Generalized favus: the story of a legendary case of tinea favosa.

From the moment the Olavide Museum opened its doors in 1882 until its content was packed up around 1965 and lost sight of for a time, it underwent a succession of changes. Some of those changes cannot be fully documented now because the archives of the Provincial Council (Diputación) of Madrid were lost during the Spanish Civil War. The museum was initially housed in Hospital de San Juan de Dios, in the neighborhood of Atocha. Because this hospital treated mainly venereal diseases, much of the information we have about it comes from newspapers or magazines of the period, and their accounts were often sensationalistic. When a large number of the museum's wax figures were rediscovered, along with a great many accompanying documents, in December 2005, the material allowed 3 sculptors-Zofío, Barta, and López Álvarez-to be identified. Case histories corresponding to the figures were also among the papers found. As a result, the truth about certain legends associated with the museum, the sculptors, and the patients could be unraveled. Among the patients whose stories were brought to light was one referred to as the boy with generalized tinea favosa, or crusted ringworm.

"Air, sun, water": ideology and activities of OZE (Society for the Preservation of the Health of the Jewish Population) during the interwar period.

This paper follows the social and political history of OZE, the Society for the Preservation of the Health of the Jewish Population, in the interwar period. We focus on two campaigns against typhus and favus, the first two disease oriented efforts by OZE, in order to reconstruct the operational approaches, considerations and obstacles faced by OZE as a Jewish organization and transnational participant in the discourse on the health and politics of minorities between two world wars. The analysis of OZE as a transnational Jewish relief organization has a wider significance as an example of international organizations originating from civil initiatives to promote the health of minorities through field work and politics.

Goya and tinea favosa.

A case of a tinea favosa involving the scalp of a child represented in the painting "Boys climbing a tree" (Muchachos trepando a un árbol), by Francisco Goya y Lucientes, with pictorial representation of favic scutula and consequent alopecia.

Historical aspects of dermatomycoses.

Physicians have been aware of superficial fungal infections for centuries, but the causal agents and treatments of fungal infections remained unknown until the mid-1800s, when numerous important findings were reported. Among the relevant researchers in the field of superficial mycoses were Remak, who found the fungal nature of favus in 1837; Berg, who reported oral candidosis in 1841; and Wilkinson, who described vaginal candidosis in 1849. Tinea versicolor was described clinically in 1846 by Eichstedt, and its etiologic agent was identified in 1853. Beigel reported white piedra in 1856, and Cerqueira, tinea nigra in 1891. The book Les Tiegnes was published by Sabouraud in 1910, and black piedra infection was described by Horta in 1911. In 1927, Nannizzi reported the description of the sexual state of Microsporum gypseum. The current classification of dermatophytes was published by Emmons in 1934, and the taxonomy of yeast fungi was described by Lodder and Kreger-van Rij in 1952. Finally, the successful treatment of tinea capitis with griseofulvin by Gentles in 1958 saved many patients with tinea capitis from permanent hair loss, a common side effect after treatment with thallium. (c) 2010 Elsevier Inc. All rights reserved.

Goya and tinea favosa

A case of a tinea favosa involving the scalp of a child represented in the painting "Boys climbing a tree" (Muchachos trepando a un árbol), by Francisco Goya y Lucientes, with pictorial representation of favic scutula and consequent alopecia.

Tiña favosa, historia de una leyenda / Generalized Favus: The Story of a Legendary Case of Tinea Favosa

El Museo Olavide, desde su inauguración en 1882 hasta su desaparición en 1965, ha sufrido múltiples vicisitudes, algunas de ellas no contrastadas de forma oficial debido a la desaparición durante la Guerra Civil de la documentación existente en la Diputación de Madrid. El museo estaba localizado inicialmente en el Hospital de San Juan de Dios en Atocha. El hecho de que en este hospital predominasen las enfermedades venéreas hizo que muchas «noticias» que hoy tenemos sea a través de periódicos o revistas de la época, en muchos casos con cierto carácter sensacionalista. Con la recuperación de las figuras del museo en diciembre de 2005 encontramos abundante documentación que sirvió para que se pudiera identificar a los 3 escultores, Zofío, Barta y López Álvarez, así como historiales clínicos de las figuras. Con ello se pudo desmitificar leyendas existentes en torno al museo, a los escultores y a los enfermos, una de estas es la del «muchacho de la tiña favosa» (AU)

From the moment the Olavide Museum opened its doors in 1882 until its content was packed up around 1965 and lost sight of for a time, it underwent a succession of changes. Some of those changes cannot be fully documented now because the archives of the Provincial Council (Diputación) of Madrid were lost during the Spanish Civil War. The museum was initially housed in Hospital de San Juan de Dios, in the neighborhood of Atocha. Because this hospital treated mainly venereal diseases, much of the information we have about it comes from newspapers or magazines of the period, and their accounts were often sensationalistic. When a large number of the museum’s wax figures were rediscovered, along with a great many accompanying documents, in December 2005, the material allowed 3 sculptors -Zofío, Barta, and López Álvarez- to be identified. Case histories corresponding to the figures were also among the papers found. As a result, the truth about certain legends associated with the museum, the sculptors, and the patients could be unraveled. Among the patients whose stories were brought to light was one referred to as the boy with generalized tinea favosa, or crusted ringworm (AU)