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Pitch discrimination is better for synthetic timbre than natural musical instrument timbres despite familiarity.
Holmes, Emma; Kinghorn, Elizabeth E; McGarry, Lucy M; Busari, Elizabeth; Griffiths, Timothy D; Johnsrude, Ingrid S.
Affiliation
  • Holmes E; Department of Speech Hearing and Phonetic Sciences, University College London, London WC1N 1PF, United Kingdom.
  • Kinghorn EE; Don Wright Faculty of Music, University of Western Ontario, London, Ontario N6A 3K7, Canada.
  • McGarry LM; Brain and Mind Institute, University of Western Ontario, London, Ontario N6A 5B7, Canada.
  • Busari E; UCL Ear Institute, University College London, London WC1E 6BT, United Kingdom.
  • Griffiths TD; Biosciences Institute, Faculty of Medical Sciences, Newcastle University, Newcastle upon Tyne NE2 4HH, United Kingdom.
  • Johnsrude IS; Brain and Mind Institute, University of Western Ontario, London, Ontario N6A 5B7, Canada.
J Acoust Soc Am ; 152(1): 31, 2022 07.
Article in En | MEDLINE | ID: mdl-35931555
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Full text: 1 Collection: 01-internacional Database: MEDLINE Main subject: Pitch Discrimination / Music Type of study: Prognostic_studies Language: En Journal: J Acoust Soc Am Year: 2022 Document type: Article Affiliation country: Country of publication:
Fulltext
Add to My VHL
Print
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Full text: 1 Collection: 01-internacional Database: MEDLINE Main subject: Pitch Discrimination / Music Type of study: Prognostic_studies Language: En Journal: J Acoust Soc Am Year: 2022 Document type: Article Affiliation country: Country of publication: