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Few colorimetric analyses of natural rainbows (i.e., bows seen in rain showers) have been published, and these are limited either to approximate techniques (colorimetrically calibrated red-green-blue (RGB) cameras) or to rainbow proxies (bows seen in sunlit water-drop sprays). Furthermore, no research papers provide angularly detailed spectra of natural rainbows in the visible and near-IR. Thus some uncertainty exists about whether the published spectra and colors differ perceptibly from those in natural rainbows. However, battery-powered imaging spectrometers now make possible direct field measurements of the observed chromaticities and spectra in such bows. These data (1) show consistent spectral and colorimetric patterns along rainbow radii and (2) let one subtract additively mixed background light to reveal the intrinsic colors and spectra produced by rainbow scattering in nature.
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Although quantitative observations of rainbow spectra, colors, and luminances are needed for any comprehensive analysis of rainbow scattering theory, very little such data has been published. But new remote sensing tools now make possible the detailed spectral and colorimetric measurement of natural rainbows, which here are defined as bows seen in sunlit rain or water-drop sprays. To measure these often short-lived phenomena, both multispectral tools (colorimetrically calibrated RGB cameras) and hyperspectral tools (imaging spectrometers) are used to examine the spectral and angular fine structure of natural rainbows. Airy theory for aerodynamically flattened drops helps to explain some of these bows' observed features, such as the reduced color gamuts caused by smaller drop sizes and low sun elevations h0. However, other features such as the distinct blues seen in rainbows at higher h0 are not well explained.
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At the earth's surface, clear-sky colors during civil twilights depend on the combined spectral effects of molecular scattering, extinction by tropospheric aerosols, and absorption by ozone. Molecular scattering alone cannot produce the most vivid twilight colors near the solar horizon, for which aerosol scattering and absorption are also required. However, less well known are haze aerosols' effects on twilight sky colors at larger scattering angles, including near the antisolar horizon. To analyze this range of colors, we compare 3D Monte Carlo simulations of skylight spectra with hyperspectral measurements of clear twilight skies over a wide range of aerosol optical depths. Our combined measurements and simulations indicate that (a) the purest antisolar twilight colors would occur in a purely molecular, multiple-scattering atmosphere, whereas (b) the most vivid solar-sky colors require at least some turbidity. Taken together, these results suggest that multiple scattering plays an important role in determining the redness of the antitwilight arch.
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This feature issue reports recent progress in scientific understanding of optical phenomena in the natural world, visible to the naked eye. The issue contains papers largely arising from presentations given at the 12th International Conference on Light and Color in Nature, held at the University of Granada from 31 May to 3 June 2016.
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The Belt of Venus (or antitwilight arch) is a reddish band often seen above the antisolar horizon during clear civil twilights, and immediately beneath it is the bluish-gray earth's shadow (or dark segment) cast on the atmosphere. Although both skylight phenomena have prompted decades of scientific research, surprisingly few measurements exist of their spectral, colorimetric, and photometric structure. Hyperspectral imaging of several clear twilights supplies these missing radiometric details and reveals some common spectral features of the antisolar sky at twilight: (1) color differences between the dark segment and the sunlit sky above the antitwilight arch are small or nil; (2) antisolar color and luminance extremes usually occur at different elevation angles; and (3) the two twilight phenomena are most vivid for modest aerosol optical depths. A second-order scattering model that includes extinction by aerosols and ozone provides some preliminary radiative transfer explanations of these twilight features' color and brightness.
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To casual observers, haze's visible effects on clear daytime skies may seem mundane: significant scattering by tropospheric aerosols visibly (1) reduces the luminance contrast of distant objects and (2) desaturates sky blueness. However, few published measurements of hazy-sky spectra and chromaticities exist to compare with these naked-eye observations. Hyperspectral imaging along sky meridians of clear and hazy skies at one inland and two coastal sites shows that they have characteristic colorimetric signatures of scattering and absorption by haze aerosols. In addition, a simple spectral transfer function and a second-order scattering model of skylight reveal the net spectral and colorimetric effects of haze.
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This is a feature issue devoted to optical phenomena in nature. Many of the papers published in this feature issue are based on presentations given at the "Light & Color in Nature" conference held in August 2013 at the University of Alaska-Fairbanks.
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Linear polarization of the clear daytime sky has often been measured as a spectrally integrated or quasi-monochromatic variable, but seldom as a spectral one. So we use a hyperspectral imaging system to measure skylight polarization at high spectral and angular resolutions for clear and hazy skies at our coastal site. The resulting polarization maps and spectra exhibit both commonalities and differences that seem unexplained by an existing polarized radiative transfer model. Comparing the measured polarization spectra with those predicted by aerosol single scattering suggests some basic verisimilitude tests for improving such models.
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Affect theory raises greater awareness of non-representational forces in social life that can shape different levels of subjectivity in ways that may not be immediately known to the subjects. In outbreaks of mass hysteria when subjects are suddenly exposed to bizarre and extreme behaviors, the question of affect becomes a key to understanding how their subjectivity is impacted by situations that seemingly slip immediate control. Hysterical subjectivity occurs not from unconscious forces but from affective contagions spreading throughout network assemblages. These are flows of fear and conflict that with non-conscious influences constitute the new forces of mass encounters. In these encounters, micro-flows of imitation are automatized by various assemblages of intention and action to produce repeatable contagions of affects and behaviors. The occurrence of the COVID-19 pandemic demonstrates the power of these flows as facilitating a global affectivity of mass hysteria. It is an affectivity in which imitation takes on a central role as technology of the social for the behavioral control of mass populations. Ubiquitous mask-wearing in the pandemic is not only seen as a prophylactic against viral infection but also intended as a mandated form of mimicry for propagating the new politics of virality. These are politics that empower fear as an agent of cascading contagions paralyzing social, cultural, and economic life around the world.
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Naturally occurring tertiary rainbows are extraordinarily rare and only a handful of reliable sightings and photographs have been published. Indeed, tertiaries are sometimes assumed to be inherently invisible because of sun glare and strong forward scattering by raindrops. To analyze the natural tertiary's visibility, we use Lorenz-Mie theory, the Debye series, and a modified geometrical optics model (including both interference and nonspherical drops) to calculate the tertiary's (1) chromaticity gamuts, (2) luminance contrasts, and (3) color contrasts as seen against dark cloud backgrounds. Results from each model show that natural tertiaries are just visible for some unusual combinations of lighting conditions and raindrop size distributions.
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Zenith skylight is often distinctly blue during clear civil twilights, and much of this color is due to preferential absorption at longer wavelengths by ozone's Chappuis bands. Because stratospheric ozone is greatly depleted in the austral spring, such decreases could plausibly make Antarctic twilight colors less blue then, including at the zenith. So for several months in 2005, we took digital images of twilight zenith and antisolar skies at Antarctica's Georg von Neumayer Station. Our colorimetric analysis of these images shows only weak correlations between ozone concentration and twilight colors. We also used a spectroradiometer at a midlatitude site to measure zenith twilight spectra and colors. At both locations, spectral extinction by aerosols seems as important as ozone absorption in explaining colors seen throughout the twilight sky.
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This is a feature issue devoted to optical phenomena that can be observed in nature, primarily with the naked eye. Many of the papers published in this feature issue are based on presentations given at the "Light & Color in Nature" conference held in June 2010 at St. Mary's College of Maryland.
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Digital images of overcast skies as seen from the earth's surface open new windows onto the angular details of overcast colors and visible-wavelength spectra. After calibration with a spectroradiometer, a commercial CCD camera equipped with a fisheye lens can produce colorimetrically accurate all-sky maps of overcast spectra. Histograms and azimuthally averaged curves of the resulting chromaticities show consistent, but unexpected, patterns in time-averaged overcast colors. Although widely used models such as LOWTRAN7 and MODTRAN4 cannot explain these characteristic patterns, a simple semiempirical model based on the radiative transfer equation does, and it provides insights into the visible consequences of absorption and scattering both within and beneath overcasts.
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Beneath most overcasts, clouds' motions and rapidly changing optical depths complicate mapping their angular distributions of luminance L(v) and visible-wavelength radiance L. Fisheye images of overcast skies taken with a radiometer-calibrated digital camera provide a useful new approach to solving this problem. Maps calculated from time-averaged images of individual overcasts not only show their brightness distributions in unprecedented detail, but they also help solve a long-standing puzzle about where brightness maxima of overcasts are actually located. When combined with simulated radiance distributions from MODTRAN4, our measured radiances also let us estimate the gradients of cloud thickness observed in some overcasts.
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This feature issue is a celebration of the joy and scientific richness of observing optical phenomena in nature. The majority of papers are adapted from presentations given at the Ninth International Meeting on Light and Color in Nature, held in Bozeman, Montana, from 25 to 29 June 2007.
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Cor , Luz , Fenômenos Ópticos , Óptica e Fotônica , Ar , Atmosfera , FísicaRESUMO
Recent studies have shown that certain nocturnal insect and vertebrate species have true color vision under nocturnal illumination. Thus, their vision is potentially affected by changes in the spectral quality of twilight and nocturnal illumination, due to the presence or absence of the moon, artificial light pollution and other factors. We investigated this in the following manner. First we measured the spectral irradiance (from 300 to 700 nm) during the day, sunset, twilight, full moon, new moon, and in the presence of high levels of light pollution. The spectra were then converted to both human-based chromaticities and to relative quantum catches for the nocturnal hawkmoth Deilephila elpenor, which has color vision. The reflectance spectra of various flowers and leaves and the red hindwings of D. elpenor were also converted to chromaticities and relative quantum catches. Finally, the achromatic and chromatic contrasts (with and without von Kries color constancy) of the flowers and hindwings against a leaf background were determined under the various lighting environments. The twilight and nocturnal illuminants were substantially different from each other, resulting in significantly different contrasts. The addition of von Kries color constancy significantly reduced the effect of changing illuminants on chromatic contrast, suggesting that, even in this light-limited environment, the ability of color vision to provide reliable signals under changing illuminants may offset the concurrent threefold decrease in sensitivity and spatial resolution. Given this, color vision may be more common in crepuscular and nocturnal species than previously considered.
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Percepção de Cores/fisiologia , Luz , Mariposas/fisiologia , Animais , EcossistemaRESUMO
Overcasts seen from below seldom are uniform, unchanging cloud shields, yet little is known about their short-term photometric variability (periods < or = 2 h). Visible-wavelength spectra of daytime and twilight overcast skies measured at 30-s intervals reveal unexpected temporal variability in horizontal illuminance E(v) and zenith luminance L(v). Fourier analysis of these time series shows peak fluctuations at periods of 2-40 min. Factors such as cloud type and optical depth, presence of fog or snow, and instrument field of view can affect overcast brightness variability. Surprisingly, under some circumstances overcast twilight E(v) exceeds clear-sky E(v) at the same Sun elevation.
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Time-series measurements of daylight (skylight plus direct sunlight) spectra beneath overcast skies reveal an unexpectedly wide gamut of pastel colors. Analyses of these spectra indicate that at visible wavelengths, overcasts are far from spectrally neutral transmitters of the daylight incident on their tops. Colorimetric analyses show that overcasts make daylight bluer and that the amount of bluing increases with cloud optical depth. Simulations using the radiative-transfer model MODTRAN4 help explain the observed bluing: multiple scattering within optically thick clouds greatly enhances spectrally selective absorption by water droplets. However, other factors affecting overcast colors seen from below range from minimal (cloud-top heights) to moot (surface colors).
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In earlier work [J. Opt. Soc. Am. A 21, 13-23 (2004)], we showed that a combination of linear models and optimum Gaussian sensors obtained by an exhaustive search can recover daylight spectra reliably from broadband sensor data. Thus our algorithm and sensors could be used to design an accurate, relatively inexpensive system for spectral imaging of daylight. Here we improve our simulation of the multispectral system by (1) considering the different kinds of noise inherent in electronic devices such as change-coupled devices (CCDs) or complementary metal-oxide semiconductors (CMOS) and (2) extending our research to a different kind of natural illumination, skylight. Because exhaustive searches are expensive computationally, here we switch to a simulated annealing algorithm to define the optimum sensors for recovering skylight spectra. The annealing algorithm requires us to minimize a single cost function, and so we develop one that calculates both the spectral and colorimetric similarity of any pair of skylight spectra. We show that the simulated annealing algorithm yields results similar to the exhaustive search but with much less computational effort. Our technique lets us study the properties of optimum sensors in the presence of noise, one side effect of which is that adding more sensors may not improve the spectral recovery.
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During many clear twilights, much of the solar sky is dominated by pastel purples. This purple light's red component has long been ascribed to transmission through and scattering by stratospheric dust and other aerosols. Clearly the vivid purples of post-volcanic twilights are related to increased stratospheric aerosol loading. Yet our time-series measurements of purple-light spectra, combined with radiative transfer modeling and satellite soundings, indicate that background stratospheric aerosols by themselves do not redden sunlight enough to cause the purple light's reds. Furthermore, scattering and extinction in both the troposphere and the stratosphere are needed to explain most purple lights.