Surface-Enhanced Femtosecond Stimulated Raman Spectroscopy at 1 MHz Repetition Rates.

Surface-enhanced femtosecond stimulated Raman spectroscopy (SE-FSRS) is an ultrafast Raman technique that combines the sensitivity of surface-enhanced Raman scattering with the temporal resolution of femtosecond stimulated Raman spectroscopy (FSRS). Here, we present the first successful implementation of SE-FSRS using a 1 MHz amplified femtosecond laser system. We compare SE-FSRS and FSRS spectra measured at 1 MHz and 100 kHz using both equal pump average powers and equal pump energies to demonstrate that higher repetition rates allow spectra with higher signal-to-noise ratios to be obtained at lower pulse energies, a significant advance in the implementation of SE-FSRS. The ability to use lower pulse energies significantly mitigates sample damage that results from plasmonic enhancement of high-energy ultrafast pulses. As a result of the improvements to SE-FSRS developed in this Letter, we believe that SE-FSRS is now poised to become a powerful tool for studying the dynamics of plasmonic materials and adsorbates thereon.

Combined SERS and Raman analysis for the identification of red pigments in cross-sections from historic oil paintings.

The analysis of paint cross-sections can reveal a remarkable amount of information about the layers and materials in a painting without visibly altering the artwork. Although a variety of analytical approaches are used to detect inorganic pigments as well as organic binders, proteins, and lipids in cross-sections, they do not provide for the unambiguous identification of natural, organic colorants. Here, we develop a novel combined surface-enhanced Raman scattering (SERS), light microscopy, and normal Raman scattering (NRS) approach for the identification of red organic and inorganic pigments in paint cross-sections obtained from historic 18th and 19th century oil paintings. In particular, Ag nanoparticles are directly applied to localized areas of paint cross-sections mounted in polyester resin for SERS analysis of the organic pigments. This combined extractionless non-hydrolysis SERS and NRS approach provides for the definitive identification of carmine lake, madder lake, and vermilion in multiple paint layers. To our knowledge, this study represents the first in situ identification of natural, organic pigments within paint cross-sections from oil paintings. Furthermore, the combination of SERS and normal Raman, with light microscopy provides conservators with a more comprehensive understanding of a painting from a single sample and without the need for sample pretreatment.

Surface-enhanced Raman spectroscopy studies of yellow organic dyestuffs and lake pigments in oil paint.

Identifying natural, organic dyes and pigments is important for the conservation, preservation, and historical interpretation of works of art. Although previous SERS studies have demonstrated high sensitivity and selectivity for red lake pigments using various pretreatment conditions, corresponding investigations of yellow lake pigments and paints are relatively sparse. Here, surface-enhanced Raman scattering (SERS) spectroscopy is used to identify a variety of yellow organic dyestuffs and lake pigments in oil paint. High-quality SERS spectra of yellow dyestuffs (i.e., turmeric, old fustic, Buckthorn berries) and corresponding paints could be obtained with or without sample pretreatment using microliter quantities of HCl and methanol at room temperature. However, the SERS spectra of yellow lake pigments (i.e., Stil de Grain, Reseda lake) and their corresponding oil paints were only observed upon sample pretreatment. Ultimately, we demonstrate a reliable sample treatment protocol for SERS-based identification of turmeric, old fustic, Buckthorn berries, Stil de Grain, and Reseda lake as well as for microscopic samples of the corresponding oil paints.

Pretreatment strategies for SERS analysis of indigo and Prussian blue in aged painted surfaces.

Surface-enhanced Raman scattering (SERS) spectroscopy is increasingly applied to the identification of organic colorants in cultural heritage objects because vibrational fingerprints can be measured from microscopic samples. However, the development of SERS into a reliable, broad-spectrum method for art analysis requires the study of a wide variety of organic and inorganic colorants as well as colorant mixtures in paint. Here, we demonstrate reliable protocols for SERS-based identification of insoluble indigo, Prussian blue (PB), and mixtures thereof in aged painted surfaces. The use of simple salts and acids for sample pretreatment is evaluated. High-quality SERS spectra of PB and indigo are elucidated upon sample pretreatment with H(2)SO(4). In several cases, SERS spectra of the colorants could not be obtained without sample pretreatment. We demonstrate the use of H(2)SO(4) to solubilize PB as well as perform an in situ conversion of insoluble indigo to soluble indigo carmine (IC) on indigo, indigo oil paint, and actual samples from historic painted surfaces. A microscopic H(2)SO(4)-treated sample from the Portrait of Evelyn Byrd produced a SERS spectrum that is consistent with a mixture of PB and IC. To our knowledge, this work represents the first SERS spectrum of indigo in oil paint and the first simultaneous detection of a mixture of blue organic and inorganic colorants in a single art sample using SERS.