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The Art of Sim-Making: What to Learn from Film-Making.
Lateef, Fatimah; Peckler, Brad; Saindon, Eric; Chandra, Shruti; Sardesai, Indrani; Rahman, Mohamed Alwi Abdul; Krishnan, S Vimal; Wahid Ali, Afrah Abdul; Goncalves, Rose V; Galwankar, Sagar.
Affiliation
  • Lateef F; Department of Emergency Medicine, Singapore General Hospital, Singapore.
  • Peckler B; Professor, Duke NUS Graduate Medical School, Yong Loo Lin School of Medicine, National University of Singapore and Lee Kong Chian Medical School, Nanyang Technological University, SingHealth Duke NUS Institute of Medical Simulation, Singapore.
  • Saindon E; Director, SingHealth Duke NUS Institute of Medical Simulation, Singapore.
  • Chandra S; Department of Emergency Medicine, Simulation and Skills Centre, Wellington Hospital, Wellington, New Zealand.
  • Sardesai I; Head of Visual Effects, Weta Digital, Wellington, New Zealand.
  • Rahman MAA; Department of Emergency Medicine, Thomas Jefferson University Hospital, Philadelphia, Pennsylvania, USA.
  • Krishnan SV; Director, Sidney Kimmel Medical College, Thomas Jefferson University Hospital, Philadelphia, Pennsylvania, USA.
  • Wahid Ali AA; Program Director, Digital Health and Telehealth Education, Thomas Jefferson University Hospital, Philadelphia, Pennsylvania, USA.
  • Goncalves RV; Department of Emergency Medicine, Queen Elizabeth Hospital, Gateshead, United Kingdom, Europe.
  • Galwankar S; Department of Head of Emergency, Hospital Selayang, Kuala Lumpur, Malaysia.
J Emerg Trauma Shock ; 15(1): 3-11, 2022.
Article in En | MEDLINE | ID: mdl-35431474
ABSTRACT
The components of each stage have similarities as well as differences, which make each unique in its own right. As the film-making and the movie industry may have much we can learn from, some of these will be covered under the different sections of the paper, for example, "Writing Powerful Narratives," depiction of emotional elements, specific industry-driven developments as well as the "cultural considerations" in both. For medical simulation and simulation-based education, the corresponding stages are as follows DevelopmentPreproductionProductionPostproduction andDistribution. The art of sim-making has many similarities to that of film-making. In fact, there is potentially much to be learnt from the film-making process in cinematography and storytelling. Both film-making and sim-making can be seen from the artistic perspective as starting with a large piece of blank, white sheet of paper, which will need to be colored by the "artists" and personnel involved; in the former, to come up with the film and for the latter, to engage learners and ensure learning takes place, which is then translated into action for patients in the actual clinical care areas. Both entities have to go through a series of systematic stages. For film-making, the stages are as follows Identification of problems and needs analysisSetting objectives, based on educational strategiesImplementation of the simulation activityDebriefing and evaluation, as well asFine-tuning for future use and archiving of scenarios/cases.
Key words

Full text: 1 Collection: 01-internacional Database: MEDLINE Language: En Journal: J Emerg Trauma Shock Year: 2022 Document type: Article Affiliation country: Singapore

Full text: 1 Collection: 01-internacional Database: MEDLINE Language: En Journal: J Emerg Trauma Shock Year: 2022 Document type: Article Affiliation country: Singapore