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RESUMO Este estudo investigou o ensino das atividades circenses em escolas brasileiras, com foco no perfil das escolas, docentes e suas práticas pedagógicas. Utilizando um questionário online e combinando o método "bola de neve" e a busca ativa de participantes, a pesquisa envolveu 82 professores de todas as regiões. Os resultados destacam que o ensino de circo prevalece nos anos iniciais do Ensino Fundamental, integrado à disciplina de Educação Física principalmente nas escolas públicas e como atividade extracurricular nas privadas. Desafios como falta de infraestrutura, turmas numerosas e escassa formação nessa temática foram destacados. A pesquisa corrobora o fortalecimento dessa atividade no âmbito escolar e sugere a necessidade de mais formação e suporte aos professores.
ABSTRACT This study investigated teaching circus activities in Brazilian schools, focusing on the school and teachers profile and its pedagogical practices. Using an online questionnaire and combining "snowball" method and active search of participants, our study included 82 teachers from all regions. The results highlight that circus teaching happens more recurrently in the early years of Elementary Education, being integrated into the PE mostly in public schools and as an extracurricular activity in private schools. Lack of infrastructure and training and large group of students were highlighted as frequent challenges. The study reinforces the strengthening of this activity at the school level and suggests the need for additional training and support for teachers.
RESUMEN Este estudio investigó la enseñanza de las actividades circenses en las escuelas brasileñas, centrándose en el perfil de la escuela, de los docentes y las prácticas pedagógicas. Por medio de un cuestionario en línea y combinando el método de "bola de nieve" con la búsqueda activa de participantes, respondieron 82 docentes de todas las regiones. Los resultados destacan que la enseñanza del circo ocurre mayoritariamente en los primeros años de la Educación Primaria, integrándose más frequentemente a la disciplina de Educación Física en las escuelas públicas y como actividad extraescolar en las privadas. Se destacaron desafíos como la falta de infraestructura y formación y clases numerosas. El estudio corrobora el fortalecimiento de esta actividad en la escuela y sugiere la necesidad de formación y apoyo a los docentes.
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The effectiveness of music education depends on the personal interaction between teachers and students in the pedagogical process. The presence of the music teacher, the initial presentation of music, and the immediate correction are all essential in individual instrumental training and group-based music education [1]. In our study, we examined the ICT skills and technical possibilities which music teachers (N = 352) had at their disposal during the COVID-19 pandemic, compiled the Internet platforms they used in their teaching, and asked whether they produced their own teaching materials. By using factor analysis, we explored music teachers' attitudes towards online education and identified four factors, namely student-centred, digital virtuoso, digitally creative, and difficult-to-adapt factors. The change in the learning environment and in familiar methods presented new challenges to most surveyed music teachers, who were creative in adapting to the situation and in preparing suitable teaching materials for their students.
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The integration of public art education and new media in colleges and universities remains a trend which cannot be stopped. As new media has had a beneficial impact on teaching content, forms of teaching, and teaching effects, it has also created various challenges for public art education in colleges and universities. While investigating the current state of integrating new media with public art education in colleges and universities, it was found that the impact of new media benefits more than it harms, whether it be online, in-person, theoretical, or practical teaching. Based on the current state, future policy focus, the direction of new media's changes, and the depth of cultural and art resources, new media and public art education in colleges and universities will continue to deepen integration and show further improvement. Using a survey of more than a dozen universities in the Jiangsu Province and the results of a questionnaire survey of 116 college students, this paper probes into the changes in public art education in colleges and universities in the new media era and explores the future developmental pattern of public art education in colleges and universities both internally and externally.
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El cine encarna la vida real en todo aquello que imaginamos, por ello, desde el Máster en Educación Artística en Instituciones Sociales y Culturales de la Universidad Complutense de Madrid, se propone desarrollar un proyecto intergeneracional, Memorias de Mujer, que utiliza el cine español como herramienta mediadora, para analizar los procesos de construcción e identidad de género y expresar en un documento audiovisual la experiencia reflexiva, el cual es evaluado en el presente trabajo. Así, se opta por un diseño de investigación mixto y experimental1, establecido desde el paradigma de la investigación-acción, en torno a unos principios metodológicos, que organizan las acciones en torno a las variables que describen el hecho a investigar. Los resultados del estudio, analizados mediante la técnica cualitativa del panel, permiten afirmar que la propuesta cinematográfica ha funcionado. El cine fórum ha permitido abordar la evolución del rol de la mujer, así como compartir intersubjetividades e imaginarios con mujeres de otras generaciones. (AU)
The cinema embodies real life in everything we imagine, for this reason, from the Masters degree in Art Education in Social and Cultural Institutions of the Complutense University of Madrid, it is proposed to develop an intergenerational project, Memorias de Mujer, which uses Spanish cinema as a mediating tool, to analyze the processes of construction and gender identity and express the reflective experience in an audiovisual document, which is evaluated in this work. Thus, a mixed and experimental research design is chosen1, established from the action-research paradigm, around methodological principles, which organize the actions around the variables that describe the fact at hand. research. The results of the study, analyzed using the qualitative panel technique, allow us to affirm that the cinematographic proposal has worked. The cinema forum has made it possible to address the evolution of the role of women, as well as to share intersubjectivities and imaginaries with women of other generations. (AU)
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Humanos , Feminismo , Identidad de Género , Películas Cinematográficas , España , Aprendizaje Basado en ProblemasRESUMEN
This paper explores the impact of COVID-19 on higher education practical design courses in Egypt. Because of inadequate resources and preparedness, Egyptian colleges have struggled to adopt digital teaching methods during the COVID-19 pandemic. This paper examines strategies that are the most feasible for teaching practical courses during or after a pandemic through distance learning (on online platforms). An action research project was set up to deliver two studio-based design courses, one on architectural drawing and the other on furniture design via distance learning (online mode). This approach used a suite of technologies and synchronous and asynchronous delivery mechanisms, such as Zoom and Google Classroom. Student perceptions about the impact of these changes were evaluated using questionnaires. A psychological effect of the conditions caused by the pandemic on students has been the loss of interest in academics. The research results partially support the use of online platforms to teach practical courses. However, more needs to be done to improve the delivery of online courses in Egypt. Further, holding competitions was found to boost students' motivation levels. A future strategy for teaching practical courses in applied arts and engineering is proposed in this paper.
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Paternal involvement in household and childcare has increased over the past century, but global studies show that most mothers still remain responsible for a significantly higher proportion of total household care and childcare. Moreover, the COVID-19 pandemic has further negatively impacted mothers, who take on the majority of childcare responsibilities. However, scholars agree that a father's devotion to playing with the child fosters the child's cognitive, linguistic, and socio-emotional development. Acknowledging and approaching art as a dynamic and integrated play, this qualitative case study investigates five South Korean father-child dyads and their interactions while playing with art materials. The participants engaged in three thematic art sessions designed by the author. Data collection involved audio and video recordings of each session, surveys of adult participants, and photos of finished artworks. The study found that fathers' varied educational backgrounds and perceptions of their abilities to facilitate arts learning influenced their confidence in teaching the arts at home. Furthermore, having a theme and prompting questions assisted the fathers to facilitate more focused art play. The art play also provided the father-child dyads with arts learning opportunities, including learning and distinguishing colors and recognizing stereotypes associated with colors. Moreover, one-on-one interaction between the dyads helped them build a more intimate bond. This study presents specific examples of art activities and participants' responses, which might offer insights and educational implications for paternal involvement in child play and thematic art play at home.
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The success of faculty in adopting technology in this digital era has a direct impact on the success of the students and, eventually, the educational institution. Many teachers, on the other hand, have yet to implement technological tools such as Canvas into their classes. As a result, this study looked at art universities lecturers' opinions of variables influencing actual blackboard use, as well as their desire to utilize the lesson plan in learning and teaching during the COVID-19 Pandemic. The TAM model and the unified theory of acceptance and use of technology (UTAUT) were used to analyze lecturers' satisfaction with the blackboard and their desire to continue using it, as well as the actual usage of blackboards. A survey of 159 professors using Canvas in art instruction at five Saudi Arabian public institutions yielded the research findings. In addition, structural equation modeling (SEM) was used to evaluate the study model as well as the mediating relationship between factors influencing the desire to implement the lesson in learning and teaching during the COVID-19 Pandemic. According to the study's findings, superior impact, performance expectation, effort expectations, enabling conditions, and reported enjoyment all had statistically significant effects on perceived usefulness (PU) and perceived ease of use. The current study discovered that PU and perception of use had statistically significant influence on behavior intent, actual blackboard usage, and lecturers' happiness with utilizing blackboard in learning and teaching during the COVID-19 Pandemic. Furthermore, the results demonstrate that lecturer's intention to continue utilizing chalkboard in learning and teaching during and after COVID-19 Pandemic was influenced by actual usage of blackboard and reported pleasure. The findings are useful for education based, regulators, and practitioners who seek to create and enhance effective methods to use e-learning systems during and after the COVID-19 Pandemic.
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It is necessary to explore the significance of innovation and entrepreneurship to Chinese art education. The organization and operation mechanism of innovation and entrepreneurship education (IEE) is studied according to the current situation of IEE in Chinese art colleges and universities. The IEE system of art colleges and universities is optimized, and a new teaching model of IEE with the characteristics is explored. In addition, the research methods are theoretical analysis, comparative analysis, and empirical analysis. The objects are students from some domestic art academies. The influence of innovation and entrepreneurship on the modern art teaching model is explored. It mainly investigates the awareness and needs of college students' innovation and entrepreneurship, the professional knowledge of students participating in related activities, the transformation of achievements, and the system and management of IEE. Based on this, a new teaching model of innovation and entrepreneurship is proposed. The six dimensions of creativity, initiative, interest, ideation, independence, and concentration of students in this model are evaluated. The results show that the spirit of innovation and entrepreneurship has a significant role in improving the contemporary art education model on these six dimensions. It is found that this spirit is vital for the development of contemporary art education. In art education, the application of entrepreneurship improves students' thinking and practical ability. And this spirit is an important part of the construction of contemporary art education.
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Differences in the ability of students to judge images can be assessed by analyzing the individual preference order (ranking) of images. To gain insights into potential heterogeneity in judgement of visual abstraction among students, we combine Bradley-Terry preference modeling and model-based recursive partitioning. In an experiment a sample of 1,020 high-school students ranked five sets of images, three of which with respect to their level of visual abstraction. Additionally, 24 art experts and 25 novices were given the same task, while their eye movements were recorded. Results show that time spent on the task, the students' age, and self-reported interest in visual puzzles had significant influence on rankings. Fixation time of experts and novices revealed that both groups paid more attention to ambiguous images. The presented approach makes the underlying latent scale of visual judgments quantifiable.
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The emotions that human beings experience have a key role in the environments in which they operate. In art education, creative processes are influenced by the emotions and experiences lived by the individual, enabling a more emotional and creative design to make life more pleasant. The aim was to examine the research during the period 1917-2020 on the development of emotional creativity in art education. Mathematical and statistical techniques were applied to 984 articles carried from Elsevier's Scopus database. The findings yielded data on the scientific productivity of the journal, authors, research institutions, and countries/territories that promoted this field. The data showed an exponential trend, mostly in the last decade. Five lines of research stand out: emotion, higher education, education, art, and leadership. Moreover, five future research directions related to visual art education, affective paradigm, metacompetency, expressive arts therapy group, and cognitive empathy were detected. This study establishes the link between psychology, neuroscience, and artistic education to constitute the decision-making of the promoters of this topic of research. The analysis of international research allowed us to focus the future publications of academics and researchers, in addition to guaranteeing an adequate approach to the objectives of the institutions and funding centers.
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Arteterapia , Arte , Creatividad , Emociones , Empatía , HumanosRESUMEN
Illustrated by the case of a medical college in western China, this paper summarizes the problems in the construction and implementation of art education courses, and the actual needs of medical students for integrating art education to the medical education. In response to the major problems existing in the art education curriculum of medical schools, we propose that art education should integrate the four dimensions of "motivation, thinking, understanding and emotion" into the "New Medical Science" education reform. It is proposed to play the function of art education and stimulate students' learning motivation, innovation kinetic energy and professional motivation; improve students' ideological and moral awareness; strengthen students' perception of the times and life; cultivate students' true emotions of loving themselves and patients. Within the existing framework of medical professional education, the art-based elective courses and the "multi-disciplines" are effectively connected, and the art course system is rationally constructed; the content and evaluation of art education courses are optimized, and a reasonable evaluation system is made; the art practice orientation of the whole process of medical students' learning is stressed and a guarantee system is established. Effective implementation of the functions of the four dimensions of art education can break the barriers of the curriculum system, and take advantages of the professional, systematic and functional of art education in medical education.
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Largely absent from educational/instructional technology journals, this study focused on how K-12 art teachers in a southern state used technology to support teaching and learning, uses they found to be the best, and what kinds of technology training they received as part of their initial teacher preparation. Findings indicated that presentation and resource access technologies had transformed the way art teachers in the study work with students and materials. They also had little use of technology to support students with special needs and had limited technology experiences in their own training. Elementary art teachers were found to have more examples of student higher-order thinking skills promoting technology use, while secondary art teachers had more student media creation and a desire to implement digital portfolios. Additional findings and interpretations are offered.
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Literature about the integral role of the arts in learning is widely available, but much less has been written about how the arts and aesthetics support education in the creative arts therapies, particularly in the online learning environment. This article introduces the concept of aesthetic presence within the Community of Inquiry pedagogical model in line with values espoused within a Universal Design for Learning framework. The authors contextualize this concept with examples of how attention to the use of aesthetic and multimedia strategies in the classroom and in the online learning environment may foster openness and connection, encourage flexibility, humor, critical thinking, and animate and facilitate conversations about emergent and emotionally difficult themes while increasing accessibility for different kinds of learners.
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Observation is an indispensable and important skill in clinical practice, while observational training of visual arts is one of the most important ways to cultivate the observation ability . This study retrospectively analyzed applications of visual arts in medical education, from the teaching process of visual thinking strategy, to the selection principle of visual art work types, and to pre-and-post-training evaluation methods of core competence indicators , such as observation , communication and empathy , providing information to this interdisciplinary teaching practice in China.
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Con el objetivo de determinar si la Corporación Colegio San Bonifacio de las Lanzas contribuye con la formación ciudadana de los estudiantes del grado 5°, a través de la educación artística y los proyectos artísticos que se imparten en la institución, se realizó un estudio de caso, con un seguimiento al trabajo durante cinco años, lo que permitió evidenciar el modo en que a través de la experiencia de conocimiento corporal, emocional, simbólico y estético, se contribuye a la formación del pensamiento creativo y la expresión artística, a partir de manifestaciones materiales e inmateriales, en contextos interculturales que se expresan a través de los diferentes proyectos que, unidos con el arte, la cultura y el patrimonio están contribuyendo a que los individuos se relacionen con la sociedad, se integren a la comunidad, generen identidad, sentido de pertenencia, se unan por espacios de solidaridad, tolerancia, respeto, generando conciencia de grupo, creando vínculos de afecto y lealtad a su ciudad formada a partir de una historia y tradición cultural particular Por tal motivo, resulta esencial que se tenga en cuenta que los proyectos de formación ciudadana pueden fortalecerse a través de la educación artística, ya que el arte es una fuente de motivación excepcional para niños, niñas y jóvenes si de propiciar la formación de seres con capacidad crítica, autónomos, sensibles y en condiciones propicias para la sana convivencia se trata.
In order to determine if the San Bonifacio of Lanzas Highschool Corporation contributes to the civic education of students in 5th grade through arts education and artistic projects that are taught in the institution, a case study was conducted, following up the work done by the institution since 5 years ago until now which allowed show how through physical, emotional experience, symbolic and aesthetic knowledge, contributes to the formation of creative thought some symbolic expression, from tangible and intangible manifestations in intercultural contexts that are expressed through different artistic projects and together with art, culture and heritage are helping individuals relate to society, they are integrated into a community, generate identity, sense of belonging to their city, join other by ties of solidarity, tolerance, respect, generating awareness group, creating bonds of affection and loyalty to his city made from a particular history and cultural tradition. For that reason, it is essential to take into account that projects of citizen formation can be strengthened through artistic education, since art is a unique source of motivation for children and young people if it propitiates the formation of human beings with critical, independent, sensitive and excellent conditions to healthy living is all about.
A fim de determinar se a Corporação San Bonifacio College of Lanzas contribui para a educação cívica dos alunos de 5ª série, através da educação artes e projectos artísticos que são ensinadas na instituição, um estudo de caso foi conduzido com o trabalho de acompanhamento por cinco anos, permitindo mostrar o caminho através da experiência do conhecimento físico, emocional, simbólico e estético, que contribui para a formação do pensamento criativo e expressão artística, de manifestações tangível e intangível, em contextos interculturais que são expressas através dos diferentes projectos, juntamente com arte, cultura e património estão ajudando os indivíduos se relacionam com a sociedade, para se integrar na comunidade, gerar identidade, o sentido filiação, junte-se por espaços de solidariedade, tolerância, respeito, gerando grupo consciência, criando laços de afeto e lealdade à sua cidade feita de uma história particular e tradição cultural. Por esta razão, é essencial observar que a educação projecto de cidadania pode ser reforçada através da educação artística, já que a arte é uma fonte única de motivação para as crianças e jovens se propiciar a formação de seres crítico, autônomo, sensível e condições conducentes à capacidade de uma vida saudável é.
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Previous studies have focused on the differences in the art appreciation process between individuals, and indicated that novice viewers of artworks, in comparison to experts, rarely consider the creation process of the artwork or how this may relate to style. However, behavioral changes in individuals after educational interventions have not been examined. Art education researchers claim that technical knowledge and creation experiences help novice viewers to pay attention to technical features of artwork. Therefore, an artistic photo creation course was designed and conducted to help students acquire techniques and procedural knowledge of photo creation. The present study verified whether students' viewing strategies during appreciation of photographs changed after the course. Twenty-one students participated in two sessions, viewing the same 12 photographs before and after the course. Based on the analysis of recorded eye movements, the results indicated that the students' perceptual exploration became more active with photographs containing recognizable subjects (i.e., humans and objects), and their global saccades increased when they viewed classic photography, one of the categories of photography covered in the course. Interview data after the course indicated that students became aware of the technical effects in photographs. These results suggest that students' viewing strategies may change following a course, as assessed by behavioral measures of eye movements. Further examination is needed to validate this approach to educational effect measurement.
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The aim of this paper is to develop a new understanding of children's drawings and to provide ideas for future research in early childhood. Starting from classic theories on child graphical development, we proceed to analyze them and provide our own views on the subject. We will also recount a number of relevant empirical studies that appear to validate our theory. Our belief is that emotion and self-expression through movement play a key role in the development of child art, and that this may be already visible during the scribbling stage of drawing.
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Arte , Desarrollo Infantil/fisiología , Emociones/fisiología , Escritura Manual , Movimiento/fisiología , Adolescente , Niño , Preescolar , Creatividad , Estética , Femenino , Humanos , Imaginación/fisiología , Lactante , Cinestesia/fisiología , MasculinoRESUMEN
Emotional responses to art have long been subject of debate, but only recently have they started to be investigated in affective science. The aim of this study was to compare perceptions regarding frequency of aesthetic emotions, contributing factors, and motivation which characterize the experiences of looking at painting and listening to music. Parallel surveys were filled in online by participants (N = 971) interested in music and painting. By comparing self-reported characteristics of these experiences, this study found that compared to listening to music, looking at painting was associated with increased frequency of wonder and decreased frequencies of joyful activation and power. In addition to increased vitality, as reflected by the latter two emotions, listening to music was also more frequently associated with emotions such as tenderness, nostalgia, peacefulness, and sadness. Compared to painting-related emotions, music-related emotions were perceived as more similar to emotions in other everyday life situations. Participants reported that stimulus features and previous knowledge made more important contributions to emotional responses to painting, whereas prior mood, physical context and the presence of other people were considered more important in relation to emotional responses to music. Self-education motivation was more frequently associated with looking at painting, whereas mood repair and keeping company motivations were reported more frequently in relation to listening to music. Participants with visual arts education reported increased vitality-related emotions in their experience of looking at painting. In contrast, no relation was found between music education and emotional responses to music. These findings offer a more general perspective on aesthetic emotions and encourage integrative research linking different types of aesthetic experience.
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Este artigo tem três objetivos. O primeiro, que procuramos implementar na primeira seção, consiste numa breve revisão dos estudos sobre concepções de e autorregulação da aprendizagem em geral. O segundo, que tentamos alcançar nas duas seções seguintes, é o de abordar a investigação daquelas duas variáveis no caso particular da aprendizagem das artes. Finalmente o terceiro objetivo, relacionado à quarta seção, consiste numa sucinta revisão dos estudos que têm procurado relacionar essas duas linhas de investigação.(AU)
This paper has three goals: the first goal seeks to implement in the first section, a brief review of studies on conceptions of learning and self-regulation in general. The second goal is to investigate these two variables in the particular case of learning arts. The third objective, related to the fourth section, is a brief review of studies that have sought to relate these two lines of investigation.(AU)
Este artículo tiene tres objetivos. El primero, que buscamos implementar en la primera sección, consiste en una breve revisión de los estudios sobre concepciones de y autorregulación del aprendizaje en general. El segundo, que tentamos alcanzar en las dos secciones siguientes, es el de abordar la investigación de aquellas dos variables en el caso particular del aprendizaje de las artes. Finalmente el tercer objetivo, relacionado a la cuarta sección, consiste en una breve revisión de los estudios que ha buscado relacionar esas dos líneas de investigación.(AU)
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Aprendizaje , ArteRESUMEN
Este artigo tem três objetivos. O primeiro, que procuramos implementar na primeira seção, consiste numa breve revisão dos estudos sobre concepções de e autorregulação da aprendizagem em geral. O segundo, que tentamos alcançar nas duas seções seguintes, é o de abordar a investigação daquelas duas variáveis no caso particular da aprendizagem das artes. Finalmente o terceiro objetivo, relacionado à quarta seção, consiste numa sucinta revisão dos estudos que têm procurado relacionar essas duas linhas de investigação.
This paper has three goals: the first goal seeks to implement in the first section, a brief review of studies on conceptions of learning and self-regulation in general. The second goal is to investigate these two variables in the particular case of learning arts. The third objective, related to the fourth section, is a brief review of studies that have sought to relate these two lines of investigation.
Este artículo tiene tres objetivos. El primero, que buscamos implementar en la primera sección, consiste en una breve revisión de los estudios sobre concepciones de y autorregulación del aprendizaje en general. El segundo, que tentamos alcanzar en las dos secciones siguientes, es el de abordar la investigación de aquellas dos variables en el caso particular del aprendizaje de las artes. Finalmente el tercer objetivo, relacionado a la cuarta sección, consiste en una breve revisión de los estudios que ha buscado relacionar esas dos líneas de investigación.
