Una escultura de Juan José Sicre Vélez para honrar al doctor Carlos J. Finlay Barrés / One sculpture of Juan José Sicre Vélez to honor Doctor Carlos J. Finlay Barrés

Los artistas cubanos han dedicado obras de variados géneros para homenajear al doctor Carlos J. Finlay Barrés y su meritorio trabajo investigativo sobre la fiebre amarilla, enfermedad causante de epidemias y defunciones, en su época, en Cuba y otros países. Las artes plásticas tienen una sustancial impronta en reconocimientos al sabio, lo que hace usual su presencia en obras escultóricas del paisaje urbanístico cubano. Entre estas, se destaca por su belleza y localización, la del escultor Juan J. Sicre Vélez. Este trabajo tiene como objetivo contribuir al conocimiento de la obra escultórica dedicada por Sicre al sabio y destacar su trascendental significación para la medicina y la ciencia cubana. La escultura y su temática por su significación para la medicina y la ciencia realzan la identidad cultural de la nación cubana. Su emplazamiento en áreas del Hospital Militar Central Dr. Carlos J. Finlay, en Marianao, tiene simbolismo por ser la localidad donde Finlay desarrolló la mayor parte de las investigaciones conducentes a su teoría sobre el modo de contagio y el agente transmisor de la fiebre amarilla. La obra escultórica es también un hermoso homenaje a los médicos y trabajadores de la salud que prestan servicios médicos humanitarios en Cuba y en otros países. Por su contenido estético y temático, la escultura es un estimable recurso didáctico para desarrollar las estrategias educativas en la formación del personal de la salud(AU)

Cuban artists have dedicated works of various genres to honor Dr. Carlos J. Finlay Barrés and his meritorious investigative work on yellow fever, a disease that causes epidemics and deaths, in its time, in Cuba and other countries. The plastic arts have a substantial mark in recognizing the sage, which makes their presence usual in sculptural works of the Cuban urban landscape. Among these, the one of the sculptor Juan J. Sicre Vélez stands out for its beauty and location. This work aims to contribute to the knowledge of the sculptural work dedicated by Sicre to the sage and highlight its transcendental significance for Cuban medicine and science. The sculpture and its theme due to its significance for medicine and science enhance the cultural identity of the Cuban nation. Its location in areas of the Central Military Hospital Dr. Carlos J. Finlay, in Marianao, has symbolism for being the town where Finlay developed most of the research leading to his theory on the mode of contagion and the transmitting agent of yellow fever. The sculptural work is also a beautiful tribute to the doctors and health workers who provide humanitarian medical services in Cuba and in other countries. Due to its aesthetic and thematic content, sculpture is a valuable didactic resource to develop educational strategies in the training of health personnel(AU)

Will the shepherd be able to play the alpine horn with that huge goiter (XVI century)?

PURPOSE: There are many of the representations in iconography of individuals with goiters reported in the literature. METHODS: The article describe a unique representation of goiter, as observed by the authors in a sculpture in Italy. RESULTS: In a Nativity, in the upper part of the altar of the Church of the Annunciata, Boccioleto (Val Sermenza, Piedmont, Italy), a horn player with a huge goiter, gladdens the Holy Family. Wooden work by Francesco Antonio d'Alberto, 1694. CONCLUSION: This is an appropriate example of the iconography of "real goiter," since in this case the sculptor had the aim of showing person with goiter.

Archeology and urology: testimonies of the IV-III century b.C. on La Peyronie's disease.

The discovery of two archaeological objects describing La Peyronie's disease. They come from the archaeological excavation of Pantanacci (Lanuvio, south of Rome), that has returned numerous objects of medical representation dating back to the IV-III sec. B.C.

El cráneo de la mirada mágica y dentadura de jade / The skull of the magic glimpse and its jade teeth

Se presentan dos esculturas prehispánicas de la cultura azteca, la primera en forma de cráneo a la cual se le tallaron y colocaron ojos de diferentes tipos de piedra, también una dentadura completa y bien alineada hecha de jade. En la zona del occipital se distingue el grabado de un rey desconocido, el cual porta un arete, un penacho y un cetro. La segunda escultura es una charola de piedra tallada con incrustaciones de piedras preciosas de jade y rubí que muestra la imagen del mismo rey sostenida por tres personajes parcialmente desdentados padeciendo de dolor dental. Estos eventos demuestran la importancia de la salud bucal en la población prehispánica, particularmente en la cultura azteca, al igual que la relevancia de los aspectos mágicos y religiosos en torno a la muerte.

It is described a couple prehispanic carved solid stone sculptures of theAztec culture, the fi rst one with a human skull shape, with carved andmounted stone eyes, as well as a complete and fi ne lined jade denture.It is also remarked on its occipital area a fi gure of carved unknownking, wearing a mobile stone earring, a feather cap, and a cane. Thesecond stone sculpture is a carved stone plate with jade and ruby carvedmounted stones. This sculpture also shows the same mentioned kingimage, which is supported by three no complete dental (toothless) maleservants, that resemble the three men suff ering dental discomfort. Thesecouple sculpture pieces show the magical and religious aspects of themighty importance of the death to the Aztecs.

Artistic representations of short stature, a tentative diagnosis.

Throughout human history, disease-related short stature has represented a source of fascination. Following the recent advances in genetics and molecular biology, several hundreds of possible causes are now to be considered. We present herein a few examples of the diagnosis approach of such cases from art sources (sculptures, paintings or photographs for the most recent periods), associated or not with biographical data, allowing semiological and anthropological analyses. The explored period spans from antic great civilizations to 19th Century Western societies. The palaeopathological diagnosis method is based upon medical approach. It includes a search for possible associated abnormalities and the distinction between proportioned, mainly related to hormonal disorders (particularly growth hormone deficiency), and non-proportioned cases especially associated with genetic skeletal dysplasias. Among this latter category, achondroplasia is the most represented cause of short stature. Other more exceptional etiologies are also reported.

The tragedy of Thomas Crawford, sculptor of the Statue of Freedom.

The Statue of Freedom, which sits on top of the Capitol Dome in Washington, DC, was created by Thomas Crawford. At the peak of his career in 1856, while busy completing multiple commissions for the new Capitol extensions, he developed diplopia and consulted the leading oculists of the time in Paris, Drs. Desmarres and Sichel, who were certain he had an intraorbital tumor. Two American physicians were also involved in Crawford's care. Both became controversial after treating Crawford, one because of his method of diagnosis, the other because of his unproven method of treating cancer. Desperate, Crawford agreed to undergo an experimental treatment that destroyed the eye and orbital contents. He died 5 months later at age 44 and never saw any of his sculptures placed in the Capitol building.

[Montesquieu visually impaired, then blind (January 1689- February 1755)]. / Montesquieu malvoyant, puis aveugle.

The correspondence of Montesquieu published by the Oxford Foundation informs about visual disorders of the founder of the socio-political science. The examination of his bust's face done by J.B. Lemoyne reveals a divergent squint of the left eye; the one with which he fold that he only could see big objects. This amblyopia was a premature and prolonged embarrassment. During the last ten years of his life, from 1748, date of publication of the Esprit des lois up to his death in 1755 he was blind because of the cataract of the other eye. He has not able to bust in surgery, while the French surgeon Jacques Daviel already proceeded to the extraction of the lens as we do it nowadays.

[Presence of terms for birds, aquatic animals and insects in medical language]. / La présence des volatiles, des animaux aquatiques et des insectes dans le langage médical.

After a first lecture, in April 2013, about the presence of mammals in medical language, the author gives another part of his panorama of animal metaphors used in medicine, focusing this time on the birds, aquatic animals and insects. The second part of this study confirms that animals, or at least the image of them in the past, were regularly present in medical nosology.

An abridged photographic history of organ transplantation.

OBJECTIVES: Organ transplantation is one of the most remarkable therapeutic advances in modern medicine; it started as an experiment and has become a life-saving practice. We briefly describe the major milestones of this multidisciplinary clinical science, the challenges that it still faces, and we consider the crucial contribution that its example could set for other medical fields. MATERIALS AND METHODS: A review of the literature was conducted and a selection of images was made to complete a brief history of organ transplantation, with a particular focus on liver transplantation. RESULTS: The largest problem affecting organ transplantation today is the shortage of organs. Attention should be given to preserving the peculiar high ethical value that characterizes the very nature of organ transplantation. CONCLUSIONS: Methods successfully adopted by organ transplantation during the past 60 years can inspire promising fields, such as stem cell research, and provide useful tools to face the ethical challenges posed by scientific discoveries.

Bach and His.

This paper examines the career of Johann Sebastian Bach (1685-1750) and the role played by Wilhelm His I (who was, with Albert von Haller, a noted pioneer of physiology) in the exhumation of Bach's remains in 1894. His's examination of these remains allowed the sculptor Carl Seffner to produce the celebrated statue of Bach which stands outside the church of St Thomas in Leipzig, where the composer was employed from 1723 until his death. Modern forensic techniques have recently enabled Bach's image to be reconstructed in even more spectacular detail.

El cuerpo humano en el "Moisés" de Miguel Ángel / The human body in Michelangelo's Moses

What grips us so powerfully to a work of art is the artist's intention, if he succeeds to express it in his work and we are able to understand it. Michelangelo's Moses established the essential structures of an animate organism and the embodiment of consciousness in the world. Since the body is an expressive unit, it is possible to reconstruct a highly feasible sequence of movements that might have preceded the moment caught in the statue. It is an expression of the highest ideal of mental and spiritual achievement through the controlled tension between action and restraint. The phenomenon of embodiment and feeling the body as own is the basis of concrete human existence.