension. In the current study, we investigated automatic processing of grammatical agreement in the face of variation in lexical stress. Using an oddball paradigm, we measured the Mismatch Negativity (MMN) in Dutch-speaking participants while they listened to Dutch subject-verb sequences (linguistic context) or acoustically similar sequences in which the subject was replaced by filtered noise (nonlinguistic context). The verb forms differed in the inflectional suffix, rendering the subject-verb sequences grammatically correct or incorrect, and leading to a difference in the stress pattern of the verb forms. We found that the MMNs were modulated in both the linguistic and nonlinguistic condition, suggesting that the processing load induced by variation in lexical stress can hinder early automatic processing of grammatical agreement. However, as the morphological differences between the verb forms correlated with differences in number of syllables, an interpretation in terms of the prosodic structure of the sequences cannot be ruled out. Future research is needed to determine which of these factors (i.e., lexical stress, syllabic structure) most strongly modulate early syntactic processing.

Musicality and Age Interaction in Tone Development.

Vocal pitch, which involves not only F0 but also multiple covarying acoustic cues is central to linguistic perception and production at various levels of prosodic structure. Recent studies on language development have shown that differences in learners' musicality affect the F0 cue development in perception of sentence-level intonation or in prosodic realization of focus. This study aims to contribute toward a fuller understanding of the effect of musicality on linguistic pitch development via a close investigation of the relationship between musicality, age, and lexical tone production covering both F0 and spectral cues in children. Forty-three native Mandarin-speaking children between the ages of 4 and 6 years are recruited to participate in both a semi-spontaneous tone production task and a musicality test. For each age (4, 5, and 6 years) and musicality (below or above the median score of each age group) group, the contrastivity of the four tones is evaluated by performing automatic tone classification using three sets of acoustic cues (F0, spectral cues, and both). It has been found that higher musicality is associated with higher contrastivity of the tones produced at the age of 4 and 5 years, but not at the age of 6 years. These results suggest that musicality promotes earlier development of tone production only in earlier stages of prosodic development; by the age of 6 years, the musicality advantage in tone production subsides.

The acquisition of prosodic marking of narrow focus in Central Swedish.

We investigated how Central Swedish-speaking four to eleven-year-old children acquire the prosodic marking of narrow focus, compared to adult controls. Three measurements were analysed: placement of the prominence-marking high tone (prominence H), pitch range effects of the prominence H, and word duration. Subject-verb-object sentences were elicited in sentence-medial and sentence-final focus conditions via a semi-spontaneous elicitation task. The children largely performed in an adult-like manner already at four to five: they predominantly added prominence H to focal words and avoided this tone post-focally in both sentence-medial and sentence-final position. The placement or avoidance of prominence H had largely the same effects on pitch range for children and adults. Finally, the four to eight-year-olds also increased the duration of the focal word, similar to adults. Hence, Central Swedish-speaking children master the use of prosody for focus marking at an earlier age, compared to children acquiring a West Germanic language.

Internal structure of intonational categories: The (dis)appearance of a perceptual magnet effect.

The question of whether intonation events are speech categories like phonemes and lexical tones has long been a puzzle in prosodic research. In past work, researchers have studied categoricality of pitch accents and boundary tones by examining perceptual phenomena stemming from research on phoneme categories (i.e., intonation boundary effects-peaks in discrimination sensitivity at category boundaries, perceptual magnet effects-sensitivity minima near the best exemplar or prototype of a category). Both lines of research have yielded mixed results. However, boundary effects are not necessarily related to categoricality of speech. Using improved methodology, the present study examines whether pitch accents have domain-general internal structure of categories by testing the perceptual magnet effect. Perceived goodness and discriminability of re-synthesized productions of Dutch rising pitch accent (L*H) were evaluated by native speakers of Dutch in three experiments. The variation between these stimuli was quantified using a polynomial-parametric modeling approach. A perceptual magnet effect was detected: (1) rated "goodness" decreased as acoustic-perceptual distance relative to the prototype increased (Experiment 1), and (2) equally spaced items far from the prototype were more frequently discriminated than equally spaced items in the neighborhood of the prototype (Experiment 2). These results provide first evidence for internal structure of pitch accents, similar to that found in color and phoneme categories. However, the discrimination accuracy gathered here was lower than that reported for phonemes. The discrimination advantage in the neighborhood far from the prototype disappeared when participants were tested on a very large number of stimuli (Experiment 3), similar to findings on phonemes and different from findings for lexical tones in neutral network simulations of distributional learning. These results suggest a more transient nature of the perceptual magnet effect in the perception of pitch accents and arguably weaker categoricality of pitch accents, compared to that of phonemes and in particular of lexical tones.

Going beyond F0: The acquisition of Mandarin tones.

Using a semi-spontaneous speech corpus, we present evidence from computational modelling of tonal productions from Mandarin-speaking children (4- to 11-years old) and adults, showing that children exceed the adult-level tonal distinction at the age of 7 to 8 years using F0 cues, but do not reach the high adult-level distinction using spectral cues even at the age of 10 to 11 years. The difference in the developmental curves of F0 and spectral cues suggests that, in Mandarin tone production, secondary cues continue to develop even after the mastery of primary cues.

(Mis) understanding your native language: Regional accent impedes processing of information status.

Native-speaker listeners constantly predict upcoming units of speech as part of language processing, using various cues. However, this process is impeded in second-language listeners, as well as when the speaker has an unfamiliar accent. Whereas previous research has largely concentrated on the pronunciation of individual segments in foreign-accented speech, we show that regional accent impedes higher levels of language processing, making native listeners' processing resemble that of second-language listeners.In Experiment 1, 42 native speakers of Canadian English followed instructions spoken in British English to move objects on a screen while their eye movements were tracked. Native listeners use prosodic cues to information status to disambiguate between two possible referents, a new and a previously mentioned one, before they have heard the complete word. By contrast, the Canadian participants, similarly to second-language speakers, were not able to make full use of prosodic cues in the way native British listeners do.In Experiment 2, 19 native speakers of Canadian English rated the British English instructions used in Experiment 1, as well as the same instructions spoken by a Canadian imitating the British English prosody. While information status had no effect for the Canadian imitations, the original stimuli received higher ratings when prosodic realization and information status of the referent matched than for mismatches, suggesting a native-like competence in these offline ratings.These findings underline the importance of expanding psycholinguistic models of second language/dialect processing and representation to include both prosody and regional variation.

The developmental path to adult-like prosodic focus-marking in Mandarin Chinese-speaking children.

This study investigates how children acquire prosodic focus-marking in Mandarin Chinese. Using a picture-matching game, we elicited spontaneous production of sentences in various focus conditions from children aged four to eleven. We found that Mandarin Chinese-speaking children use some pitch-related cues in some tones and duration in all tones in an adult-like way to distinguish focus from non-focus at the age of four to five. Their use of pitch-related cues is not yet fully adult-like in certain tones at the age of eleven. Further, they are adult-like in the use of duration in distinguishing narrow focus from broad focus at four or five but in not using pitch-related cues for this purpose at seven or eight. The later acquisition of pitch-related cues may be related to the use of pitch for lexical purposes, and the differences in the use of pitch in different tones can be explained by differences in how easy it is to vary pitch-related parameters without changing tonal identity.

Prosody in birdsong: A review and perspective.

Birdsong shows striking parallels with human speech. Previous comparisons between birdsong and human vocalizations focused on syntax, phonology and phonetics. In this review, we propose that future comparative research should expand its focus to include prosody, i.e. the temporal and melodic properties that extend over larger units of song. To this end, we consider the similarities between birdsong structure and the prosodic hierarchy in human speech and between context-dependent acoustic variations in birdsong and the biological codes in human speech. Moreover, we discuss songbirds' sensitivity to prosody-like acoustic features and the role of such features in song segmentation and song learning in relation to infants' sensitivity to prosody and the role of prosody in early language acquisition. Finally, we make suggestions for future comparative birdsong research, including a framework of how prosody in birdsong can be studied. In particular, we propose to analyze birdsong as a multidimensional signal composed of specific acoustic features, and to assess whether these acoustic features are organized into prosody-like structures.

Acquiring Complex Focus-Marking: Finnish 4- to 5-Year-Olds Use Prosody and Word Order in Interaction.

Using a language game to elicit short sentences in various information structural conditions, we found that Finnish 4- to 5-year-olds already exhibit a characteristic interaction between prosody and word order in marking information structure. Providing insights into the acquisition of this complex system of interactions, the production data showed interesting parallels to adult speakers of Finnish on the one hand and to children acquiring other languages on the other hand. Analyzing a total of 571 sentences produced by 16 children, we found that children rarely adjusted input word order, but did systematically avoid marked OVS order in contrastive object focus condition. Focus condition also significantly affected four prosodic parameters, f0, duration, pauses and voice quality. Differing slightly from effects displayed in adult Finnish speech, the children produced larger f0 ranges for words in contrastive focus and smaller ones for unfocused words, varied only the duration of object constituents to be longer in focus and shorter in unfocused condition, inserted more pauses before and after focused constituents and systematically modified their use of non-modal voice quality only in utterances with narrow focus. Crucially, these effects were modulated by word order. In contrast to comparable data from children acquiring Germanic languages, the present findings reflect the more central role of word order and of interactions between word order and prosody in marking information structure in Finnish. Thus, the study highlights the role of the target language in determining linguistic development.

Quiet is the new loud: pausing and focus in child and adult Dutch.

In a number of languages, prosody is used to highlight new information (or focus). In Dutch, focus is marked by accentuation, whereby focal constituents are accented and post-focal constituents are de-accented. Even if pausing is not traditionally seen as a cue to focus in Dutch, several previous studies have pointed to a possible relationship between pausing and information structure. Considering that Dutch-speaking 4 to 5 year olds are not yet completely proficient in using accentuation for focus and that children generally pause more than adults, we asked whether pausing might be an available parameter for children to manipulate for focus. Sentences with varying focus structure were elicited from 10 Dutch-speaking 4 to 5 year olds and 9 Dutch-speaking adults by means of a picture-matching game. Comparing pause durations before focal and non-focal targets showed pre-target pauses to be significantly longer when the targets were focal than when they were not. Notably, the use of pausing was more robust in the children than in the adults, suggesting that children exploit pausing to mark focus more generally than adults do, at a stage where their mastery of the canonical cues to focus is still developing.

Use of prosody and information structure in high functioning adults with autism in relation to language ability.

Abnormal prosody is a striking feature of the speech of those with Autism spectrum disorder (ASD), but previous reports suggest large variability among those with ASD. Here we show that part of this heterogeneity can be explained by level of language functioning. We recorded semi-spontaneous but controlled conversations in adults with and without ASD and measured features related to pitch and duration to determine (1) general use of prosodic features, (2) prosodic use in relation to marking information structure, specifically, the emphasis of new information in a sentence (focus) as opposed to information already given in the conversational context (topic), and (3) the relation between prosodic use and level of language functioning. We found that, compared to typical adults, those with ASD with high language functioning generally used a larger pitch range than controls but did not mark information structure, whereas those with moderate language functioning generally used a smaller pitch range than controls but marked information structure appropriately to a large extent. Both impaired general prosodic use and impaired marking of information structure would be expected to seriously impact social communication and thereby lead to increased difficulty in personal domains, such as making and keeping friendships, and in professional domains, such as competing for employment opportunities.

Tuning information packaging: intonational realization of topic and focus in child Dutch.

This study examined how four- to five-year-olds and seven- to eight-year-olds used intonation (accent placement and accent type) to encode topic and focus in Dutch. Naturally spoken declarative sentences with either sentence-initial topic and sentence-final focus or sentence-initial focus and sentence-final topic were elicited via a picture-matching game. Results showed that the four- to five-year-olds were adult-like in topic-marking, but were not yet fully adult-like in focus-marking, in particular, in the use of accent type in sentence-final focus (i.e. showing no preference for H*L). Between age five and seven, the use of accent type was further developed. In contrast to the four- to five-year-olds, the seven- to eight-year-olds showed a preference for H*L in sentence-final focus. Furthermore, they used accent type to distinguish sentence-initial focus from sentence-initial topic in addition to phonetic cues.

Language-specificity in the perception of paralinguistic intonational meaning.

This study examines the perception of paralinguistic intonational meanings deriving from Ohala's Frequency Code (Experiment 1) and Gussenhoven's Effort Code (Experiment 2) in British English and Dutch. Native speakers of British English and Dutch listened to a number of stimuli in their native language and judged each stimulus on four semantic scales deriving from these two codes: SELF-CONFIDENT versus NOT SELF-CONFIDENT, FRIENDLY versus NOT FRIENDLY (Frequency Code); SURPRISED versus NOT SURPRISED, and EMPHATIC versus NOT EMPHATIC (Effort Code). The stimuli, which were lexically equivalent across the two languages, differed in pitch contour, pitch register and pitch span in Experiment 1, and in pitch register, peak height, peak alignment and end pitch in Experiment 2. Contrary to the traditional view that the paralinguistic usage of intonation is similar across languages, it was found that British English and Dutch listeners differed considerably in the perception of "confident," "friendly," "emphatic," and "surprised." The present findings support a theory of paralinguistic meaning based on the universality of biological codes, which however acknowledges a language-specific component in the implementation of these codes.