Cross-Modal Musical Expectancy in Complex Sound Music: A Grounded Theory.

Expectancy is a core mechanism for constructing affective and cognitive experiences of music. However, research on musical expectations has been largely founded upon the perception of tonal music. Therefore, it is still to be determined how this mechanism explains the cognition of sound-based acoustic and electroacoustic music, such as complex sound music (CSM). Additionally, the dominant methodologies have consisted of well-controlled experimental designs with low ecological validity that have overlooked the listening experience as described by the listeners. This paper presents results concerning musical expectancy from a qualitative research project that investigated the listening experiences of 15 participants accustomed to CSM listening. Corbin and Strauss' (2015) grounded theory was used to triangulate data from interviews along with musical analyses of the pieces chosen by the participants to describe their listening experiences. Cross-modal musical expectancy (CMME) emerged from the data as a subcategory that explained prediction through the interaction of multimodal elements beyond just the acoustic properties of music. The results led to hypothesise that multimodal information coming from sounds, performance gestures, and indexical, iconic, and conceptual associations re-enact cross-modal schemata and episodic memories where real and imagined sounds, objects, actions, and narratives interrelate to give rise to CMME processes. This construct emphasises the effect of CSM's subversive acoustic features and performance practices on the listening experience. Further, it reveals the multiplicity of factors involved in musical expectancy, such as cultural values, subjective musical and non-musical experiences, music structure, listening situation, and psychological mechanisms. Following these ideas, CMME is conceived as a grounded cognition process.

Co-Occurrence, Extension, and Social Salience: The Emergence of Indexicality in an Artificial Language.

We investigated the emergence of sociolinguistic indexicality using an artificial-language-learning paradigm. Sociolinguistic indexicality involves the association of linguistic variants with nonlinguistic social or contextual features. Any linguistic variant can acquire "constellations" of such indexical meanings, though they also exhibit an ordering, with first-order indices associated with particular speaker groups and higher-order indices targeting stereotypical attributes of those speakers. Much natural-language research has been conducted on this phenomenon, but little experimental work has focused on how indexicality emerges. Here, we present three miniature artificial-language experiments designed to break ground on this question. Results show ready formation of first-order indexicality based on co-occurrence alone, with higher-order indexicality emerging as a result of extension to new speaker groups, modulated by the perceived practical importance of the indexed social feature.

"Blood Has No Colour": Racialized Donor In/Ex-clusion in the South African National Blood Service.

Accounting for challenges with HIV transmission and testing, the South African National Blood Service (SANBS) transitioned toward eliminating race as a risk categorization in 2005 and actively recruiting black donors. I trace the racialization and nationalization of blood through an analysis of this transition, outreach efforts, and data from fieldwork with blood donors and SANBS staff. I examine indexicality as a semiotic means of in/ex-clusion in blood donation. Due to the sociocultural and medical significance of blood, an ethnographic account of blood services provides insights into biological citizenship and the dynamics of justice and reconciliation in post-apartheid South Africa.

"We have that strong R, you know": the enregisterment of a distinctive use of rhotics in Santomean Portuguese.

This study examines how the use of rhotics in Santomean Portuguese is becoming enregistered as a feature that marks Santomeans' national identity. It is based on ethnographic fieldwork and semistructured interviews with Santomeans living on São Tomé Island and in Portugal. The qualitative analysis of the data reveals the process that leads to the use and awareness of the rhotic feature among Santomeans. This increasing awareness is analysed in terms of orders of indexicality. The author suggests that awareness of this rhotic feature among Santomeans is contingent on having contact with Portuguese speakers of non-Santomean origin, as they only become aware of their distinctive use of rhotics when they are in contact with speakers of another variety of Portuguese on the island, in the diaspora, or online. Also, even if this feature is perceived negatively by many, it remains available for identity-driven use to express a connection to São Tomé and Príncipe.

Iconicity as Multimodal, Polysemiotic, and Plurifunctional.

Investigations of iconicity in language, whereby interactants coordinate meaningful bodily actions to create resemblances, are prevalent across the human communication sciences. However, when it comes to analysing and comparing iconicity across different interactions (e.g., deaf, deafblind, hearing) and modes of communication (e.g., manual signs, speech, writing), it is not always clear we are looking at the same thing. For example, tokens of spoken ideophones and manual depicting actions may both be analysed as iconic forms. Yet spoken ideophones may signal depictive and descriptive qualities via speech, while manual actions may signal depictive, descriptive, and indexical qualities via the shape, movement, and placement of the hands in space. Furthermore, each may co-occur with other semiotics articulated with the face, hands, and body within composite utterances. The paradigm of iconicity as a single property is too broad and coarse for comparative semiotics, as important details necessary for understanding the range of human communicative potentialities may be masked. Here, we draw on semiotic approaches to language and communication, including the model of language as signalled via describing, indicating and/or depicting and the notion of non-referential indexicality, to illustrate the multidimensionality of iconicity in co-present interactions. This builds on our earlier proposal for analysing how different methods of semiotic signalling are combined in multimodal language use. We discuss some implications for the language and communication sciences and explain how this approach may inform a theory of biosemiotics.

Managing exactness and vagueness in computer science work: Programming and self-repair in meetings.

The formulation of computer algorithms requires the elimination of vagueness. This elimination of vagueness requires exactness in programming, and this exactness can be traced to meeting talk, where it intersects with the indexicality of expressions. This article is concerned with sequences in which a team of computer scientists discuss the functionality of prototypes that are already implemented or possibly to be implemented. The analysis focuses on self-repair because this is a practice where participants can be seen to orient to meanings of different expressions as alternatives. By using self-repair, the computer scientists show a concern with exact descriptions when they talk about existing functionality of their prototypes but not when they talk about potential future functionality. Instead, when participants talk about potential future functionality and attend to meanings during self-repair, they use vague expressions to indicate possibilities. Furthermore, when the computer scientists talk to external stakeholders, they indicate through hedges whenever their descriptions approximate already implemented technical functionality but do not describe it exactly. The article considers whether the code of working prototypes can be said to fix meanings of expressions and how we may account for human agency and non-human resistances during development.

Signed Languages: A Triangular Semiotic Dimension.

Since the beginning of signed language research, the linguistic units have been divided into conventional, standard and fixed signs, all of which were considered as the core of the language, and iconic and productive signs, put at the edge of language. In the present paper, we will review different models proposed by signed language researchers over the years to describe the signed lexicon, showing how to overcome the hierarchical division between standard and productive lexicon. Drawing from the semiotic insights of Peirce we proposed to look at signs as a triadic construction built on symbolic, iconic, and indexical features. In our model, the different iconic, symbolic, and indexical features of signs are seen as the three sides of the same triangle, detectable in the single linguistic sign (Capirci, 2018; Puupponen, 2019). The key aspect is that the dominance of the feature will determine the different use of the linguistic unit, as we will show with examples from different discourse types (narratives, conference talks, poems, a theater monolog).

Personae in sociolinguistic variation.

While studies of sociolinguistic variation traditionally have focused on correlations between macro-social categories and the use of linguistic variants, sociolinguistic work examining social meaning-making at an interactional level views linguistic variation as a resource deployed by agentive speakers and listeners. The persona has become an important construct in understanding how on-the-ground interactional practice builds up to form larger-scale patterns of sociolinguistic variation and change. Rather than members of macro-social groups, personae are holistic, ideological social types that are recognizably linked with ways of being and speaking. This article reviews the theoretical foundations for the use of personae as a social construct in the study of linguistic variation. It then describes the ways in which the construct has enriched sociolinguistic theories of social categories, intra-speaker variation, stylistic practice, explicit performances, sociolinguistic perception, and sociolinguistic change. Taking up the study of personae helps sociolinguists better articulate how linguistic variation is contextualized socially, and how links between personae and linguistic styles are formed and disseminated through time and social space. Further, examining the nature of the social constructs linked with variation, including personae and other constructs aside from demographic categories, helps inform the growing body of work that has aimed to incorporate social information into theories of language processing, perception, production, and representation. This article is categorized under: Linguistics > Language in Mind and Brain Linguistics > Linguistic Theory Psychology > Language.

Mirror, Peephole and Video - The Role of Contiguity in Children's Perception of Reference in Iconic Signs.

The present study looked at the extent to which 2-year-old children benefited from information conveyed by viewing a hiding event through an opening in a cardboard screen, seeing it as live video, as pre-recorded video, or by way of a mirror. Being encouraged to find the hidden object by selecting one out of two cups, the children successfully picked the baited cup significantly more often when they had viewed the hiding through the opening, or in live video, than when they viewed it in pre-recorded video, or by way of a mirror. All conditions rely on the perception of similarity. The study suggests, however, that contiguity - i.e., the perception of temporal and physical closeness between events - rather than similarity is the principal factor accounting for the results.

Visuo-Kinetic Signs Are Inherently Metonymic: How Embodied Metonymy Motivates Forms, Functions, and Schematic Patterns in Gesture.

This paper aims to evidence the inherently metonymic nature of co-speech gestures. Arguing that motivation in gesture involves iconicity (similarity), indexicality (contiguity), and habit (conventionality) to varying degrees, it demonstrates how a set of metonymic principles may lend a certain systematicity to experientially grounded processes of gestural abstraction and enaction. Introducing visuo-kinetic signs as an umbrella term for co-speech gestures and signed languages, the paper shows how a frame-based approach to gesture may integrate different cognitive/functional linguistic and semiotic accounts of metonymy (e.g., experiential domains, frame metonymy, contiguity, and pragmatic inferencing). The guiding assumption is that gestures metonymically profile deeply embodied, routinized aspects of familiar scenes, that is, the motivating context of frames. The discussion shows how gestures may evoke frame structures exhibiting varying degrees of groundedness, complexity, and schematicity: basic physical action and object frames; more complex frames; and highly abstract, complex frame structures. It thereby provides gestural evidence for the idea that metonymy is more basic and more directly experientially grounded than metaphor and thus often feeds into correlated metaphoric processes. Furthermore, the paper offers some initial insights into how metonymy also seems to induce the emergence of schematic patterns in gesture which may result from action-based and discourse-driven processes of habituation and conventionalization. It exemplifies how these forces may engender grammaticalization of a basic physical action into a gestural marker that shows strong metonymic form reduction, decreased transitivity, and interacting pragmatic functions. Finally, addressing basic metonymic operations in signed lexemes elucidates certain similarities regarding sign constitution in gesture and sign. English and German multimodal discourse data as well as German Sign Language (DGS) are drawn upon to illustrate the theoretical points of the paper. Overall, this paper presents a unified account of metonymy's role in underpinning forms, functions, and patterns in visuo-kinetic signs.

Voice quality types and uses in North American English.

Voice quality has been defined variously in the literature ranging from states or postures of the glottis and vocal tract in general most broadly, to a narrower definition which refers to characteristics of vocal fold vibration during voiced phonation. Linguists have traditionally broken the voicing continuum into five basic categories based on roles they play in a language's phonology: (spread) voiceless, breathy, modal, creaky, (constricted) voiceless. Of these, the three central states, breathy, modal, creaky, are relevant to voice quality as discussed in this work. Voice qualities can be modelled as an interaction between subglottal pressure, degree of vocal fold approximation (aperture), longitudinal tension of the vocal folds (stiffness), and medial compression of the vocal folds (thickness). Breathy voicing is achieved with high glottal aperture, low stiffness, and low thickness, resulting in noise, low pitch, and increased spectral tilt. Creaky voicing has differing realizations depending on its linguistic role, prototypical creaky voice has low aperture, low stiffness, and high thickness, resulting in irregular and lower pitch, and decreased spectral tilt. Several other types of creaky voice quality exist including: 1) glottal fry, 2) multiply pulsed voice, and 3) nonconstricted creak. In this paper, we focus on creaky voice broadly-defined and concentrate on its distribution in North American English. While not contrastive, it plays an important role in phonology and a wide variety of other discourse, pragmatic, and social functions. In this context we present some of our current research into segmental and social factors relating to creaky voicing. We find a correlation between vowel height and creaky voicing. We also find evidence that voice quality is used by men to index gender in conversational speech. Our findings bear on the debate about the sociolinguistic uses of voice quality.

La qualité de voix a été définie de multiples façons dans la littérature spécialisée. Certains l'identifient, de manière très générale, aux diverses configurations de la glotte et de l'appareil phonatoire, alors que d'autres la restreignent aux modes de vibration des replis vocaux lors des épisodes de phonation voisée. Les linguistes considèrent traditionnellement que le continuum de la phonation recouvre cinq catégories principales, définies en fonction du rôle qu'elles remplissent dans la phonologie des langues du monde : la phonation nulle avec replis vocaux écartés, la voix soufflée, la voix modale, la voix craquée et la phonation nulle avec replis vocaux resserrés. Parmi ces cinq catégories, les trois états centraux : la voix soufflée, la voix modale et la voix craquée relèvent du domaine de la qualité de voix telle que traitée dans cet article. Les différentes qualités de voix peuvent se modéliser selon une interaction entre pression subglottique et degré d'ouverture, tension longitudinale et compression médiane des replis vocaux. La voix soufflée est produite en conférant un haut degré d'ouverture, un faible degré de tension longitudinale et un faible degré de compression médiane aux replis vocaux. La conjonction de ces ajustements engendre un bruit de friction, des fréquences basses et une élévation de l'inclinaison spectrale. La voix craquée se décline en diverses variétés en fonction de la fonction qu'elle remplit sur le plan linguistique. La voix craquée prototypique se définit par un faible degré d'ouverture des replis vocaux, un faible degré de tension longitudinale et un haut degré de compression médiane. La combinaison de ces ajustements résulte en des fréquences basses et irrégulières ainsi qu'en un abaissement de l'inclinaison spectrale. Il existe plusieurs autres types de voix craquées, au nombre desquels : 1) la « friture ¼ glottique (glottal fry), 2) la voix pulsée (multiply pulsed voice) et 3) le craquement sans constriction (nonconstricted creak). Dans cet article, nous nous concentrons sur la voix craquée définie dans son acception la plus large et nous intéressons à sa distribution en anglais nord-américain. Bien que la voix craquée ne possède pas un statut contrastif, elle joue un rôle prépondérant en phonologie et remplit une gamme étendue de fonctions sociales, discursives et pragmatiques. C'est dans cette perspective que nous présentons une partie de l'état actuel de notre recherche sur les facteurs sociaux et les caractéristiques segmentales corrélés à la production de la voix craquée. Nous mettons ainsi en lumière le rapport observé entre hauteur des voyelles et usage de la voix craquée ainsi que certains éléments empiriques indiquant que les locuteurs hommes utilisent la qualité de voix pour marquer leur masculinité. Ces résultats sont de nature à enrichir le débat sur les fonctions sociolinguistiques de la qualité de voix.

Language as Description, Indication, and Depiction.

Signers and speakers coordinate a broad range of intentionally expressive actions within the spatiotemporal context of their face-to-face interactions (Parmentier, 1994; Clark, 1996; Johnston, 1996; Kendon, 2004). Varied semiotic repertoires combine in different ways, the details of which are rooted in the interactions occurring in a specific time and place (Goodwin, 2000; Kusters et al., 2017). However, intense focus in linguistics on conventionalized symbolic form/meaning pairings (especially those which are arbitrary) has obscured the importance of other semiotics in face-to-face communication. A consequence is that the communicative practices resulting from diverse ways of being (e.g., deaf, hearing) are not easily united into a global theoretical framework. Here we promote a theory of language that accounts for how diverse humans coordinate their semiotic repertoires in face-to-face communication, bringing together evidence from anthropology, semiotics, gesture studies and linguistics. Our aim is to facilitate direct comparison of different communicative ecologies. We build on Clark's (1996) theory of language use as 'actioned' via three methods of signaling: describing, indicating, and depicting. Each method is fundamentally different to the other, and they can be used alone or in combination with others during the joint creation of multimodal 'composite utterances' (Enfield, 2009). We argue that a theory of language must be able to account for all three methods of signaling as they manifest within and across composite utterances. From this perspective, language-and not only language use-can be viewed as intentionally communicative action involving the specific range of semiotic resources available in situated human interactions.

Social Salience Discriminates Learnability of Contextual Cues in an Artificial Language.

We investigate the learning of contextual meaning by adults in an artificial language. Contextual meaning here refers to the non-denotative contextual information that speakers attach to a linguistic construction. Through a series of short games, played online, we test how well adults can learn different contextual meanings for a word-formation pattern in an artificial language. We look at whether learning contextual meanings depends on the social salience of the context, whether our players interpret these contexts generally, and whether the learned meaning is generalized to new words. Our results show that adults are capable of learning contextual meaning if the context is socially salient, coherent, and interpretable. Once a contextual meaning is recognized, it is readily generalized to related forms and contexts.

Estimating the Relative Sociolinguistic Salience of Segmental Variables in a Dialect Boundary Zone.

One way of evaluating the salience of a linguistic feature is by assessing the extent to which listeners associate the feature with a social category such as a particular socioeconomic class, gender, or nationality. Such 'top-down' associations will inevitably differ somewhat from listener to listener, as a linguistic feature - the pronunciation of a vowel or consonant, for instance - can evoke multiple social category associations, depending upon the dialect in which the feature is embedded and the context in which it is heard. In a given speech community it is reasonable to expect, as a consequence of the salience of the linguistic form in question, a certain level of intersubjective agreement on social category associations. Two metrics we can use to quantify the salience of a linguistic feature are (a) the speed with which the association is made, and (b) the degree to which members of a speech community appear to share the association. Through the use of a new technique, designed as an adaptation of the Implicit Association Test, this paper examines levels of agreement among 40 informants from the Scottish/English border region with respect to the associations they make between four key phonetic variables and the social categories of 'Scotland' and 'England.' Our findings reveal that the participants exhibit differential agreement patterns across the set of phonetic variables, and that listeners' responses vary in line with whether participants are members of the Scottish or the English listener groups. These results demonstrate the importance of community-level agreement with respect to the associations that listeners make between social categories and linguistic forms, and as a means of ranking the forms' relative salience.