"Don't let anybody ever put you down culturally . it's not good ": Creating spaces for Blak women's healing.

Research has highlighted the importance of Indigenous knowledge and cultural practice in healing from ongoing histories of trauma, dispossession, and displacement for Indigenous peoples in Australia and elsewhere. Connection with culture, Country, and kinship has been identified as protective factors for Aboriginal social and emotional well-being and as facilitating cultural healing. This paper draws on stories mediated through cultural practice specifically, Wayapa and bush-dyeing workshops, to explore how women resignified experiences and engaged in "healing work." Our collaborative analysis of the stories shared resulted in three main themes that capture dialogs about the need for culturally safe spaces, vulnerability and identity, and culture, Country, and place. Centering Aboriginal knowledge, our analysis shows the meanings of Country, spirituality, and the coconstitution of people, culture, and the natural environment. Through Indigenous cultural practice, the women "grew strength in relationship" as they engaged in the psychosocial processes of deconstruction, reclamation, and renarrating personal and cultural identities.

Amplifying the Voices of Indigenous Elders through Community Arts and Narrative Inquiry: Stories of Oppression, Psychosocial Suffering, and Survival.

Researchers and practitioners in community psychology have an important role to play in supporting decolonial work including promoting opportunities for reclamation, healing, and acknowledgment of history. In this article, we discuss research undertaken alongside a community arts and cultural development project that sought to support Aboriginal people in Western Australian to create an archive of their stories for current and future generations; stories that could serve as resources for healing, reclamation, and for examining a painful and unjust past. Narrative approaches have been promoted in community psychology to advance empowerment research and practice alongside marginalized, excluded, and minoritized groups. We report on findings from a critical narrative inquiry of the stories shared through the project and in conversational interviews with four Noongar Elders to explicate the history and ongoing legacy of racialized oppression in their lives as well as cultural continuity and survival evident in the stories. Community researchers and practitioners can play a role in amplifying those stories as part of the co-intentional work of decolonization.

Picturing the Wheatbelt: exploring and expressing place identity through photography.

Community arts and cultural development is a process that builds on and responds to the aspirations and needs of communities through creative means. It is participatory and inclusive, and uses multiple modes of representation to produce local knowledge. 'Voices' used photography and photo elicitation as the medium for exploring and expressing sense of place among Aboriginal and non-Indigenous children, young people and adults in four rural towns. An analysis of data generated by the project shows the diverse images that people chose to capture and the different meanings they afforded to their pictures. These meanings reflected individual and collective constructions of place, based on positive experiences and emotions tied to the natural environment and features of the built environment. We discuss community arts and cultural development practice with reference to creative visual methodologies and suggest that it is an approach that can contribute to community psychology's empowerment agenda.