RESUMEN
Resumo Este artigo provém das entrevistas realizadas com mulheres Chinesas residentes em Lisboa, com idades compreendidas entre os 18 e os 34 anos, no decorrer da primeira fase do trabalho de campo (2021/2022). Resultante do meu projeto de Doutoramento em Antropologia aqui busco compreender como mulheres asiáticas são observadas na experiência do quotidiano enquanto organismos fetichizados e como seguem (re)construindo as suas identidades. Percorrendo essencialmente representações visuais da "yellow fever" (o cinema de Hollywood em filmes como "O Mundo de Suzie Wong", "Madame Butterfly", "Miss Saigon" e "Year of the Dragon" e a pornografia inter-racial) procuro explorar como a "raça", a "fetichização sexual" e as imagens estereotipadas exaustivamente disseminadas, afetam a vida das minhas interlocutoras.
Abstract This article stems from interviews conducted with Chinese women residing in Lisbon, aged 18-34, during the initial phase of fieldwork (2021/2022). As an outcome of my Anthropology Ph.D. project, the focus here is on comprehending the perception of Asian women within the realm of everyday life as fetishized entities and how they persist in (re)shaping their identities. By primarily examining visual "yellow fever" depictions (in Hollywood cinema through films like "The World of Suzie Wong", "Madame Butterfly", "Miss Saigon", and the "Year of the Dragon", along with interracial Pornography), I endeavor to delve into the impact of "race", "sexual fetishization", and the ubiquitous propagation of stereotypical imagery on the lives of the individuals I engage with.
RESUMEN
Visual perception is the product of serial hierarchical processing, parallel processing, and remapping on a dynamic network involving several topographically organized cortical visual areas. Here, we will focus on the topographical organization of cortical areas and the different kinds of visual maps found in the primate brain. We will interpret our findings in light of a broader representational framework for perception. Based on neurophysiological data, our results do not support the notion that vision can be explained by a strict representational model, where the objective visual world is faithfully represented in our brain. On the contrary, we find strong evidence that vision is an active and constructive process from the very initial stages taking place in the eye and from the very initial stages of our development. A constructive interplay between perceptual and motor systems (e.g., during saccadic eye movements) is actively learnt from early infancy and ultimately provides our fluid stable visual perception of the world.
Asunto(s)
Movimientos Sacádicos , Percepción Visual , Animales , Percepción Visual/fisiología , Encéfalo , Primates , Mapeo EncefálicoRESUMEN
The visual recognition of body parts activates somato-motor representations in the brain. In the present study, we investigate the influence of the plane in which hand drawings are displayed (Vertical or Horizontal) on mental rotations evoked by a handedness recognition task. Sixteen right-handed volunteers participated in an experiment where the task was to evaluate the handedness of drawings of the human hand presented in different perspectives and orientations while the Manual Reaction Time (MRT) was measured. For eight volunteers, the hand drawings were displayed on a vertical screen monitor, while for the remainder a mirror was employed and the same drawings appeared on the horizontal plan. Our main finding was that there are no differences in MRTs among the drawings displayed vertically or horizontally, with some exceptions. However, the MRTs were longer when the hands in the drawings assumed configurations that were more awkward to perform using real movements. These results show that the implicit movements involved with handedness recognition are mainly dependent on biomechanical constraints for distal (hand), but not proximal (shoulder) movements.