Poster Session: A Simple Method for the Measurement of the Color Matching Functions.

It is well known that colorimetric matching of colors on different media does not ensure that their appearance is the same for everyone. One of the reasons is that there are variations in the color matching functions (CMFs) between observers, and that individual CMFs are different from that of the standard observer defined in CIE. If CMFs can be measured easily for each observer, customized color management will be possible. Traditional methods require the adjustment of the intensities of three primary lamps (R, G, B) which is not easy for naïve observers. A simple method is proposed in this research, in which observers select the closest color from multiple candidates to a reference. The candidate colors are composed of 5 x 5 x 5 lattice, whose center is the expected matching color. The average and standard deviation of the CMFs were calculated based on the CMFs of 11 observers. For each CMF, 5 candidate values were produced: average, average +/- 1/2 SD, average +/- SD. In the experiment, the observers were allowed to choose one for each CMF of RGB among 5 candidates to make a best match. Five observers whose CMFs were measured with the adjustment method participated in the experiment. The results of two methods showed good consistencies for the G and R CMFs, while some discrepancies were observed for the B CMFs. The total time of the experiment was reduced to 1/4 to 1/3, and it was also easy for the naïve subjects, which indicate that our method is an effective one.

Invariant categorical color regions across illuminant change coincide with focal colors.

Are there regions in a color space where color categories are invariant across illuminant changes? If so, what characteristics make them more stable than other regions? To address these questions, we asked observers to give a color name to 424 colored surfaces, presented one at a time, under various chromatic illuminants. Results showed a high degree of categorical color constancy, especially under illuminants that occur in the natural environment. It was also shown that surfaces selected as a focal color (the best example of a color category) are more resistant to illuminant change than nonfocal color samples. We additionally ran an asymmetric color matching experiment to quantify the shift of color appearance induced by illuminant changes using surfaces that were all named gray, thereby disentangling the appearance-based color constancy from the categorical color constancy (which are often confounded). Results suggested that the appearance of color samples largely shifted owing to illuminant changes, even though all samples were named gray; showing that the constancy of a color category is substantially more robust than the constancy of color appearance.

The perception of translucency from surface gloss.

Translucent objects (like fruit and wax) reflect and transmit incident light to generate complex retinal image structure. Understanding how we visually perceive translucency from these images is challenging, but previous studies have demonstrated that perceived shape and shading is important for perceiving translucency. We considered the possibility that perceived translucency might also depend on 3D shape inferred from surface gloss (i.e., shape from specular highlights). Here, we performed experiments to test whether interactions between specular and non-specular image properties generated by different 3D shape information influences perceived translucency. Results revealed that perceived translucency could be explained by incongruence in 3D shape used to generate specular and non-specular image components. We proposed a new computational model based on measurable image features informative of shading relative to specular highlights that accounted for 59% of the variability in judgments of perceived translucency from the result of 10-fold cross validation. This model was found to outperform other models based on explicit subjective measures of perceived surface shape, suggesting it implicitly taps much of the relevant geometric information necessary for predicting observer judgments of translucency for glossy materials. These results provide new insight into how the visual system might infer translucency from the structure of specular and non-specular shading generated by glossy semi-opaque materials.

Luminance dependency of perceived color shift after color contrast adaptation caused by higher-order color channels.

Color adaptation is a phenomenon in which, after prolonged exposure to a specific color (i.e. adaptation color), the perceived color shifts to approximately the opposite color direction of the adaptation color. Color adaptation is strongly related to sensitivity changes in photoreceptors, such as von Kries adaptation and cone-opponent mechanisms. On the other hand, the perceptual contrast of colors (e.g. perceptual saturation of the red-green direction) decreases after adaptation to a stimulus with spatial and/or temporal color modulation along the color direction. This phenomenon is referred to as color contrast adaptation. Color contrast adaptation has been used to investigate the representation of colors in the visual system. In the present study, we measured color perception after color contrast adaptation to stimuli with temporal color modulations along complicated color loci in a luminance-chromaticity plane. We found that, after the observers adapted to color modulations with different chromaticities at higher, medium, and lower luminance (e.g. temporal alternations among red, green, and red, each at a different luminance level), the chromaticity corresponding to perceptual achromaticity (the achromatic point) shifted to the same color direction as the adaptation chromaticity in each test stimulus luminance. In contrast, this luminance dependence of the achromatic point shift was not observed after adaptation to color modulations with more complex luminance-chromaticity correspondences (e.g. alternating red, green, red, green, and red, at five luminance levels, respectively). In addition, the occurrence or nonoccurrence of the luminance-dependent achromatic point shift was qualitatively predicted using a noncardinal model composed of channels preferring intermediate color directions between the cardinal chromaticity and luminance axes. These results suggest that the noncardinal channels are involved in the luminance-dependent perceived color shift after adaptation.

Spatial Frequency Effective for Increasing Perceived Glossiness by Contrast Enhancement.

It has been suggested that luminance edges in retinal images are potential cues for glossiness perception, particularly when the perception relies on low-luminance specular regions. However, a previous study has shown only statistical correlations between luminance edges and perceived glossiness, not their causal relations. Additionally, although specular components should be embedded at various spatial frequencies depending on the micro-roughness on the object surface, it is not well understood what spatial frequencies are essential for glossiness perception on objects with different micro-roughness. To address these issues, we examined the impact of a sub-band contrast enhancement on the perceived glossiness in the two conditions of stimuli: the Full condition where the stimulus had natural specular components and the Dark condition where it had specular components only in dark regions. Object images with various degrees of surface roughness were generated as stimuli, and their contrast was increased in various spatial-frequency sub-bands. The results indicate that the enhancement of the sub-band contrast can significantly increase perceived glossiness as expected. Furthermore, the effectiveness of each spatial frequency band depends on the surface roughness in the Full condition. However, effective spatial frequencies are constant at a middle spatial frequency regardless of the stimulus surface roughness in the Dark condition. These results suggest that, for glossiness perception, our visual system depends on specular-related information embedded in high spatial frequency components but may change the dependency on spatial frequency based on the surface luminance to be judged.

Luminance edge is a cue for glossiness perception based on low-luminance specular components.

The visual system is considered to employ various image cues from an object image to perceive its glossiness. It has been reported that, surprisingly, even for object images without specular highlights we can perceive glossiness by relying on low-luminance specular components (Kim, Marlow, & Anderson, 2012). This type of perceptual glossiness is referred to as dark gloss. However, it is still unclear whether dark gloss is observed commonly across various objects, and what image features are cues for dark gloss. To address these issues, we performed several psychophysical experiments. First, we measured perceived glossiness for a number of computer-graphics object images with natural specular reflection components (Full condition) and for those without high-luminance components of specular reflections (Dark condition). The results showed that dark gloss (glossiness perception in the Dark condition) was generally observed on almost all object images, while its intensity was rather different across the images. Then we psychologically or computationally measured several image features for the stimulus images, such as luminance edge number, recognizability of reflection images, and some highlight-related features, to examine their relations to perceived glossiness with a multiple regression analysis. The results demonstrated that luminance edge number was most strongly related to glossiness scores among the measured features only for object images with potent dark gloss. These results suggest that luminance edges are an effective cue for dark gloss under certain stimulus conditions.

Contrast adaptation to luminance and brightness modulations.

Perceptual brightness and color contrast decrease after seeing a light temporally modulating along a certain direction in a color space, a phenomenon known as contrast adaptation. We investigated whether contrast adaptation along the luminance direction arises from modulation of luminance signals or apparent brightness signals. The stimulus consisted of two circles on a gray background presented on a CRT monitor. In the adaptation phase, the luminance and chromaticity of one circle were temporally modulated, while the other circle was kept at a constant luminance and color metameric with an equal-energy white. We employed two types of temporal modulations, namely, in luminance and brightness. Chromaticity was sinusoidally modulated along the L-M axis, leading to dissociation between luminance and brightness (the Helmholtz-Kohlrausch effect). In addition, luminance modulation was minimized in the brightness modulation, while brightness modulation was minimized in the luminance modulation. In the test phase, an asymmetric matching method was used to measure the magnitude of contrast adaptation for both modulations. Our results showed that, although contrast adaptation along the luminance direction occurred for both modulations, contrast adaptation for luminance modulation was significantly stronger than that for the brightness modulation regardless of the temporal frequency of the adaptation modulation. These results suggest that luminance modulation is more influential in contrast adaptation than brightness modulation.

Depth information affects judgment of the surface-color mode appearance.

The mode of color appearance is determined not solely by physical properties of the stimulus but also by the conditions of surrounding stimuli. Coplanar ratio hypothesis suggests that the information provided in the same plane plays an important role in the judgment of lightness. We measured the upper-limit luminances of the test stimulus for the surface-color mode in a three-dimensionally represented environment to study the effects of depth and luminance conditions on the mode perception. The test stimulus and two array-type surrounding stimuli composed of 10 different colors were presented at different depths. The test stimulus was presented at three different depths. Subjects set the luminance of the test color to the point where it just ceased to appear in the complete surface-color mode. The upper-limit luminances of the test colors varied as the luminances of the surrounding stimulus displayed in the same depth changed. Our results indicate that the perception of the surface-color mode is mainly determined by the stimulus displayed in the same depth. These results support that belongingness--to which group in the environment the stimulus belongs--is important, and that the mode of color appearance is determined coplanar in a three-dimensional environment.

Color perception is mediated by a plastic neural mechanism that is adjustable in adults.

An intensely debated issue concerning visual-experience-dependent neural plasticity is whether experience is required only to maintain function or whether information from experience is used actively, relieving the necessity to hard-wire all connections and allowing adaptive adjustments. Here, an active role for experience is demonstrated in circuits for color vision. Chromatic experience was altered using colored filters. Over days there was a shift in color perception, as measured by the wavelength of unique yellow, which persisted 1-2 weeks after the filters were discontinued. Moreover, color-deficient adults were shown to have altered weightings of inputs to chromatic channels, demonstrating a large neural adjustment to their inherited photopigment defect. Thus, a neural normalization mechanism for color perception, determined by visual experience, operates to compensate for large genetic differences in retinal architecture and for changes in chromatic environment.