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BACKGROUND: Fatigue is an immense problem among patients undergoing haemodialysis and is associated with anxiety and depression. Live music used in different hospital settings has shown promising effects, but the feasibility and potential effectiveness of live music during haemodialysis are unknown. OBJECTIVES: To evaluate the feasibility, the participants' musical experience and potential effectiveness of live music on patients' levels of fatigue, relaxation, anxiety, depression, treatment satisfaction and work engagement among nurses. DESIGN: A pilot randomised controlled trial evaluated with a multiple methods design. PARTICIPANTS: Two clusters of 12 patients were each randomised to receive either 30 min of live music once a week during haemodialysis or usual care over a period of 6 weeks. MEASUREMENTS: The primary outcome was patients' immediate fatigue. Other outcomes were patients' long-term and post-dialysis fatigue, relaxation, anxiety, depression, treatment satisfaction and work engagement among nurses. Observations and semi-structured interviews with patients, nurses and musicians were conducted to gain an in-depth understanding of the musical experience as well as feasibility. RESULTS: The study was feasible and detected significant differences on immediate fatigue (p < 0.001) and anxiety (p < 0.012) in the intervention group compared to controls. Among 17 nurses, a significant difference was found in Dedication (p < 0.024). Furthermore, live music gave patients an uplifting experience, bringing joy and relaxation and the nurses experienced a sense of quietness in a stressful day. CONCLUSIONS: Providing live music performed by professional musicians in a haemodialysis setting is feasible and showed a significant effect on immediate fatigue and anxiety compared to controls.
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The aim of this hermeneutic-phenomenological study was to explore the perspectives of 12 patients, 17 nurses, and 4 musicians on patient-tailored live music interventions in a hemodialysis setting. Twenty-six semi-structured interviews were collected-17 with patients, 9 with nurses. Furthermore, 18 moderate participation observations, whilst 1 semi-structured group interview with 3 nurses and 3 musicians, and 13 reflective journals from musicians were collected. Within the analysis-based on Ricoeur's theory of interpretation-two overall themes emerged: (1) the inner space and (2) the participating space, followed by five subthemes: (1a) Entering a calm and enjoyable pause bubble; (1b) Resting in a thought-free state of mind; (1c) Traveling in the past and catching the moment through heartfelt music; (2a) Bringing positive changes into life; (2b) The artistic quality mediating a magnificent and beautiful experience. We found that patient-tailored live music was a meaningful break, influencing mental and physical well-being, time perception, community, work environment, and artistic approach. The artistic quality of the music was essential-together with the musicians' social awareness, empathy, and ability to interact with the patients-in creating meaningful moments for patients and staff. Overall, the music interventions were a welcome change in a predictable world of stressful routines and repetitive treatments.
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OBJECTIVE: Surgery is an important part of the treatment modalities offered to older patients with cancer. Natural ageing processes lead to deterioration of organ function, making older patients more vulnerable and at risk for experiencing less-favourable outcomes and complications after surgery. Non-pharmaceutical interventions, such as music, may be preferable to medical interventions in older people, who are at risk for adverse effects and drug interactions due to altered physiology and drug metabolism. We aimed to assess the effect of music on postoperative recovery in older patients and to determine the underpinning theoretical models MATERIALS AND METHODS: This systematic review used the databases PubMed, Cumulative Index to Nursing and Allied Health Literature (CINAHL), PsychINFO, and Répertoire International de Littérature Musicale (RILM). Clinical studies published, until 2015, investigating music as a single intervention for hospitalised patients postoperative, population mean age 60â¯years or older were selected. All types of postoperative music interventions, consisting of single or more sessions, which take place at a hospital ward. All patient outcomes were included. The search and screening was performed twice, independently, and seventeen articles were finally selected. RESULTS: Four theoretical models were detected underpinning the effect of music on postoperative recovery. The way the music interventions were shaped, varied strongly. Therefore it remained unclear what is the most effective way of performing the music in the postoperative period. Although evidence is still limited, results do show that music has a positive effect on the recovery of older patients after surgery. Pain and anxiety are reduced, and relaxation, cognitive functioning, and patient satisfaction increase during postoperative recovery. No negative side effects of music as an intervention were found and therefore seems a non-harming and non-invasive intervention. CONCLUSION: It seems worthwhile to further explore live music making in music interventions with older hospitalised surgical patients.