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1.
Sci Justice ; 57(6): 448-454, 2017 Nov.
Artículo en Inglés | MEDLINE | ID: mdl-29173458

RESUMEN

Now approximately 30years old, the field of digital forensics is arguably facing some of its greatest challenges to date. Whilst currently supporting law enforcement in numerous criminal cases annually, questions are beginning to emerge regarding whether it can sustain this contribution, with digital crime remaining prevalent. In his first live interview in September 2015, Head of MI5, Andrew Parker indicated that individuals are now engaging in computing acts which are beyond the control of authorities, confirming earlier remarks made by British Prime Minister David Cameron in the wake of the Charlie Hebdo attacks. Such comments cast doubt on the future effectiveness of the digital forensic discipline and its ability to effectively investigate those who implement the latest forms of technology to carry out illicit acts. This article debates the controversial question, could we be facing an era where digital crime can no longer be effectively policed?

2.
PLoS One ; 11(10): e0163584, 2016.
Artículo en Inglés | MEDLINE | ID: mdl-27732612

RESUMEN

Musical expertise entails meticulous stylistic specialisation and enculturation. Even so, research on musical training effects has focused on generalised comparisons between musicians and non-musicians, and cross-cultural work addressing specialised expertise has traded cultural specificity and sensitivity for other methodological limitations. This study aimed to experimentally dissociate the effects of specialised stylistic training and general musical expertise on the perception of melodies. Non-musicians and professional musicians specialising in classical music or jazz listened to sampled renditions of saxophone solos improvised by Charlie Parker in the bebop style. Ratings of explicit uncertainty and expectedness for different continuations of each melodic excerpt were collected. An information-theoretic model of expectation enabled selection of stimuli affording highly certain continuations in the bebop style, but highly uncertain continuations in the context of general tonal expectations, and vice versa. The results showed that expert musicians have acquired probabilistic characteristics of music influencing their experience of expectedness and predictive uncertainty. While classical musicians had internalised key aspects of the bebop style implicitly, only jazz musicians' explicit uncertainty ratings reflected the computational estimates, and jazz-specific expertise modulated the relationship between explicit and inferred uncertainty data. In spite of this, there was no evidence that non-musicians and classical musicians used a stylistically irrelevant cognitive model of general tonal music providing support for the theory of cognitive firewalls between stylistic models in predictive processing of music.


Asunto(s)
Percepción Auditiva/fisiología , Música , Especialización , Adulto , Femenino , Humanos , Masculino , Incertidumbre
3.
J Child Neurol ; 24(8): 1037-42, 2009 Aug.
Artículo en Inglés | MEDLINE | ID: mdl-19666887

RESUMEN

A variety of neurological problems have affected the lives of giants in the jazz genre. Cole Porter courageously remained prolific after severe leg injuries secondary to an equestrian accident, until he succumbed to osteomyelitis, amputations, depression, and phantom limb pain. George Gershwin resisted explanations for uncinate seizures and personality change and herniated from a right temporal lobe brain tumor, which was a benign cystic glioma. Thelonious Monk had erratic moods, reflected in his pianism, and was ultimately mute and withdrawn, succumbing to cerebrovascular events. Charlie Parker dealt with mood lability and drug dependence, the latter emanating from analgesics following an accident, and ultimately lived as hard as he played his famous bebop saxophone lines and arpeggios. Charles Mingus hummed his last compositions into a tape recorder as he died with motor neuron disease. Bud Powell had severe posttraumatic headaches after being struck by a police stick defending Thelonious Monk during a Harlem club raid.


Asunto(s)
Personajes , Trastornos Mentales/historia , Música/historia , Enfermedades del Sistema Nervioso/historia , Historia del Siglo XIX , Historia del Siglo XX , Humanos , Masculino , Estados Unidos
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