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Spatiotemporal whole-brain activity and functional connectivity of melodies recognition.
Bonetti, Leonardo; Brattico, Elvira; Carlomagno, Francesco; Cabral, Joana; Stevner, Angus; Deco, Gustavo; Whybrow, Peter C; Pearce, Marcus; Pantazis, Dimitrios; Vuust, Peter; Kringelbach, Morten L.
Afiliação
  • Bonetti L; Center for Music in the Brain, Department of Clinical Medicine, Aarhus University & The Royal Academy of Music, 8000 Aarhus/Aalborg, Denmark.
  • Brattico E; Centre for Eudaimonia and Human Flourishing, Linacre College, University of Oxford, OX39BX Oxford, United Kingdom.
  • Carlomagno F; Department of Psychiatry, University of Oxford, OX37JX Oxford, United Kingdom.
  • Cabral J; Center for Music in the Brain, Department of Clinical Medicine, Aarhus University & The Royal Academy of Music, 8000 Aarhus/Aalborg, Denmark.
  • Stevner A; Department of Education, Psychology, Communication, University of Bari Aldo Moro, 70121 Bari, Italy.
  • Deco G; Center for Music in the Brain, Department of Clinical Medicine, Aarhus University & The Royal Academy of Music, 8000 Aarhus/Aalborg, Denmark.
  • Whybrow PC; Center for Music in the Brain, Department of Clinical Medicine, Aarhus University & The Royal Academy of Music, 8000 Aarhus/Aalborg, Denmark.
  • Pearce M; Centre for Eudaimonia and Human Flourishing, Linacre College, University of Oxford, OX39BX Oxford, United Kingdom.
  • Pantazis D; Life and Health Sciences Research Institute (ICVS), School of Medicine, University of Minho, 4710-057 Braga, Portugal.
  • Vuust P; Center for Music in the Brain, Department of Clinical Medicine, Aarhus University & The Royal Academy of Music, 8000 Aarhus/Aalborg, Denmark.
  • Kringelbach ML; Centre for Eudaimonia and Human Flourishing, Linacre College, University of Oxford, OX39BX Oxford, United Kingdom.
Cereb Cortex ; 34(8)2024 Aug 01.
Article em En | MEDLINE | ID: mdl-39110413
ABSTRACT
Music is a non-verbal human language, built on logical, hierarchical structures, that offers excellent opportunities to explore how the brain processes complex spatiotemporal auditory sequences. Using the high temporal resolution of magnetoencephalography, we investigated the unfolding brain dynamics of 70 participants during the recognition of previously memorized musical sequences compared to novel sequences matched in terms of entropy and information content. Measures of both whole-brain activity and functional connectivity revealed a widespread brain network underlying the recognition of the memorized auditory sequences, which comprised primary auditory cortex, superior temporal gyrus, insula, frontal operculum, cingulate gyrus, orbitofrontal cortex, basal ganglia, thalamus, and hippocampus. Furthermore, while the auditory cortex responded mainly to the first tones of the sequences, the activity of higher-order brain areas such as the cingulate gyrus, frontal operculum, hippocampus, and orbitofrontal cortex largely increased over time during the recognition of the memorized versus novel musical sequences. In conclusion, using a wide range of analytical techniques spanning from decoding to functional connectivity and building on previous works, our study provided new insights into the spatiotemporal whole-brain mechanisms for conscious recognition of auditory sequences.
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Texto completo: 1 Base de dados: MEDLINE Assunto principal: Percepção Auditiva / Encéfalo / Magnetoencefalografia / Música Limite: Adult / Female / Humans / Male Idioma: En Ano de publicação: 2024 Tipo de documento: Article

Texto completo: 1 Base de dados: MEDLINE Assunto principal: Percepção Auditiva / Encéfalo / Magnetoencefalografia / Música Limite: Adult / Female / Humans / Male Idioma: En Ano de publicação: 2024 Tipo de documento: Article