Time reversal focusing in the audible range using a tunable sonic crystal.

Time reversal (TR) focusing of acoustical waves is a widely studied phenomenon that usually requires a chaotic cavity or disordered scattering medium to achieve spatial and frequency decorrelation of the acoustic field when using a single channel. On the other hand, sonic crystals were disregarded as scattering media for the TR process because of their periodic structure and previous results showing poor spatial focusing when compared to a disordered medium. In this paper, an experimental realization of a tunable sonic crystal, which can achieve single-channel TR focusing amplitudes in the audible range comparable to those obtained in a disordered scattering medium, is presented. Furthermore, the tunable nature of the system allows it to switch the time-reversed pulse on and off by changing its geometrical configuration. A robustness analysis with respect to the perturbations in the sonic crystal configurations is also presented, showing that the time-reversed pulses with high temporal and spatial contrasts are preserved only for configurations that are close to the original one.

Direct-location versus verbal report methods for measuring auditory distance perception in the far field.

In this study we evaluated whether a method of direct location is an appropriate response method for measuring auditory distance perception of far-field sound sources. We designed an experimental set-up that allows participants to indicate the distance at which they perceive the sound source by moving a visual marker. We termed this method Cross-Modal Direct Location (CMDL) since the response procedure involves the visual modality while the stimulus is presented through the auditory modality. Three experiments were conducted with sound sources located from 1 to 6 m. The first one compared the perceived distances obtained using either the CMDL device or verbal report (VR), which is the response method more frequently used for reporting auditory distance in the far field, and found differences on response compression and bias. In Experiment 2, participants reported visual distance estimates to the visual marker that were found highly accurate. Then, we asked the same group of participants to report VR estimates of auditory distance and found that the spatial visual information, obtained from the previous task, did not influence their reports. Finally, Experiment 3 compared the same responses that Experiment 1 but interleaving the methods, showing a weak, but complex, mutual influence. However, the estimates obtained with each method remained statistically different. Our results show that the auditory distance psychophysical functions obtained with the CMDL method are less susceptible to previously reported underestimation for distances over 2 m.

Principal pitch of frequency-modulated tones with asymmetrical modulation waveform: a comparison of models.

In this work, the overall perceived pitch (principal pitch) of pure tones modulated in frequency with an asymmetric waveform is studied. The dependence of the principal pitch on the degree of asymmetric modulation was obtained from a psychophysical experiment. The modulation waveform consisted of a flat portion of constant frequency and two linear segments forming a peak. Consistent with previous results, significant pitch shifts with respect to the time-averaged geometric mean were observed. The direction of the shifts was always toward the flat portion of the modulation. The results from the psychophysical experiment, along with those obtained from previously reported studies, were compared with the predictions of six models of pitch perception proposed in the literature. Even though no single model was able to predict accurately the perceived pitch for all experiments, there were two models that give robust predictions that are within the range of acceptable tuning of modulated tones for almost all the cases. Both models point to the existence of an underlying "stability sensitive" mechanism for the computation of pitch that gives more weight to the portion of the stimuli where the frequency is changing more slowly.

Directional impulse response of a large cavity inside a sonic crystal.

Both temporal and directional responses of a cavity inside a two-dimensional sonic crystal are investigated. The size of the cavity is large compared to the lattice parameter and the wavelength for the frequency range of interest. Hence, a hybrid method to compute the response is proposed, combining multiscattering theory for the calculation of the reflective properties of the sonic crystal with a modified ray-tracing algorithm for the sound propagation within the cavity. The response of this enclosure displays resonances for certain frequency bands that depend on the geometry of the lattice and the cavity. When a full band gap exists in the sonic crystal, rays cannot propagate through the medium and total reflection occurs for all incidence angles, leading to strong resonances with an isotropic intensity field inside the cavity. When only some propagation directions are forbidden, total reflection occurs for certain ranges of incidence angles, and resonances can also be elicited but with a highly anisotropic intensity field. The spectrum of resonances of the cavity is strongly affected by changes in the lattice geometry, suggesting that they can be tailored to some extent, a feature that can lead to potential applications in architectural acoustics.

Effect of chaos in a one-channel time-reversal acoustic mirror.

Time-reversal of propagating waves has been intensely studied during the last years and successfully implemented in different experimental contexts. It has been argued that ergodic or chaotic ray dynamics improve the refocusing resolution. In this work we consider this fundamental aspect by studying the reversion of sound waves in two-dimensional reflecting cavities numerically. The boundary of the enclosure is deformed from a rectangle with regular ray dynamics to a completely chaotic hyperbolic billiard. We observed that both the regular and chaotic cases display a prominent refocusing peak, and also that in the first scenario many secondary maxima appear. We developed measures of the spatial and temporal contrasts of the reconstructed signal in order to gain insight on these phenomena and to distinguish between cases. The results obtained point to the necessity for a reconsideration of what is usually understood by successful time-reversal processes.

Auditory environmental context affects visual distance perception.

In this article, we show that visual distance perception (VDP) is influenced by the auditory environmental context through reverberation-related cues. We performed two VDP experiments in two dark rooms with extremely different reverberation times: an anechoic chamber and a reverberant room. Subjects assigned to the reverberant room perceived the targets farther than subjects assigned to the anechoic chamber. Also, we found a positive correlation between the maximum perceived distance and the auditorily perceived room size. We next performed a second experiment in which the same subjects of Experiment 1 were interchanged between rooms. We found that subjects preserved the responses from the previous experiment provided they were compatible with the present perception of the environment; if not, perceived distance was biased towards the auditorily perceived boundaries of the room. Results of both experiments show that the auditory environment can influence VDP, presumably through reverberation cues related to the perception of room size.

Sound Spectrum Influences Auditory Distance Perception of Sound Sources Located in a Room Environment.

Previous studies on the effect of spectral content on auditory distance perception (ADP) focused on the physically measurable cues occurring either in the near field (low-pass filtering due to head diffraction) or when the sound travels distances >15 m (high-frequency energy losses due to air absorption). Here, we study how the spectrum of a sound arriving from a source located in a reverberant room at intermediate distances (1-6 m) influences the perception of the distance to the source. First, we conducted an ADP experiment using pure tones (the simplest possible spectrum) of frequencies 0.5, 1, 2, and 4 kHz. Then, we performed a second ADP experiment with stimuli consisting of continuous broadband and bandpass-filtered (with center frequencies of 0.5, 1.5, and 4 kHz and bandwidths of 1/12, 1/3, and 1.5 octave) pink-noise clips. Our results showed an effect of the stimulus frequency on the perceived distance both for pure tones and filtered noise bands: ADP was less accurate for stimuli containing energy only in the low-frequency range. Analysis of the frequency response of the room showed that the low accuracy observed for low-frequency stimuli can be explained by the presence of sparse modal resonances in the low-frequency region of the spectrum, which induced a non-monotonic relationship between binaural intensity and source distance. The results obtained in the second experiment suggest that ADP can also be affected by stimulus bandwidth but in a less straightforward way (i.e., depending on the center frequency, increasing stimulus bandwidth could have different effects). Finally, the analysis of the acoustical cues suggests that listeners judged source distance using mainly changes in the overall intensity of the auditory stimulus with distance rather than the direct-to-reverberant energy ratio, even for low-frequency noise bands (which typically induce high amount of reverberation). The results obtained in this study show that, depending on the spectrum of the auditory stimulus, reverberation can degrade ADP rather than improve it.

An Auditory Illusion of Proximity of the Source Induced by Sonic Crystals.

In this work we report an illusion of proximity of a sound source created by a sonic crystal placed between the source and a listener. This effect seems, at first, paradoxical to naïve listeners since the sonic crystal is an obstacle formed by almost densely packed cylindrical scatterers. Even when the singular acoustical properties of these periodic composite materials have been studied extensively (including band gaps, deaf bands, negative refraction, and birrefringence), the possible perceptual effects remain unexplored. The illusion reported here is studied through acoustical measurements and a psychophysical experiment. The results of the acoustical measurements showed that, for a certain frequency range and region in space where the focusing phenomenon takes place, the sonic crystal induces substantial increases in binaural intensity, direct-to-reverberant energy ratio and interaural cross-correlation values, all cues involved in the auditory perception of distance. Consistently, the results of the psychophysical experiment revealed that the presence of the sonic crystal between the sound source and the listener produces a significant reduction of the perceived relative distance to the sound source.

The role of vision in auditory distance perception.

In humans, multisensory interaction is an important strategy for improving the detection of stimuli of different nature and reducing the variability of response. It is known that the presence of visual information affects the auditory perception in the horizontal plane (azimuth), but there are few researches that study the influence of vision in the auditory distance perception. In general, the data obtained from these studies are contradictory and do not completely define the way in which visual cues affect the apparent distance of a sound source. Here psychophysical experiments on auditory distance perception in humans are performed, including and excluding visual cues. The results show that the apparent distance from the source is affected by the presence of visual information and that subjects can store in their memory a representation of the environment that later improves the perception of distance.

Circadian modulation of interval timing in mice.

Temporal perception is fundamental to environmental adaptation in humans and other animals. To deal with timing and time perception, organisms have developed multiple systems that are active over a broad range of order of magnitude, the most important being circadian timing, interval timing and millisecond timing. The circadian pacemaker is located in the suprachiasmatic nuclei (SCN) of the hypothalamus, and is driven by a self-sustaining oscillator with a period close to 24h. Time estimation in the second-to-minutes range--known as interval timing--involves the interaction of the basal ganglia and the prefrontal cortex. In this work we tested the hypothesis that interval timing in mice is sensitive to circadian modulations. Animals were trained following the peak-interval (PI) procedure. Results show significant differences in the estimation of 24-second intervals at different times of day, with a higher accuracy in the group trained at night, which were maintained under constant dark (DD) conditions. Interval timing was also studied in animals under constant light (LL) conditions, which abolish circadian rhythmicity. Mice under LL conditions were unable to acquire temporal control in the peak interval procedure. Moreover, short time estimation in animals subjected to circadian desynchronizations (modeling jet lag-like situations) was also affected. Taken together, our results indicate that short-time estimation is modulated by the circadian clock.

A biophysical model for modulation frequency encoding in the cochlear nucleus.

Encoding of amplitude modulated (AM) acoustical signals is one of the most compelling tasks for the mammalian auditory system: environmental sounds, after being filtered and transduced by the cochlea, become narrowband AM signals. Despite much experimental work dedicated to the comprehension of auditory system extraction and encoding of AM information, the neural mechanisms underlying this remarkable feature are far from being understood (Joris et al., 2004). One of the most accepted theories for this processing is the existence of a periodotopic organization (based on temporal information) across the more studied tonotopic axis (Frisina et al., 1990b). In this work, we will review some recent advances in the study of the mechanisms involved in neural processing of AM sounds, and propose an integrated model that runs from the external ear, through the cochlea and the auditory nerve, up to a sub-circuit of the cochlear nucleus (the first processing unit in the central auditory system). We will show that varying the amount of inhibition in our model we can obtain a range of best modulation frequencies (BMF) in some principal cells of the cochlear nucleus. This could be a basis for a synchronicity based, low-level periodotopic organization.

The pitch of vibrato tones: a model based on instantaneous frequency decomposition.

We study vibrato as the more ubiquitous manifestation of a nonstationary tone that can evoke a single overall pitch. Some recent results using nonsymmetrical vibrato tones suggest that the perceived pitch could be governed by some stability-sensitive mechanism. For nonstationary sounds the adequate tools are time-frequency representations (TFRs). We show that a recently proposed TFR could be the simplest framework to explain this hypothetical stability-sensitive mechanism. We propose a one-parameter model within this framework that is able to predict previously reported results and we present new results obtained from psychophysical experiments performed in our laboratory.