Micro-spectroscopic study of late 19th-early 20th century tube paints.

Many issues in the conservation of paintings from the early modern period are still unresolved due to lack of information on paints from the late 19th and early 20th centuries, in particular their production, formulations, and later degradation processes. The inconsistency of the names that paint manufacturers chose for their products furthermore compounds the challenges faced by conservators and chemists wishing to study them. This paper addresses a number of these issues through investigations of commercial tube oil paints from a paint box owned by the Norwegian painter Harriet Backer (1845-1932). Samples were analyzed using a multi-instrumental approach. Micro-attenuated total reflection Fourier transform infrared spectroscopy and micro-Raman spectroscopy - supported by micro-X-ray powder diffraction - allowed the identification of binders, pigments, and extenders. The data highlight the use of materials that were new at the time and not reported in the manufacturer's catalog. Furthermore, zinc stearate has been detected for the first time. Its detection and the absence of any zinc-based pigments confirms that zinc stearate was already used as dispersing agent in paint formulations at that time.

Investigation of mineralization products of lead soaps in a late medieval panel painting.

Metal soaps pose significant concerns in the preservation of paintings made with oil as a binding medium. In highly alkaline environments, metal soap aggregates may undergo mineralization processes with the formation of new phases, such as carbonates, chlorides, oxides and sulfates of the metal cations that are present in pigments or paint additives. In this work, we report new examples of the mineralization of lead soaps in paint-cross sections taken from a late-medieval panel painting owned by the Museum of Cultural History at the University of Oslo. Scientific analyses were carried out with optical microscopy under UV and visible light, scanning electron microscopy coupled with energy dispersive X-ray spectroscopy and Raman spectroscopy to investigate and characterize the nature of the compounds present in the samples. Lead (II,IV) oxide, which is presumed to be a secondary product in the mineralization of lead soaps, has been identified in lead-based paint.

Resonance Raman Spectra of o-Safranin Dye, Free and Adsorbed on Silver Nanoparticles: Experiment and Density Functional Theory Calculation.

The properties of o-Safranin (SO) dye in the first electronic excited state were studied with combined experimental and theoretical methods. The electronic absorption spectra of SO molecules are measured in water solution and in the presence of silver nanoparticles. The normal Raman (NRS) and resonance Raman (RR) spectra of solid SO and the surface enhanced Raman (SERS) and surface enhanced resonance Raman (SE[R]RS) spectra of SO adsorbed on silver nanoparticles are measured at different excitation energies. The enhancement factors for selected vibrational bands of the RR, SERS, and SE[R]RS spectra of SO have been obtained with respect to the NRS spectra of the solid after a careful evaluation of the experimental conditions. The data furnished useful information on the excited electronic states and the interactions of SO with silver nanoparticles. The experimental results are discussed on the basis of DFT and TD-DFT calculations (B3LYP/6-311+G(d,p)) on the isolated SO molecule.

Tailored micro-extraction method for Raman/SERS detection of indigoids in ancient textiles.

Indigoid dyes are well known as vat dyes. In their oxidized dichetonic form they are stable and insoluble in water, whereas in their reduced form, commonly known as leuco, they are soluble in water and able to be attached to fabric for dyeing purposes. These blue dyes are usually easily detectable in art objects by means of Raman spectroscopy by adopting for analyses a laser line at a high wavelength, such as a 785 nm diode laser. Unfortunately, in ancient artworks, that are often highly degraded, it is not always possible to collect high quality Raman spectra, which makes the analysis and identification of these compounds particularly challenging. In this work, we present a tailor-made methodology for the extraction and the recognition of indigoid dyes in works of art, which exploits the solubility of these compounds in their reduced form. Excellent Raman and surface enhanced Raman spectroscopy (SERS) spectra of indigo were acquired after micro-extraction on ancient and reference textiles, confirming the reliability of the presented procedure. Moreover, the methodology has been applied also for the extraction of the indigoid dye Tyrian purple on a reference textile, showing excellent results. This analytical method has been found to be extremely safe both for the reference textiles and the investigated ancient textiles, thus being a promising procedure for the selective analysis and detection of indigoid compounds in objects of artistic relevance.